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Documents and ephemera relating to exhibits that are related to but not hosted by MOA.

File consists of pamphlets that advertise upcoming exhibitions, events, and programs, as well as providing news about the museum and general visitor information. Each pamphlet covers a four-month period (January-April, May-August, or September-December). There are two copies of each edition.

The report outlines grants received, exhibitions, research projects, student training programmes, projects involving indigenous groups and individuals, and publications by museum staff from 1980-1988.

The report outlines the museum's activities and finances for the previous fiscal year, including listing staff, attendance figures, acquisitions, exhibitions, educational activities, public programming, events, loans, research projects, and publications of the museum and its staff. It includes descriptions of Laura Osorio's multifaceted curatorial research in Latin America, the museum's review of its African collection, the beginning of an Indigenous internship program, and planning for a seismic mitigation project, among other initiatives.

The report outlines the museum's activities and finances for the previous fiscal year, including listing staff, attendance figures, acquisitions, exhibitions, educational activities, public programming, events, loans, research projects, and publications of the museum and its staff. It includes descriptions of collaborations with the global partners including the National Museum of Papua New Guinea, cultural preservation and conservation work in local communities and institutions, and digitization projects at the Audrey and Harry Hawthorn Library and Archives and the Oral History and Language Lab, among other initiatives.

The report outlines the museum's activities and finances for the previous fiscal year, including listing staff, attendance figures, acquisitions, exhibitions, educational activities, public programming, events, loans, research projects, and publications of the museum and its staff. It includes descriptions of a new strategic plan, MOA's new travel program for members, participation in a research project that "explores alternatives for the recovery of Indigenous heritage," and Spotlight Taiwan, a new programming series focused on Taiwan, among other initiatives.

The report outlines the museum's activities and finances for the previous fiscal year, including listing staff, attendance figures, acquisitions, exhibitions, educational activities, public programming, events, loans, research projects, and publications of the museum and its staff. It includes descriptions of awards presented to the museum, the launch of the Voices of the Canoe website, the first full year of the Audrey & Harry Hawthorn Library & Archives, changes to the Native Youth Program, and other initiatives.

The report outlines the museum's activities and finances for the previous fiscal year, including listing staff, attendance figures, acquisitions, exhibitions, educational activities, public programming, events, loans, research projects, and publications of the museum and its staff. It includes descriptions of the World Art Market (WAM!) and the online launch of MOACAT, among other initiatives.

The report outlines the museum's activities and finances for the previous fiscal year, including listing staff, attendance figures, acquisitions, exhibitions, educational activities, public programming, events, loans, research projects, and publications of the museum and its staff. It includes a description of the conclusion of the Partnership of Peoples renewal project and related initiatives such as the Multiversity Galleries, the Reciprocal Research Network, MOACAT, the Audrey & Harry Hawthorn Library & Archives, and the Laboratory of Archaeology.

This collects all MOA Museum Notes. Museum Notes are produced by MOA staff and artists to accompany a particular exhibition or installation. Each Museum Note expands on the information provided to visitors in the exhibition, shining a light on individual works, processes, and artists. They provide supplementary content for museum visitors and serve as a documentation of research.

