- 92-4-a034588
- Item
- [ca. 1964-1966]
Part of Virginia Kehoe fonds
Image depicts the grave site of Daniel Edgar Cranmer.
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Part of Virginia Kehoe fonds
Image depicts the grave site of Daniel Edgar Cranmer.
Graves of Mungo and Sarah Martin
Part of Virginia Kehoe fonds
Image depicts the grave sites of Mungo and Sarah Martin.
Habitat creation myth painting
Part of Virginia Kehoe fonds
Image depicts a painting of the myth of habitat creation. Painting is done in black and red on white.
Part of Virginia Kehoe fonds
Image depicts a small carving of a halibut that rests on a ledge. Additional information indicates that this photo was taken at a shutter speed of 50 with an aperture of 2.8 - 4.
Part of Virginia Kehoe fonds
Image depicts a cedar carving of a head. The photo depicts the right side of the carving.
Part of Virginia Kehoe fonds
Image depicts a partially carved pole being hosed down by carver Doug Cranmer.
Hosing down a pole, view three
Part of Virginia Kehoe fonds
Image depicts a partially carved pole being hosed down by carver Doug Cranmer. A building housing other carvings is visible behind the pole.
Part of Virginia Kehoe fonds
Image depicts a partially carved pole being hosed down by carver Doug Cranmer.
Part of Virginia Kehoe fonds
Image depicts an interior room used for carving. A canoe is visible in this image.
Part of Virginia Kehoe fonds
Image depicts the interior of a big house, possibly at Alert Bay, BC. People are dressed in regalia and some kind of event is in progress.
Inside the big house, view three
Part of Virginia Kehoe fonds
Image depicts the interior of a big house, possibly at Alert Bay, BC. People are dressed in regalia and some kind of event is in progress.
Inside the big house, view two
Part of Virginia Kehoe fonds
Image depicts the interior of a big house, possibly at Alert Bay, BC. People are dressed in regalia and some kind of event is in progress.
Inspecting a partially carved pole
Part of Virginia Kehoe fonds
Image depicts Doug Cranmer and another carver, possibly Godfrey Hunt, with a partially carved pole. A man and a woman observe the work.
Part of Virginia Kehoe fonds
Image depicts Douglas Cranmer and Godfrey Hunt inspecting a tree.
Interior of a carving workshop
Part of Virginia Kehoe fonds
Image depicts an interior room used for carving. Several unfinished projects and woodworking tools are visible.
Part of Virginia Kehoe fonds
Image depicts a frontal view of a killer whale mask. A distinguishing feature is the long fin that rises from the top of the mask.
Killer whale mask, disassembled
Part of Virginia Kehoe fonds
Image depicts a disassembled killer whale mask. The fin is not yet attached to the face.
Part of Virginia Kehoe fonds
Image depicts a side view of a killer whale mask. A distinguishing feature is the long fin that rises from the top of the mask.
Part of Virginia Kehoe fonds
File consists of photographs of six large-scale carving projects created by Douglas Cranmer. There are five totem poles photographed, which include a mosquito totem pole, a thunderbird, man and Sisiutl totem pole for private commission in Illinois in 1965, two smaller-scale totem poles and, predominantly, the process of carving the St. Catherine’s Centennial 40 foot totem pole in 1966, including photographs of the initial stages of carving and transportation of the pole. Photographs also show the process of creating a Nootka canoe for the Royal Museum of British Columbia building in Victoria, B.C. Photographs include sketched plans for the canoe and Douglas Cranmer and Godfrey Hunt working on the carving of the canoe outdoors and indoors.
Virginia Kehoe
Making a rubbing of a totem pole carving, view one
Part of Virginia Kehoe fonds
Image depicts Doug Cranmer making a rubbing image (using kraft paper and crayon) of the carving on a totem pole. Another person, possibly Godfrey Hunt, assists by holding the paper.