Haida Housefront by Gerry Marks & Francis Williams for National Museum of Ethnology, Osaka, Japan
- 25-05-11-a039582
- Item
- 1977
Parte deAnthony Carter fonds
Image of a Haida housefront
Sin título
Haida Housefront by Gerry Marks & Francis Williams for National Museum of Ethnology, Osaka, Japan
Parte deAnthony Carter fonds
Image of a Haida housefront
Sin título
Haida Housefront by Gerry Marks & Francis Williams for National Museum of Ethnology, Osaka, Japan
Parte deAnthony Carter fonds
Image of a Haida housefront
Sin título
Haida Housefront by Gerry Marks & Francis Williams for National Museum of Ethnology, Osaka, Japan
Parte deAnthony Carter fonds
Image of two persons standing by a Haida housefront
Sin título
Haida Housefront by Gerry Marks & Francis Williams for National Museum of Ethnology, Osaka, Japan
Parte deAnthony Carter fonds
Image of a Haida housefront
Sin título
Haida Housefront by Gerry Marks & Francis Williams for National Museum of Ethnology, Osaka, Japan
Parte deAnthony Carter fonds
Image of a Haida housefront
Sin título
Haida Housefront by Gerry Marks & Francis Williams for National Museum of Ethnology, Osaka, Japan
Parte deAnthony Carter fonds
Image of two persons standing by a Haida housefront
Sin título
Haida Housefront by Gerry Marks & Francis Williams for National Museum of Ethnology, Osaka, Japan
Parte deAnthony Carter fonds
Image of a Haida housefront
Sin título
Haida Housefront by Gerry Marks & Francis Williams for National Museum of Ethnology, Osaka, Japan
Parte deAnthony Carter fonds
Image of a person standing by a Haida housefront
Sin título
Haida Housefront by Gerry Marks & Francis Williams for National Museum of Ethnology, Osaka, Japan
Parte deAnthony Carter fonds
Image of a Haida housefront
Sin título
Haida Housefront by Gerry Marks & Francis Williams for National Museum of Ethnology, Osaka, Japan
Parte deAnthony Carter fonds
Image of a Haida housefront
Sin título
Haida Housefront by Gerry Marks & Francis Williams for National Museum of Ethnology, Osaka, Japan
Parte deAnthony Carter fonds
Image of two persons standing by a Haida housefront
Sin título
Haida Housefront by Gerry Marks & Francis Williams for National Museum of Ethnology, Osaka, Japan
Parte deAnthony Carter fonds
Image of a person standing by a Haida housefront
Sin título
Haida Housefront by Gerry Marks & Francis Williams for National Museum of Ethnology, Osaka, Japan
Parte deAnthony Carter fonds
Image of a Haida housefront
Sin título
Haida Housefront by Gerry Marks & Francis Williams for National Museum of Ethnology, Osaka, Japan
Parte deAnthony Carter fonds
Image of a Haida housefront
Sin título
Haida Housefront by Gerry Marks & Francis Williams for National Museum of Ethnology, Osaka, Japan
Parte deAnthony Carter fonds
Image of a person standing by a Haida housefront
Sin título
Parte deAnthony Carter fonds
Image of the Gilford Island longhouse, see from the water.
Sin título
Gwayasdums (Gilford Island): village
Parte deAnthony Carter fonds
Image of the Gilford Island longhouse, see from the water.
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Gwayasdums (Gilford Island): mountain with totem pole in foreground
Parte deAnthony Carter fonds
Image of the upper part of an old totem pole at Kingcome Inlet.
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George Hunt Sr. pole (Kwakwaka’wakw)
Parte deAnthony Carter fonds
Image of totem pole carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters". The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
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From all over the place, raising totem in Alert Bay
Parte deAnthony Carter fonds
Image of a totem pole in Alert Bay, BC, at the grave of the Kwakiutl Chief Mungo Martin. The pole was carved to honor the Chief. This image shows the pole right after it has been raised, with the ropes used to raise it still attached. Additional information and images of this pole are featured on pages 28-33 of Carter's book "From History's Locker."
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