Museum exhibitions

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Término General Museum of Anthropology

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Museum exhibitions

2349 Archival description results for Museum exhibitions

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The Ritualist

Display for an exhibit. Likely for "Tribal Control of the Supernatural." Prominently displays four Sxwayxwey masks.

Shinto and Buddhism Exist Side by Side in Harmony

Display from the exhibit "Japanese Culture and Art." Features several shrine and figures related to Buddhism and Shinto. This exhibit was done on the arrival of materials collected by Dr. Ronald Dore of the department of Asian Studies who directed the installation of this exhibit.

The Chinese Scholar and … Values

Display for the exhibit "Chinese Values." Shows scrolls, calligraphy instruments, paintings, books, figurines, and other items. Items for this exhibit were borrowed from numerous individual donors under the direction of Dr. Ping-ti Ho.

Kabuki and Noh Theatre

Display for the exhibit "Japanese Culture and Art." Shows masks, prints, photographs, and costumes of Kabuki and Noh theatre. This exhibit was done on the arrival of materials collected by Dr. Ronald Dore of the department of Asian Studies who directed the installation of this exhibit.

Belief and Ritual

Display from the exhibit "Chinese Values." Shows busts, figurines, a book, a scroll painting, and other items. Items for this exhibit were borrowed from numerous individual donors under the direction of Dr. Ping-ti Ho.

Rank and Office

Display for the exhibit "Chinese Values." Shows textiles, pottery, plaques, figures, and other items. Items for this exhibit were borrowed from numerous individual donors under the direction of Dr. Ping-ti Ho.

Rank and Office

Display for the exhibit "Chinese Values." Shows textiles, pottery, plaques, figures, and other items. Items for this exhibit were borrowed from numerous individual donors under the direction of Dr. Ping-ti Ho.

Alaskan baskets with elephant image

Display from the exhibit "North American Indian Basketry and Technology." Shows two examples of baskets. The information placard is clearly readable. Many items for this exhibit were borrowed from the University of Washington to supplement the museum's collection.

California

Display from the exhibit "North American Indian Basketry and Technology." Shows several examples of baskets. Many items for this exhibit were borrowed from the University of Washington to supplement the museum's collection.

Melanesians

Panel for the exhibit "Melanesian Culture." Shows several photographs of Melanesians and maps of Melanesia.

Translations of Traditions: Joanna Staniszkis’ Recent Work

Subseries consists records relating to the exhibit "Translations of Traditions: Joanna Staniszkis’ Recent Work". The exhibit was co-curated by Louise Jackson and Elizabeth Johnson of MOA, with Johnson acting as exhibit coordinator. It was installed in Gallery 5 at MOA from Feb 18 to May 24, 1992. Joanna Staniszkis is an internationally known Canadian textile artist. Records include: agreements, articles from newspapers and professional journals, brochures, budget, CHIN artifact list printout, conference speaking notes, correspondence, drafts of text for the didactic panels, exhibit diagram, flyer, final report, funding application, memos, notes, permission forms, phone message, a student paper, slides and a timeline.

Sin título

The Unity Quilt

Subseries consists of records relating to the exhibit, The Unity Quilt. Elizabeth Johnson was coordinator and co-curator with Ellen Antoine of the Indian Homemakers of BC. This exhibit focused on work made by participants in the Traditional Parenting Skills Program of the Indian Homemakers’ Association of B.C. Records include: correspondence, MOA exhibit proposal form (blank), exhibit labels, memos, notes, press release, photographs, negatives, slides, and participant statements.

Sin título

My Ancestors are still Dancing

Subseries consists of records relating to the exhibit “My Ancestors are Still Dancing” at MOA. As part of a “living” exhibition, Tsimshian weaver William White from Lax Kw’alaams was commissioned to publicly weave a child-size robe in Gallery 8. The exhibit displayed William White’s weavings, historical weavings from MOA’s collection, and historical and contemporary photographs of people wearing Chilkat regalia. The exhibit was installed in 2001 and ran through until September 28, 2002. Records include acquisition/artifact lists, artist biography, budget, correspondence, exhibit labels, exhibit proposals, exhibit panel layouts, exhibit resource binders, grant applications, internal forms (consent forms), installation diagrams, map, meeting agendas memoranda, notes, object records, photographs and slides, photocopies of photographs, professional guidelines, reports, schedules, recorded audio research interviews, transcripts of research interviews, travelling exhibit, and visitor comments.

Sin título

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