Affichage de 18 résultats

Subseries consists of records related to the graphic design for the Heaven, Hell and Somewhere in Between exhibit, on display at the Museum of Anthropology May 12 - October 12, 2015. The exhibit was curated by Dr. Anthony Shelton (MOA Director).

Subseries consists of records related to the graphic design for the c̓ əsnaʔəm exhibit, on display at the Museum of Anthropology January 25, 2015 - December 2015. The exhbit was curated by Susan Rowley and Jordan Wilson.

Subseries consist of records related to the student exhibit “Don’t give up!” The Lives and Stories of the Mabel Stanley Collection. This exhibit was designed by students in ANTH 431 at UBC. It was on display at the Museum of Anthropology March 28, 2014 - January 4, 2015.

Subseries consists of records related to the graphic design for the showing of the Pigapicha! exhibit at the Museum of Anthropology. This travelling exhibit was on display at MOA November 25, 2014 - April 5, 2015.

Subseries consists of records related to the graphic design for the Claiming Space exhibit, on display at the Museum of Anthropology June 1, 2014 - January 4, 2015. The exhibit was curated by Pam Brown (MOA curator).

Subseries consists of records related to the graphic design for the Without Masks exhibit, on display at the Museum of Anthropology May 2 - November 2, 2014. The exhibit was curated by Cuban poet, art critic and curator Orlando Hernández.

Subseries consists of records relating to the design of the Safar/Voyage exhibit, on display at the Museum of Anthropology April 20 - September 15, 2013.

Subseries consists of records related to the design of labels for the Anspaywaxw exhibit, on display at the Museum of Anthropology September 12 - October 26, 2013. This exhibit was curated by Karen Duffek (MOA curator).

Subseries consists of records related to the graphic design for the Paradise Lost? exhibit, on display at the Museum of Anthropology July 24 - September 29, 2013, and at the Satellite Gallery July 24 - August 31, 2013. The exhibit was curated by Dr. Carol Mayer (MOA curator).

Subseries consists of records relating to the graphic design for the Speaking to Memory exhibit, on display at the Museum of Anthropology September 19, 2013 - May 11, 2014. This exhibit was curated by William McLennan (MOA) and Sarah Holland and Juanita Johnston (both from the U’mista Cultural Centre).

Subseries consists of records related to the graphic design for the Marvellous Real exhibit, on display at the Museum of Anthropology October 25, 2013 - March 30, 2014. The exhibit was curated by UBC Anthropology professor Nicola Levell.

Subseries consists of records relating to the “Spirit of Islam: Experiencing Islam through Calligraphy” exhibit installed at the Museum of Anthropology. The exhibit is a collaborative work with local Muslim community members. The intent of the exhibition is to promote cultural diversity and to illustrate Islam as a way of life. The exhibition opened in October 2001, and continued until May 2002. In his capacity as Designer, Skooker Broome worked on the planning, designing, and installation of the exhibit. Not only did he work on the exhibit, he also participated in the launching of the “Spirit of Islam” educational website. Funded by the Department of Canadian Heritage, the website includes images, text, audio, and video from the original exhibition. Records in the subseries include: correspondence, contact lists, exhibition records, draft proposals and proposal, budgets, artifact lists, program planning worksheets, committee reports and drafts, agendas, grant applications, programming planning worksheets, minutes of meetings, loan condition and agreement forms, statements of agreements, exhibition diagrams and plans, exhibition design and art work, exhibit panel information and labeling designs, exhibit flyers and design layouts, photocopies of business cards and business cards, press releases, negatives, drafts of catalogue, notes, policy records, publications, exhibit sketches, letterhead samples, typeface samples, Islamic script samples, exhibition invitation cards, computer renderings of the exhibition layout and design, fundraising records, and product brochures and price lists. Textual records also include annotations on “Post-It Notes.” All records relate to aspects of planning, creating, or installing of the exhibit.

Subseries consists of records relating to the exhibit “Exhibit A: Objects of Intrigue.” In 1999, the Museum of Anthropology celebrated its 50th anniversary. To mark this important milestone, the Museum opens “Exhibit A: Objects of Intrigue” in Gallery 5. This exhibit and accompanying publication “50/50 Fifty choices, Fifty Years,” highlights the museum’s diverse collections through objects selected by artists, staff, and friends connected to the museum over the years. This was the first exhibit to be designed entirely on computer. From the initial layout of components to the final production of exhibit labels and visual materials, the exhibit design was developed and managed electronically. Skooker Broome utilized the Mini-CAD program to plan for the exhibit design, layout, and fabrication of exhibit components. Records include: correspondence, design specifications, design notes, donor lists, computer renderings, drafts of computer layouts and designs for announcements, drafts and originals of computer layouts and designs, drafts and originals of computer layouts and designs for labels and didactic panels, artifact lists, exhibit object summaries, reports, object accessioning records, fundraising records, documents outlining the content and context of the exhibit, conservation documents, budgets, business cards, scholarly articles, contact lists, invoices, and phone lists.

Subseries consists of records relating to the “From Under the Delta: Wet-Site Archaeology in the Lower Fraser Region of British Columbia” exhibit installed at the Museum of Anthropology from March 1995 to March 1999. In his capacity as Designer, Skooker Broome worked on the planning, designing, and installation of the exhibit. Records include memoranda, a copyrighted article by Kathryn Bernick, invoices, color photographs, negatives, color slides, contact sheet, exhibit plans, drafts of exhibit captions, photocopy of a newspaper article, correspondence, hand-written notes, budgets, funding application, object summaries, drawings, and publications.

Subseries consists of records relating to the exhibit “Heredity: Hereditary Chiefs of the Haida.” This photo-based exhibit was installed at the Museum of Anthropology from April 28, 1998 to February 21, 1999. Records include: drafts and final artist statement, artifact list, handwritten notes, photographic slides, pencil and ink diagrams, correspondence, memoranda, publications, announcements and press releases, exhibition description, agenda, release forms for photographs, exhibit budget, computer exhibit diagrams, and exhibit proposals.

Subseries consists of records relating to an Asian art exhibition of the Victor Shaw Collection at the Museum of Anthropology. Records include exhibition budgets, memoranda, and exhibition cost estimates.

Subseries consists of records relating to the exhibit “Eulachon: A Fish to Cure Humanity.” The exhibit was installed in Gallery 5 at the Museum of Anthropology from February 5 to May 31, 1992, and explored traditions associated with the fishing of eulachon and technology used to render its oil. In his capacity as Designer, Skooker Broome worked on the planning, designing, and installation of the exhibit. Records include: memoranda, correspondence, negatives, color photographs, b&w photographs, thumbnail photographs, transparencies, French and English exhibition captions and didactic panels, travel receipts, pencil and ink drawings, published articles, artifact lists, project summaries, budgets, a fish stamp, conservation records, exhibit catalogue drafts, colored photocopies of photographic images, exhibit diagrams, exhibit instructions, exhibit layouts installations, and designs.

Subseries consists of records relating to the exhibit “Lyle Wilson: When Worlds Collide.” The exhibit was installed in the Theatre Gallery of the Museum of Anthropology from June 20, 1989 to September 1989. In his capacity as Designer, Skooker Broome worked on the planning, designing, and installation of the exhibit and Karen Duffek curated. Records include an artist statement, artifact list, and an exhibition statement and acknowledgment.