List of Museum Notes by #:
[0] Beginnings: An Exhibition of the silkscreen prints of Roy Henry Vickers
[1] Norman Tait Nishga Carver
[2] Joe David
[3] Totem Poles: An Illustrated Guide
[4] Pursuing the Past: A General Account of British Columbia Archaeology
[5] Image and Life: 50,000 years of Japanese Prehistory
[6] The Raven Rattle
[7] Cycles: The Graphic Art of Robert Davidson, Haida
[8] The Haida Legend of the Raven and the First Humans as retold by Bill Reid
[9] Sculpture and Engraving of the Central Coast Salish Indians
[10] A Guide to Buying Contemporary Northwest Coast Indian Arts
[11] Blood from Stone
[12] Ninstints: Haida World Heritage Site
[13] Changing Tides: the Development of Archaeology in B.C.’s Fraser Delta
[14] Ouroboros: A Major Work by Vancouver Artist Stephen Clark
[15] New Visions: Serigraphs by Susan A. Point, Coast Salish Artist
[16] Hands of Our Ancestors: The Revival of Salish Weaving at Musqueam
[17] Robes of Power: Totem Poles on Cloth
[18] Jack Shadbolt and the Coastal Indian Image
[19] Bill Reid: Beyond the Essential Form
[20] From the collections: UBC Museum of Anthropology cookbook
[21] Cowichan Indian Knitting
[22] The Third Eye: The Scientific Investigation of Museum Objects
[23] Bob Boyer: A Blanket Statement
[24] Translations of Tradition: Joanna Staniszkis’ Recent Work
[25] La Légende Haïda du Grand Corbeau et des Premiers Hommes Racontée par Bill Reid
[26] A Family Affair: Making cloth in Taquile, Peru
[27] The Leary Collection of Cypriot Antiquities
[28] Lyle Wilson: When Worlds Collide
[29] Our Chiefs and Elders: Photographs by David Neel, Kwagiutl
[30] The Koerner Ceramics Gallery
[31] Fragments: Reflections on Collecting
[32] Eulachon: A Fish to Cure Humanity
[33] Labour of Love: The Making of the Museum
[34] Recalling the Past: A Selection of Early Chinese Art from the Victor Shaw Collection
[35] Objects and Expressions: Celebrating the Collections of the Museum of Anthropology at the University of British Columbia
[36a] Nunavutmiutanik Elisasiniq: A Tribute to the Peoples of Nunavut
[36b] Raven’s Reprise: Contemporary Works by First Nations Artists
[37] From the Collections: UBC Museum of Anthropology Cookbook, 50th Anniversary Edition
[38] Robert Davidson: The Abstract Edge
[38F] Robert Davidson: le Bord Abstrait
[39] Peter Morin’s Museum: An Installation with Performances
[40] Hiroshima by Ishiuchi Miyako
[41] Pleased to Meet You: Introductions by Gwyn Hanssen Pigott
[42] Paradise Lost?: Contemporary Works from the Pacific
[43] (In)visible: The Spiritual World of Taiwan Through Contemporary Art
[44] In the Footprint of the Crocodile Man: Memories, Myths and contemporary art of the Sepik River, Papua New Guinea
[n/a] Layers of Influence
[45] In Her Words: Contemporary Women Artists from Aboriginal Australia
[46] Shadows, Strings & Other Things: Puppet Makers & Puppeteers
[47] Playing with Fire: Ceramics of the Extraordinary
[n/a] Kent Monkman: Shame and Prejudice
[48] A Future for Memory: Art and Life After the Great East Japan Earthquake

Collection consists of published or printed materials produced by and about the Museum of Anthropology. These materials include records related to MOA’s exhibitions, collections, programs, events, membership, gift shop, and physical buildings/spaces. Record types include pamphlets, brochures, reports, books, magazines, newspaper articles, cards/postcards, educational handouts, and posters.

The collection has been divided into 12 series. Some series, such as the "Exhibitions and collections series" or the "Membership series," reflect the subject area or function of the records within them. Other series contain records grouped together by record type, such as the "Posters series" or the "Cards and postcards series."

The newsletter contains 9 articles about the museum as well as photographs, facsimiles of artworks, and general visitor information. Subjects include the appointment of Dr. Ruth Phillips as MOA director, financial support from the federal government, the launch of a new certificate in Museum Studies, the repatriation of a sacred wooden image, Ahayu:da (War God), to the Zuni people, Dr. Marjorie Halpin's CD ROM-based project about the Mountain Eagle Totem Pole from Gitanyow, the Asia Pacific Economic Cooperation (APEC), carpet replacement, new staff member Darlene Chu, and a research grant awarded to Kersti Krug. Also included is a Calendar of Events.

The newsletter contains 6 articles about the museum as well as photographs, facsimiles of artworks, and general visitor information. Subjects include the erection of new house posts and an ancestral figure by Susan Point, a new school programme co-developed with the Musqueam Nation, the retirement of MOA director Dr. Michael Ames, the launch of MOA's first website, the continuation of Dr. Marjoire Halpin's multimedia project, and the donation and display of Ainu objects. Also included are a Calendar of Events and list of donors.

The newsletter contains 7 articles about the museum as well as photographs, facsimiles of artworks, and general visitor information. Subjects include the Hawaiian travelling exhibition Maui: Turning Back the Sky, the Volunteer Associates, the exhibition Vereinigung, a project involving a secondary school art class and ceramics, new Booking Coordinator Anna Nobile, a project to identify the fibres used in ceremonial blankets, and the book An Illustrated Guide to Totem Poles by Dr. Marjorie Halpin. Also included is a Calendar of Events.

The newsletter contains 6 articles about the museum as well as photographs, facsimiles of artworks, and general visitor information. Subjects include the launch of a campaign to restore the Haida House sculpture complex, a series of clinics and talk about preventive conservation, a memorial to Dr. May Smith, fall courses taught at MOA, the launch of a certificate in Museum Studies, and an update from the Anthropology Shop. Also included is a Calendar of Events.