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MOA General Media collection Kwakwaka'wakw
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Scaffolding surrounds a totem pole

Scaffolding surrounds a totem pole standing in Totem Park in preparation for moving it to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A totem pole being lifted by a crane

A totem pole hanging horizontal from a crane as it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A totem pole being prepared to be lifted

A totem pole being prepared to be lifted as it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A totem pole being lifted by a crane

A totem pole being lifted by a crane as it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A totem pole being lifted by a crane

A totem pole being lifted by a crane as it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A totem pole being lifted by a crane

A totem pole being lifted by a crane as it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A totem pole being positioned in the Museum of Anthropology

A totem pole being positioned in the Museum of Anthropology while it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

Supports being affixed to a totem pole

Workers affixing supports to a totem pole in Totem Park in advance of it being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Staff wrapping a totem pole in padding

Workers stand on a scaffold to wrap a totem pole in padding to prepare it for being moved from its position in Totem Park to the new Museum of Anthropology building. This totem pole was originally carved by Charlie James and later restored by Mungo Martin.

Staff wrapping a totem pole in padding

Workers stand on a scaffold to wrap a totem pole in padding to prepare it for being moved from its position in Totem Park to the new Museum of Anthropology building. This totem pole was originally carved by Charlie James and later restored by Mungo Martin.

A totem pole hangs from a crane

A totem pole hangs from a crane as it is being moved form its original position to Totem Park to its new home in the new Museum of Anthropology building. This pole was originally carved by Charlie James and later restored by Mungo Martin before being placed in Totem Park.

Interior house post

Image of a bear shaped interior house post. This appears to be a house post that was transferred from Hope Island to the Museum of Anthropology in 1956.

Audrey Hawthorn discusses the work of Mungo Martin

Item is a sound recording of Audrey Hawthorn discussing the work of Mungo Martin as he provides a carving demonstration. Mungo Martin does not speak during the recording. Audrey Hawthorn provides a brief biography of Mungo Martin, a description of his work carving the totem poles that stand at UBC’s totem park, the tools he uses, his design process and lastly describes the the intricate steps required to create Kwakiutl wood carvings.

Recordings related to Robert Davidson

[rr_0004t1a] Item is a recording of the opening of the exhibition Cycles: The Graphic Art of Robert Davidson, presented by Dr. Michael Ames. Speakers include exhibition curator Marjorie Halpin, Hilary Stewart, Nuu-chah-nulth artist Joe David, Cline Davidson (father of Robert Davidson) and Robert Davidson. Item dated dated October 30, 1979.

[rr_0004t3a] Item is a recording of a CBC Radio review of Hilary Stewart's book Robert Davidson, Haida printmaker and Audrey Hawthorne’s book Kwakiutl Art. Item dated November 12, 1979.

[rr_0004t4a] Item is a recording of Marjorie Halpin in discussion with Robert Davidson in the UBC MOA Theatre Gallery. The event was the first in a four part MOA Public Series event titled Art As Language, which was held in conjunction with the exhibition and publication of Cycles: Graphic Art of Robert Davidson, curated by Marjorie Helpin. Item dated November 11, 1979.

[rr_0004t2a] Item is a recording of Marjorie Halpin in discussion with Robert Davidson in the UBC MOA Theatre Gallery. The event was the second in a four part MOA Public Series event titled Art As Language, which was held in conjunction with the exhibition and publication of Cycles: Graphic Art of Robert Davidson, curated by Marjorie Helpin. Item dated November 11, 1979.

A totem pole lying on the floor of the Museum of Anthropology

A totem pole lying on the floor of the Museum of Anthropology as it is being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Workers raising a totem pole in the Museum of Anthropology

Workers raising a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters". The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Workers securing a totem pole in the Museum of Anthropology

Workers securing a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

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