Haida,' Masset sunset or sunrise
- 25-02-04-a037625
- Item
- August 1967
Part of Anthony Carter fonds
Image of a sunset, taken from a beach in or near the village of Masset.
Anthony Carter
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Haida,' Masset sunset or sunrise
Part of Anthony Carter fonds
Image of a sunset, taken from a beach in or near the village of Masset.
Anthony Carter
House post, Sgang Gwaay, Haida Gwaii
Part of Anthony Carter fonds
Image of a pole from House 17 at Sgang Gwaay (Skunggwai). This is an interior pole from the Raven House. It was removed on a BC Totem Pole Preservation Committee trip in 1957. The pole is now part of the Museum of Anthropology's object collection (A50016).
Anthony Carter
House post, Sgang Gwaay, Haida Gwaii
Part of Anthony Carter fonds
Image of a pole from House 17 at Sgang Gwaay (Skunggwai). This is an interior pole from the Raven House. It was removed on a BC Totem Pole Preservation Committee trip in 1957. The pole is now part of the Museum of Anthropology's object collection (A50016).
Anthony Carter
Part of Anthony Carter fonds
File consists of images taken at or near Slatechuck Mountain on Haida Gwaii (called Kaagan in the Haida language). This mountain, located near Queen Charlotte City, is best known as a source of argillite, a rare form of slate used in Haida art. Images in this file show individuals harvesting argillite, in addition to images of women harvesting and preparing spruce roots to weave baskets, and images of the Golden Spruce tree that formerly stood in the area.
Anthony Carter
Part of Anthony Carter fonds
Portrait of a girl (Klaskhana?), possibly a Haida resident, who is posing for a painting. Part of the painting is visible in the background.
Anthony Carter
Part of Anthony Carter fonds
Portrait of a girl (Klaskhana?), possibly a Haida resident. A painting of the girl is in the background.
Anthony Carter
Part of Anthony Carter fonds
Portrait of a girl (Klaskhana?), possibly a Haida resident, who is posing for a painting. The painting is visible in the background.
Anthony Carter
Part of Anthony Carter fonds
Portrait of a girl (Klaskhana?), possibly a Haida resident, who is posing for a painting. The painting is visible in the background.
Anthony Carter
Klaskhana (Haida) portrait with painting in background by Minn Sjolseth
Part of Anthony Carter fonds
Portrait of a girl (Klaskhana?), possibly a Haida resident, who is posing for a painting. The painting is visible in the background.
Anthony Carter
Part of Anthony Carter fonds
Portrait of Loise (or Lucy?) Franks, a basket-weaver. She is pictured on page 35 of the book "This is Haida." In this image, she is shown seated inside.
Anthony Carter
Part of Anthony Carter fonds
File consists of images taken in the village of Masset on Haida Gwaii. Subjects include copper paintings, a painting of a young Haida woman, and scenery.
Anthony Carter
Part of Anthony Carter fonds
Image of a painted piece of metal, showing a face and hands.
Anthony Carter
Part of Anthony Carter fonds
Image of a painted piece of metal, showing a face and hands.
Anthony Carter
Part of Anthony Carter fonds
Maud Island, Queen Charlotte City
Part of Anthony Carter fonds
Image of a rocky beach, looking out across the water, with a small island visible in the distance.
Anthony Carter
Maud Island, Queen Charlotte City
Part of Anthony Carter fonds
Image taken from a rocky beach, looking across a body of water toward mountains on the other side.
Anthony Carter
Maud Island, Queen Charlotte City
Part of Anthony Carter fonds
Image of tree roots in a forest. The image is very dark and details are difficult to discern.
Anthony Carter
Maud Island, Queen Charlotte City
Part of Anthony Carter fonds
Image shows a view looking across the water toward an island and mountains in the background.
Anthony Carter
Maud Island, Queen Charlotte City
Part of Anthony Carter fonds
Image shows a view looking across the water toward a few small islands and mountains in the background.
Anthony Carter
Maud Island, Queen Charlotte City
Part of Anthony Carter fonds
Image of two trees near the shoreline. The image is very dark and details are difficult to discern.
Anthony Carter