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A group of Musqueam officials and UBC officials at a formal ceremony in 1927, when two large carvings were transferred to UBC as a permanent collection. They were purchased by the graduating class of 1927.

Mungo Martin working on a totem pole.

This image shows two totem poles carved by Mungo Martin. They are standing in Totem Park on UBC.

Mungo Martin paints a totem pole. This pole was originally located in Totem Park, but was later moved to the Great Hall at the Museum of Anthropology.

Abaya Martin weaving a Kwakwaka'wakw version of a Chilkat blanket. The loom was made by Mungo Martin.

A dancer, performing in a community hall, wears a Thunderbird headdress by Charlie George Senior.

A group stands for an event in Alert Bay. One of the women is Marjorie Halpin. This may be related to the raising of the memorial pole for Mungo Martin.

A close up image of the Mungo Martin Memorial pole during the raising ceremony in Alert Bay.

Abaya Martin weaving a Kwakwaka'wakw version of a Chilkat blanket. The loom was made by Mungo Martin.

A drawing of a Thunderbird and a Killer Whale by Mungo Martin with annotations to the left of the animals. Mungo Martin produced this image while convalescing in St. Paul's Hospital in Vancouver as he had fallen ill while restoring totem poles at UBC.

A detail of the Mungo Martin memorial pole before it was raised in Alert Bay.

Elders perform the ceremony for the raising of the Mungo Martin memorial pole in Alert Bay.

An eagle painting by Roy Hanuse.

Roy Hanuse carving what appears to be a Dzunukwa mask.

A Wasgo sculpture from the Museum of Anthropology on display in Montréal for the Northwest coast exhibit of "Man and His World".

Several dishes on display for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".

Totem poles standing in Totem Park. The second pole from the viewer's left was carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

A scaffold surrounds a totem pole in preparation for moving it from Totem Park to the new Museum of Anthropology. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Workers carry a totem pole, wrapped in padding, from its position in Totem Park to the new Museum of Anthropology building. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Workers unloading totem poles from a trailer outside the Museum of Anthropology as they are being moved from Totem Park to the new Museum of Anthropology building. The pole on the viewer's left was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

The pole on the viewer's right was carved by Mungo Martin and was later restored by him in 1950-51.