- 25-05-09-a038623
- Item
- 1976
Parte de Anthony Carter fonds
Image of an unidentified artist working in a copper piece
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Parte de Anthony Carter fonds
Image of an unidentified artist working in a copper piece
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Parte de Anthony Carter fonds
Image of four unidentified individuals holding up pieces of copper. They are seated outside.
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Coppers artist at work, 1976-77
Parte de Anthony Carter fonds
Image of an unidentified man working on a piece of copper.
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Coppers artist at work, 1976-77
Parte de Anthony Carter fonds
Image of an unidentified man working on a piece of copper.
Sem título
Coppers artist at work, 1976-77
Parte de Anthony Carter fonds
Image of an unidentified man working on a piece of copper.
Sem título
Coppers artist at work, 1976-77
Parte de Anthony Carter fonds
Image of an unidentified man working on a piece of copper.
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Coppers in the making, U.B.C. with artists
Parte de Anthony Carter fonds
Image of four unidentified individuals holding up pieces of copper. They are seated outside.
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Coppers in the making, U.B.C. image of single copper
Parte de Anthony Carter fonds
Image of a piece of painted and shaped copper at the University of British Columbia.
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Parte de Anthony Carter fonds
Image of a piece of painted and shaped copper at the University of British Columbia.
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Parte de Anthony Carter fonds
Image of a piece of painted and shaped copper at the University of British Columbia.
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Four coppers with Minn Sjolseth painting at her home in Vancouver
Parte de Anthony Carter fonds
Image of a group of four pieces of painted and shaped copper at Minn Sjolseth's home.
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Parte de Anthony Carter fonds
Image of a group of four pieces of painted and shaped copper at the University of British Columbia.
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Parte de Anthony Carter fonds
Image of an unidentified totem pole at the University of British Columbia.
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Display set-up, Museum of Anthropology
Parte de Anthony Carter fonds
Image of workers setting up displays and walls at the Museum of Anthropology at the University of British Columbia.
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Display set-up, Museum of Anthropology
Parte de Anthony Carter fonds
Image of workers setting up displays and walls at the Museum of Anthropology at the University of British Columbia.
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This fonds consists of 39 16mm film reels of Celebration of the Raven. There are also five audio reels which are soundtracks for the film. Film reels include stills and test stills and camera originals. Most reels are labeled according to the scene.
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The fonds consists of 83 images associated with two books published by Douglas & McIntyre: Bill Reid by Doris Shadbolt and The Raven Steals the Light by Bill Reid. The photographers responsible for these images are R. Dereth, R. Keziere, R. Lum and B. McLemore.
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The fonds consists of records relating to Hennessy’s 2003 MA thesis titled The Spirit of Collaboration: Exploring Critical Pedagogical Principles in Transforming the Museum Through Space and Time. Hennessy was interested in the relationships that developed between community members and museum staff during the process of putting together the Museum of Anthropology’s exhibit The Spirit of Islam, which ran from October 2001 to May 2002. Her purpose was to document the kinds of collaborative processes that occurred as the exhibit planning progressed in order to identify a model from which other museums working with communities might benefit.
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This fonds consists of textual records, photographs, negatives, slides, audio recordings, compact discs and video on DVD that relate to Kovanic’s academic and film career. The fonds relates especially to her work in Pakistan, India and Afghanistan, but also captures her work with First Nations on the Northwest coast of British Columbia.
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The fonds consists of black and white photographs and negatives. Subjects depicted include villages, boats and ferries, landscapes, bridges, logging clearcuts, and totem poles. Some of the photos appear to be of the Lions Gate Bridge, Stanley Park, and the Capilano Suspension Bridge.
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