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Archival description
Marjorie Halpin (MOA Curator) fonds Subseries
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Opening

Sub-series consists of textual records including speeches given at the opening of the Museum of Anthropology at its new site on NW Marine Drive in 1976.

Northern Coast Women

Sub-series consists of textual records on a student project “North West Coast First Nations Professional Women Artists”. Includes correspondence, consent forms, and grant funding applications.

Norman Tait

Sub-series consists of textual records, photographs and an interview of Norman Tait, a native artist of the region who held a public barbecue at the Museum of Anthropology to celebrate the completion of two carved cedar canoes. Included is biographic information about Tait, a press statement, and a public service announcement for the BBQ.

NMM: Children of the Raven

Sub-series consists of textual records for the exhibit titled “NMM: Children of the Raven” based on the beliefs and culture of British Columbia First Nations, with an emphasis on ceremonial objects and their iconographic meanings. Records include memos; exhibit floor plans, text blocks for exhibit, and colour drawings of items in the exhibit.

Museology Notes

Sub-series consists of textual records including Dr. Halpin’s personal notes on a proposal put forward to expand the department curriculum to offer a museology program.

Lyle Wilson exhibit

Sub-series consists of textual records of the two-man show of art by Lyle Wilson and Doug Cranmer, two native artists of the region. Includes biographies of the artists, the opening speech from the exhibit, a news release and a museum brochure.

Labels

Sub-series consists of textual records related to the creation of labels for various objects on exhibit in the Museum of Anthropology. Included are correspondence, memos, research, background notes, and schematic floor plans for the placement of labels for the Great Hall and objects on the ramp at the museum.

Joe David exhibit

Sub-series consists of textual records and slides of the Joe David Exhibit, a one man show of his work as a Haida artist. Records include an artist biography, exhibit planning notes, correspondence regarding the purchase of Joe David prints, a list of MOA objects by Joe David and newspaper articles. Also included is one cassette tape of an interview with Joe David.

Inuit Art Round Table

Sub-series consists of textual records related research on and the roundtable discussion on Inuit Art. Includes correspondence regarding the schedule and program of the meeting, a list of attendees, and information on specific artifacts.

Image recovery

Sub-series consists of textual records including reports on the recovery of painted images on Northwest Coast native art and masks. Included is a copy of Heritage West, Fall 1982, vol.6, #3, which contains an article on the MOA image recovery project.

General

Sub-series consists of textual records including grant applications, a report on the 5- year plan for the museum, policies on museum access, photography, professional guidelines and acquisitions, and the MOA Review, including reports and submissions to the review committee.

Gallery III

Sub-series consists of textual records including correspondence, reports and memos containing background information and exhibition ideas for the new exhibition space, Gallery III.

First Nations and multimedia

Sub-series consists of textual records from the project coordinated by Dr. Halpin after numerous requests from first nations communities for training in multimedia technology. Includes correspondence, a draft copy of the project proposal, and the application form for Arts Apprentice funding from the Department of Canadian Heritage.

Films

Sub-series consists of textual records including descriptions and notes on the locations of films on native subjects. Film lists include items from the Museum of Anthropology, University of British Columbia Anthropology department, the Royal British Columbia Museum and the National Archives of Canada.

Expansion 1984

Sub-series consists of textual records including correspondence, site plans, reports, and polaroid photographs of the model building expansion of the Museum of Anthropology by Arthur Erickson.

Committees

Sub-series consists of textual records related to Dr. Halpin’s participation on a number of committees while working at the museum. General committee records include meeting minutes, reports, and correspondence on the development of ethics and policies for the museum and new curricula in the Anthropology department. Records from the Research and Teaching Committee include budget reports, grant application forms, administrative records, and proposal reports for a new MA degree in Advanced Museum and Curatorial Studies.

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