Affichage de 44 résultats

Sub-series consists of textual records related to an exhibit on visible storage space at the museum. Records include meeting minutes from the Textile Committee and reports by Michael Ames, Moya Robinson, Herb Watson, Audrey Shane, and the Royal Ontario Museum.

Sub-series consists of textual records including the transcript for the guided tour of the museum collection given by Dr. Halpin, Dr. Michael Kew and Don Bain for staff, students, and volunteers from the Museum of Anthropology on April 13, 1993 and May 30, 1993.

Sub-series consists of textual records from the one-man show of Northwest Coast First Nations artist Robert Davidson. Records include exhibit correspondence, newspaper articles and a copy of the Canadian Conservation Institute Journal (vol. 3, 1978) that contains an article by Davidson.

Sub-series consists of textual records related to attempts to receive funding to replicate West Coast artifacts for the Museum of Anthropology collection.

Sub-series consists of textual and graphic records related to the public exhibition of drawings and poems by Nuu-Chah-nulth artist, Ron Hamilton, which depict the cosmology of the First Nations people. Records include an artists’ biography, notes on exhibit planning, loan forms, and a copy of the exhibit comment book. Also included are photographs from the exhibit and of Hamilton’s drawings, recordings of First Nations gatherings taped at the exhibit, and sound recordings of comments by Hamilton on his work.

Sub-series consists of textual records and graphic images related to a project by Halpin and Ron Hamilton that attempted to document the lineage of a native community through photographs. Included are correspondence requesting the use of photographs, grant application forms, and photocopies of potential photographs for the project.

Sub-series consists of textual records and slides of the Joe David Exhibit, a one man show of his work as a Haida artist. Records include an artist biography, exhibit planning notes, correspondence regarding the purchase of Joe David prints, a list of MOA objects by Joe David and newspaper articles. Also included is one cassette tape of an interview with Joe David.

Sub-series consists of textual records related to the creation of labels for various objects on exhibit in the Museum of Anthropology. Included are correspondence, memos, research, background notes, and schematic floor plans for the placement of labels for the Great Hall and objects on the ramp at the museum.

Sub-series consists of textual records of the two-man show of art by Lyle Wilson and Doug Cranmer, two native artists of the region. Includes biographies of the artists, the opening speech from the exhibit, a news release and a museum brochure.

Sub-series consists of textual records from the project coordinated by Dr. Halpin after numerous requests from first nations communities for training in multimedia technology. Includes correspondence, a draft copy of the project proposal, and the application form for Arts Apprentice funding from the Department of Canadian Heritage.

Sub-series consists of records from the photographic exhibition by David Neel, Kwagiutl, on First Nations elders in British Columbia. Records include newspaper reviews, correspondence, exhibit proposal and planning, and transcripts from interviews with chiefs and village elders. Also included are slides of portraits of chiefs and elders.

Sub-series consists of textual records, including general research and planning files, permission forms, interviews and biographic information used by Dr. Halpin to develop a number of CD-Rom projects on native artists. The records also include a print out of the “Button Robes” cd-rom project on first nations form of traditional dress and the iconography behind them, and photographs, slides, compact disks, videos, and tapes from the Dorothy Grant project.

Sub-series consists of textual records for the West Coast art exhibit organized by Ron Hamilton and Marjorie Halpin. Records include Hamilton’s biography, exhibit correspondence, project proposal and exhibit planning. Also included is a transcript from a taped interview of Ron Hamilton by Karen Duffek in 1989.

Sub-series consists of textual records from the Museum of Anthropology project supporting the construction of a long house in Seattle, Washington, by the Squamish native community. Includes correspondence, contract proposals, the proposed site plan, press releases, and newspaper articles.

Sub-series consists of records related to the 1986 exhibition on the art of Jack Shadbolt and includes textual records, photographs, slides, and one lecture tape. The textual records include grants and contracts, correspondence requesting loans of specific artwork for the exhibit, records relating to exhibit planning and compilation of the exhibit catalogue, exhibit reviews, a copy of the exhibit comment book, and interviews with Shadbolt. Also included are photographs of exhibit pieces.
The sub-series has been divided into three sub-sub-series:

1. Grants, 1984-1986
2. Loans, 1980-1986
3. General, 1973-1986

Sub-series consists of textual records including reports on the recovery of painted images on Northwest Coast native art and masks. Included is a copy of Heritage West, Fall 1982, vol.6, #3, which contains an article on the MOA image recovery project.

Sub-series consists of textual records from the exhibit “ Ouroboros” by Stephen Clark, and curated by Halpin. Records include correspondence between Halpin and Clark, letters received by Halpin, an exhibit pamphlet, a public relations release, newspaper articles on the exhibit, and a copy of the exhibit comment book.

Sub-series consists of textual records including correspondence, site plans, reports, and polaroid photographs of the model building expansion of the Museum of Anthropology by Arthur Erickson.

Sub-series consists of textual records related to the exhibition “Sensibilities” that challenged the notations of segregated collections space according to culture. The basic premise of the exhibit was for the viewer to come up with their own interpretation as to the objects presented before them. Records include exhibit planning notes, exhibit floor plan drawings, correspondence, loan forms, and newspaper articles about the exhibit.

Sub-series consists of textual records related to Halpin’s work on a number of videos. Included is the narrative for the video “Introduction to Totem Poles” and notes and photographic research for the U’mista project.