- 25-02-05-a037637
- Stuk
- August 1967
Part of Anthony Carter fonds
View looking down into a forested area and what appears to be the remains of wooden structure beams or totem poles.
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Part of Anthony Carter fonds
View looking down into a forested area and what appears to be the remains of wooden structure beams or totem poles.
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Part of Anthony Carter fonds
Image of structural or totem pole remains at the Tah-noo village site.
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Part of Anthony Carter fonds
Image of a forested area at the Tah-noo village site.
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Part of Anthony Carter fonds
Image of a bald eagle sitting on top of a tree. The tree has no leaves.
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Part of Anthony Carter fonds
Image of structural remains at the Yan village site on Haida Gwaii. This image shows a log that had a rectangular area hollowed out of it.
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Young girl, Masset, Haida Gwaii
Part of Anthony Carter fonds
Image of a young girl from Masset, Haida Gwaii.
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Part of Anthony Carter fonds
Portrait of Nani Williams, described on page 73 of the book "This is Haida" as a "charming old lady of 103 years."
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People (Haida): unidentified woman
Part of Anthony Carter fonds
Portrait of a woman, seen from the neck up. The woman is wearing glasses.
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Part of Anthony Carter fonds
Portrait of Loise Franks, a basket-weaver. She is pictured on page 35 of the book "This is Haida." In this image, she is shown seated inside.
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Part of Anthony Carter fonds
Image of a small inlet, with a wide sandy beach, forest in the background, and rocky area in the foreground.
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Part of Anthony Carter fonds
Image of an older man painting wooden bowls or plates.
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Part of Anthony Carter fonds
Portrait of Loise (or Lucy?) Franks, a basket-weaver. She is pictured on page 35 of the book "This is Haida." In this image, she is shown seated inside.
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Part of Anthony Carter fonds
Portrait of Chief Weah (Willie Mathews). A different portrait of him is printed on page 11 of Carter's book "This is Haida," with the caption: "Hereditary chief of the village 'Haida,' located at the north end of Masset Inlet its Indian name was 'Ottiowas.'"
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R. Davidson [Jr.] pole raising, Masset Q.C.I.
Part of Anthony Carter fonds
Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image is looking down onto a man (Davidson?) painting the pole, with a crowd gathered nearby.
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R. Davidson [Jr.] pole raising, Masset Q.C.I.
Part of Anthony Carter fonds
Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image is looking down onto a man (Davidson?) painting the pole, with a crowd gathered nearby.
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R. Davidson [Jr.] pole raising, Masset Q.C.I.
Part of Anthony Carter fonds
Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the pole laying on the ground, with ropes attached to raise it. A crowd is gathered, some of whom are holding onto the rope.
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R. Davidson [Jr.] pole raising, Masset Q.C.I.
Part of Anthony Carter fonds
Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the crowd gathered for the pole raising. The most prominent person in the photograph is a woman wearing what appears to be a ceremonial dress, holding up a long stick.
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R. Davidson [Jr.] pole raising, Masset Q.C.I.
Part of Anthony Carter fonds
Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows a small group of dancers.
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R. Davidson [Jr.] pole raising, Masset Q.C.I.
Part of Anthony Carter fonds
Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image is an aerial view of the pole raising area and crowd. The pole is still on the ground, with a number of people next to the pull. They appear to be pushing the pole toward the hole in the ground in which it will stand.
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R. Davidson [Jr.] pole raising, Masset Q.C.I.
Part of Anthony Carter fonds
Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the pole still on its side, propped up on logs on the ground. A number of individuals are standing around the base of the pole, possibly positioning it to go into the hole in the ground where the pole will stand. A church is in the background.
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