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Anthony Carter English
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Architectural drawing

Architectural drawing

Image of an architectural drawing for a "two storey, four bedroom post and beam" structure. The drawing was done by Graphic Services of North Vancouver. This image was in an envelope labelled "Totem poles & construction at Stanley Park; Siwash rock." It is unclear where the structure was to be built.

Anthony Carter

Anthony Island totem poles

Anthony Island totem poles

Image of a totem pole on Anthony Island. A picture of this pole is printed on page 115 of the book This is Haida, with the caption: "One of the largest poles on the Island. The frog was quite common in the designs of the Anthony Island carvers."

Anthony Carter

Anthony Island (Ninstints)

Anthony Island (Ninstints)

View looking down into a forested area and what appears to be the remains of wooden structure beams or totem poles.

Anthony Carter

Anthony Island (Ninstins) possible resident

Anthony Island (Ninstins) possible resident

Portrait of a man standing outside a wooden shack located in a forest (on Anthony Island?). A large tree is behind him. Various tools and other objects are scattered across the area near the shack.

Anthony Carter

Anthony Carter fonds

  • 25
  • Fonds
  • [194-]-2018, predominant 1966-1979

The fonds consists of photographs, transparencies, negatives, prints, slides, textual records and objects. Contents of the fonds primarily reflect First Nations cultures in British Columbia between 1960 and 1980, including the Haida, Coast Salish (formerly Burrard Reserve), Kwakiutl (Kwakwaka'wakw), Gitsegukla and Ans'pa yaxw (Kispiox) nations. Notable First Nations personalities and artists documented include Chief Dan George, Gerry Marks, Henry Hunt and Norman Tait. Contents also include: B.C. landscapes such as Gwayasdums (Gilford Island), Klemtu, Mamalilikulla and Uchucklesaht; First Nations children; First Nations exhibits, totem poles and installations at the University of British Columbia in Vancouver and for the National Museum of Ethnology in Osaka, Japan. The original accession was arranged in series according to Carter's published works which focus on specific localities, communities, individuals and subject matter, with additional series related to Carter's photojournalistic work and personal recordkeeping added in 2019 when an accrual was made to the fonds.

Anthony Carter

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