Traces of Words: Art and Calligraphy from Asia

Taxonomy

Code

Scope note(s)

  • May 11 – October 9, 2017
  • CURATOR: Fuyubi Nakamura
  • Words and their physical manifestations are explored in this insightful exhibition, which will honour the special significance that written forms, especially calligraphy, hold across the many unique cultures of Asia – a vast geographical area boasting the greatest diversity of languages in the world. Traces of Words: Art and Calligraphy from Asia will showcase the varied forms of expression associated with writing throughout Asia over the span of different time periods: from Sumerian cuneiform inscriptions, Qu’ranic manuscripts, Southeast Asian palm leaf manuscripts and Chinese calligraphy from MOA’s Asian collection to graffiti art from Afghanistan and contemporary artworks using Japanese calligraphy, and Tibetan and Thai scripts. Curated by Fuyubi Nakamura (MOA Curator, Asia), the multimedia exhibition will meditate on the physical traces of words — both spoken and recorded — unique to humans. Embodying both the ephemeral and eternal elements innate to the human experience, the cultural significance of words and their artistic representation through calligraphy, painting, digital works and mixed media are examined. Traces of Words will feature works from six international artists — Shamsia Hassani, Kimura Tsubasa, Nortse, Phaptawan Suwannakudt, Yugami Hisao and teamLab.

Source note(s)

Display note(s)

Hierarchical terms

Traces of Words: Art and Calligraphy from Asia

Traces of Words: Art and Calligraphy from Asia

Equivalent terms

Traces of Words: Art and Calligraphy from Asia

Associated terms

Traces of Words: Art and Calligraphy from Asia

4 Archival description results for Traces of Words: Art and Calligraphy from Asia

Ascending

4 results directly related Exclude narrower terms

Exhibition books and catalogues

Series consists of books and catalogues pertaining to exhibitions and collections at the Museum of Anthropology. The following exhibitions and collection are covered by publications within the series:

  • Bodies of Enchantment: Puppets from Asia, Europe, Africa, and the Americas
  • Charles Edenshaw
  • Chinese Art
  • Divine Threads: The Visual and Material Culture of Cantonese Opera
  • Discerning Eye: The Walter C. Koerner Collection of European Ceramics
  • Gawa Gyani
  • Heaven, Hell, and Somewhere In Between: Portuguese Popular Art
  • ひろしま Hiroshima
  • Knowledge Within
  • Lawrence Paul Yuxweluptun: Unceded Territories
  • Layers of Influence: Unfolding Cloth Across Cultures
  • Luminescence: The Silver of Peru (English)
  • Luminiscencia: La Plata del Perú (Spanish)
  • People Among the People: The Public Art of Susan Point
  • Safar/Voyage: Contemporary Works by Arab, Iranian, and Turkish Artists
  • Savage Graces
  • The H.R. MacMillan Collection
  • The Marvellous Real: Art from Mexico, 1926 - 2011
  • The Museum of Anthropology at the University of British Columbia
  • The Potter's Art: Contributions to the Study of the Koerner Collection of European Ceramics
  • The Transforming Image
  • The Walter and Marianne Koerner Collection
  • Theatrum Mundi: Masks and Masquerades in Mexico and the Andes
  • Traces of Words: Art and Calligraphy from Asia
  • Under Different Moons: African Art in Conversation
  • Where the Power Is: Indigenous Perspectives on Northwest Coast Art

MOA Magazine, Issue 03, Spring / Summer 2017

This issue contains articles on recent ceramic acquisitions, the Reconciliation Pole, the opening of the Gallery of Northwest Coast Masterworks, threats to Indigenous peoples in the Amazon, the Coastal First Nations Dance Festival, ethical shopping, the conservation and loan of a thunderbird headdress, climate change, Curator-in-Residence Jordan Wilson, and touchable objects at the museum.

MOA Magazine, Issue 05, Summer 2018

This issue contains articles on current and upcoming exhibitions, an award for Traces of Words: Art and Calligraphy from Asia, renovations, MOA Journeys, donors Elspeth McConnell and Dr. Margaret (Marmie) Perkins Hess, the UBC Indigitization Program, highlights from the Multiversity Galleries, the BC Heritage Response Network for emergency and disaster response, artist-in-residence Debra Sloan, the donation of a South Pacific collection belonging to Reverend George Stallworthy, and an interview with Sharon Haswell, MOA Shop Manager.