Affichage de 29 résultats

Subseries consists of records relating to the “From Under the Delta: Wet-Site Archaeology in the Lower Fraser Region of British Columbia” exhibit installed at the Museum of Anthropology from March 1995 to March 1999. In his capacity as Designer, Skooker Broome worked on the planning, designing, and installation of the exhibit. Records include memoranda, a copyrighted article by Kathryn Bernick, invoices, color photographs, negatives, color slides, contact sheet, exhibit plans, drafts of exhibit captions, photocopy of a newspaper article, correspondence, hand-written notes, budgets, funding application, object summaries, drawings, and publications.

Subseries consists of records relating to the exhibit “Heredity: Hereditary Chiefs of the Haida.” This photo-based exhibit was installed at the Museum of Anthropology from April 28, 1998 to February 21, 1999. Records include: drafts and final artist statement, artifact list, handwritten notes, photographic slides, pencil and ink diagrams, correspondence, memoranda, publications, announcements and press releases, exhibition description, agenda, release forms for photographs, exhibit budget, computer exhibit diagrams, and exhibit proposals.

Subseries consists of records relating to an Asian art exhibition of the Victor Shaw Collection at the Museum of Anthropology. Records include exhibition budgets, memoranda, and exhibition cost estimates.

Subseries consist of records related to the student exhibit “Don’t give up!” The Lives and Stories of the Mabel Stanley Collection. This exhibit was designed by students in ANTH 431 at UBC. It was on display at the Museum of Anthropology March 28, 2014 - January 4, 2015.

Subseries consists of a draft icon design for a Museum of Anthropology mobile application. There is no information about the purpose of or plans for this application. As of 2016, the application has not been created.

The Katagami gift-wrap on recycled paper and stationary sets was a project carried out by Skooker Broome. The sets were sold at the Museum of Anthropology Gift shop and at other locations in Vancouver, Victoria, and Calgary. Records reflect planning and creation of the project and includes a portfolio of Katagami paper design samples, correspondence, budgets, press release, drafts and originals of project summaries, statements of expenditures, manufacturing specifications, paper samples, invoices, memoranda, art works, and transparencies of artworks.

Subseries consists of records relating to the exhibit “Lyle Wilson: When Worlds Collide.” The exhibit was installed in the Theatre Gallery of the Museum of Anthropology from June 20, 1989 to September 1989. In his capacity as Designer, Skooker Broome worked on the planning, designing, and installation of the exhibit and Karen Duffek curated. Records include an artist statement, artifact list, and an exhibition statement and acknowledgment.

Subseries consists of records relating to the design of the Safar/Voyage exhibit, on display at the Museum of Anthropology April 20 - September 15, 2013.

Subseries consists of records related to the design of labels for the Anspaywaxw exhibit, on display at the Museum of Anthropology September 12 - October 26, 2013. This exhibit was curated by Karen Duffek (MOA curator).

Subseries consists of records related to the graphic design for the Heaven, Hell and Somewhere in Between exhibit, on display at the Museum of Anthropology May 12 - October 12, 2015. The exhibit was curated by Dr. Anthony Shelton (MOA Director).

Subseries consists of records related to the graphic design for the showing of the Pigapicha! exhibit at the Museum of Anthropology. This travelling exhibit was on display at MOA November 25, 2014 - April 5, 2015.

Subseries consists of records relating to Haida artist Bill Reid’s memorial services held in the Great Hall at the MOA on March 24, 1998. For the Bill Reid memorial, Skooker Broome participated in coordinating and in planning of the memorial services. Records include memorial program & itineraries, MOA topographical maps, handwritten notes, memoranda, UBC Plant Operation records, and audiovisual estimates.

Subseries consists of records relating to Skooker Broom’s responsibilities as the Museum of Anthropology liaison and coordinator for the development of a Vancouver Virtual Museum consortium and for the creation and development of proposals for a virtual museum. Records include correspondence, memoranda, reports, agendas, business cards, guidelines, confidential reports, confidential and proprietary documents, Vancouver Virtual Museum Society’s Act, minutes, grant applications (copies), expense lists, estimates, draft letters, grant notifications, agreement guides, drafts & final proposals, terms of projects, licensing agreements booklet, budgets, agreements, corporate reports, and consultation reports.

Subseries consists of records relating to Skooker Broome’s responsibilities as a Museum of Anthropology liaison and coordinator of the Asia Pacific Economic Cooperation (APEC) conference held at the Museum. Records include a power point presentation of APEC, plans for APEC, correspondence, memoranda, agendas, and site enhancement proposals.

Subseries consists of records relating to the exhibit “Exhibit A: Objects of Intrigue.” In 1999, the Museum of Anthropology celebrated its 50th anniversary. To mark this important milestone, the Museum opens “Exhibit A: Objects of Intrigue” in Gallery 5. This exhibit and accompanying publication “50/50 Fifty choices, Fifty Years,” highlights the museum’s diverse collections through objects selected by artists, staff, and friends connected to the museum over the years. This was the first exhibit to be designed entirely on computer. From the initial layout of components to the final production of exhibit labels and visual materials, the exhibit design was developed and managed electronically. Skooker Broome utilized the Mini-CAD program to plan for the exhibit design, layout, and fabrication of exhibit components. Records include: correspondence, design specifications, design notes, donor lists, computer renderings, drafts of computer layouts and designs for announcements, drafts and originals of computer layouts and designs, drafts and originals of computer layouts and designs for labels and didactic panels, artifact lists, exhibit object summaries, reports, object accessioning records, fundraising records, documents outlining the content and context of the exhibit, conservation documents, budgets, business cards, scholarly articles, contact lists, invoices, and phone lists.

Subseries consists of records relating to the “Gallery 3” exhibit. In his capacity as Designer, Skooker Broome worked on the planning, designing, and installation of the exhibit. Subseries includes invoices, computer concept drawings, handwritten notes, pencil drawings, correspondence, UBC plant operations records, and layouts and designs for the exhibit cases.

Subseries consists of records relating to the tendering and submitting of a proposal for the design aspects for the “Reduction Plant and Tank Farm” exhibit at the Gulf of Georgia Cannery National Historic Site, B.C. Records include correspondence, terms of reference, exhibit draft, exhibit plans and diagrams, exhibit description, and a report from the Gulf of Georgia Cannery National Historic Site.

Subseries consists of records relating to the development and proposal of a Mayan exhibit at the Museum of Anthropology, which, ultimately, did not occur. Records include photographs, negatives, minutes, handwritten notes, object lists, exhibition drafts, budgets, a project report, and a draft of the proposal.

Subseries consists of records related to the graphic design for the Paradise Lost? exhibit, on display at the Museum of Anthropology July 24 - September 29, 2013, and at the Satellite Gallery July 24 - August 31, 2013. The exhibit was curated by Dr. Carol Mayer (MOA curator).

Subseries consists of records relating to the graphic design for the Speaking to Memory exhibit, on display at the Museum of Anthropology September 19, 2013 - May 11, 2014. This exhibit was curated by William McLennan (MOA) and Sarah Holland and Juanita Johnston (both from the U’mista Cultural Centre).