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Archival description
Material Culture
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442 results with digital objects Show results with digital objects

Glenbow

File contains images of a painted dish from the "F. Smith Coll'n" at the Glenbow Museum in Calgary. There are also two images of bentwood boxes.

Glenbow Museum

File contains images of bentwood boxes housed at the Glenbow Museum. The textual records contained in this file are copies of catalogue records.

Gold Harbour Chief

Image depicts a Haida man identified as Chief Gold dressed in what appears to be a ceremonial Chilkat robe and woven hat standing in front of a house with a housepost at centre. Photograph was taken at Moresby Island in Haida Gwaii, B. C. Printed around the border of the image is the photographer information "PHOTOGRAPHED BY R. MAYNARD, VICTORIA, . . . B. C." Handwritten inscription on the border reads "Gold Harbour Chief Q. Ch. Is.". Printed on the verso is the photographer information with the inscription "R. Maynard, Photographic Artist, AND DEALER IN ALL KINDS OF PHOTOGRAPHIC MATERIALS, COR. OF DOUGLAS AND JOHNSON STS., VICTORIA, B. C. -- Views of British Columbia and Vancouver Island for Sale." A handwritten inscription reads "Gold Harbour Chief".

Granny Peters

File consists of images of basket weaver Granny Peters, of Peters Reserve, Sea Bird Island, Hope BC.

Anthony Carter

Haida

File mainly contains historical images of Haida and Tlingit villages and totem poles located on the Northwest Coast of British Columbia and Alaska. There are also images of Haida and Tlingit peoples dressed in regalia. Other photos include images of Haida and Tlingit artifacts, such as bentwood boxes and carvings, housed in various museums around the world. There are also images of a modern day ceremony in front of some totem poles and long houses. The textual records include photocopies of images of totem poles and Haida and Tlingit villages.

Haida chest view A

Image of a bentwood box by Charles Edenshaw. This photograph may be from an exhibit at the old Museum of Anthropology dealing with Northwest coast technology.

Halibut carving

Image depicts a small carving of a halibut that rests on a ledge. Additional information indicates that this photo was taken at a shutter speed of 50 with an aperture of 2.8 - 4.

Hands of our ancestors

Subseries contains images used in a a publication titled Hands of Our Ancestors: The Revival of Salish Weaving at Musqueam written by Elizabeth Johnson and Kathryn Bernick as well as the publication itself. This publication is part of the Museum Notes program at the Museum of Anthropology.

File 1 - 3: [Photographs ]
File 4: [Transparencies, negatives]
File 5:[Book]
File 6: [Draft of book]
File 7: [Photographs]

Head carving

Image depicts a cedar carving of a head. The photo depicts the right side of the carving.

Heiltsuk/Nuxalk/Oweekeno

File mainly contains historical images of the Heiltsuk, Nuxalk, and Wuikinuxv First Nations. These images depict village life, architecture and house posts, and regalia. The file contains images of a group of Nuxalk who traveled to Berlin to perform there. Images that are not historical depict a ceremony happening in the Great Hall at UBC MOA, unidentified artists working on a set of drawings, and what appears to be the Acwsalcta High School in Bella Coola. Non textual records include photocopies of photographs, and photocopies of museum catalogue cards.

Henry Hunt & mask

Image of a person standing by part of a totem pole with tools. Another person is standing on the side

Anthony Carter

Hilary Stewart teaching a workshop

Hilary Stewart teaching a workshop at the Museum of Anthropology. The drawing on the white board behind her illustrates kerfs, and how they were used to produce bentwood boxes. She is holding a corner section of bentwood, illustrating how the corner was stitched together after being bent.

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