Affichage de 252 résultats

This issue contains articles on current and upcoming exhibitions (including "A Future for Memory," on the Great East Japan Earthquake), identifying archival images, developing MOA's Multimedia Guide, highlights of the MOA Multiversity Galleries, interview with Reva Malkin on her creation of MOA's Aboriginal Cultural Program ("Prison Program"), photography of MOA catalogue and publications, signing memoranda of understanding (MOUs) with institutions and museums in the Pacific, and researching 19th-century British tiles.

This issue contains articles on current and upcoming exhibitions (including "Sankofa: African Routes, Canadian Roots"), a farewell to Dr. Anthony Alan Shelton, contemporary art in the MOA collections, development of MOA's digital school programming, the Indigitization Program, tributes to Salma Mawani and volunteer Carol Givton, and reviews of "Under Different Moons: African Art in Conversation" by Anthony Alan Shelton and "Where the Power Is: Indigenous Perspectives on Northwest Coast Art" by Karen Duffek, Jordan Wilson, and Bill McLennan.

This issue contains articles on current and upcoming exhibitions, Kent Monkman's Shame and Prejudice, decolonizing MOA's African collections and displays, contextualizing MOA's African collection, contemporary art in the Multiversity Galleries, MOA's public programs, the launch of the Indigenous Internship Program, the role of volunteers in safeguarding and conserving MOA's collections, and the Ceramics Artist-in-Residence Holly Ratcliffe.

This issue contains articles on current and upcoming exhibitions, the Great Hall seismic upgrades, #MOAFromHome the COVID-19 campaign, graphic design during COVID-19, highlights from the MOA Archives, preservation technology interview with Senior Conservator Heidi Swierenga, the Islamic World Collection at MOA, ceramics Artist-in-Residence Denise Jeffrey, and an obituary for William "Bill" McLennan.

This issue contains articles on current and upcoming exhibitions, the Great Hall seismic upgrades, the UBC President's Staff Award for Community Engagement recipient Salma Mawani, the beginning of a project to decolonize MOA's Africa collections, funding from Canadian Heritage's Museum Assistance Program, Playing with Fire: Ceramics of the Extraordinary, the history of the museum and the Hawthorns, fast fashion and sustainable textiles, highlights from the Multiversity Galleries, the return of a Haida mortuary pole, the Native Youth Program, the MOA shop, artist-in-residence Sharon Reay, and the MOA Director's Advisory Council.

Series consists of posters that generally promote MOA or support MOA's functions.

The report outlines the museum's activities and finances for the previous fiscal year, including listing staff, attendance figures, acquisitions, exhibitions, educational activities, public programming, events, loans, research projects, and publications of the museum and its staff. It includes descriptions of Laura Osorio's multifaceted curatorial research in Latin America, the museum's review of its African collection, the beginning of an Indigenous internship program, and planning for a seismic mitigation project, among other initiatives.

This issue contains articles on current and upcoming exhibitions, the new Collections Access Grant program, the release of the book People Among the People: The Public Art of Susan Point, Shadows, Strings and Other Things: The Enchanting Theatre of Puppets and related programs, Javanese puppeteer Sutrisno Hartana, the Ninini (Earthquake) dance at the Frank Nelson Memorial Potlatch, MOA's conservators Miriam Clavir and Heidi Swierenga, highlights from the MOA archives, the book Divine Threads: The Visual and Material Culture of Cantonese Opera by April Liu, and how to leave a gift to MOA in your will.

This issue contains articles on current and upcoming exhibitions, an award for Traces of Words: Art and Calligraphy from Asia, renovations, MOA Journeys, donors Elspeth McConnell and Dr. Margaret (Marmie) Perkins Hess, the UBC Indigitization Program, highlights from the Multiversity Galleries, the BC Heritage Response Network for emergency and disaster response, artist-in-residence Debra Sloan, the donation of a South Pacific collection belonging to Reverend George Stallworthy, and an interview with Sharon Haswell, MOA Shop Manager.

This issue contains articles on current and upcoming exhibitions, Great Hall seismic upgrade renovations, Carol E. Mayer's trip to the island of Erub, volunteer Marcie Powell's work on textiles, contemporary art in the Multiversity Galleries, Debra Sparrow's weaving at the museum, the raising of a new Raven Pole at Wuikinuxv Village, the Volunteer Associates enrichment trip, the Native Youth Program, and an interview with Ann Stevenson, retiring Information Manager.

This issue contains articles on current and upcoming exhibitions, renovations, the installation of murals at BC Children's Hospital, Amazonia: The Rights of Nature and related student workshops and forensic work, a Musqueam Teaching Kit, the Native Youth Program's night sky project, the Rachel and David Herman Collection of Byzantine Coins, the Museum of Lisbon exhibition From Carnival to Lucha Libre: Mexican Masks and Devotions, In a Different Light: Reflecting on Northwest Coast Art, The Fabric of Our Land: Salish Weaving, the MOA Journey to Papua New Guinea, and an interview with April Liu, Curator of Public Programs + Engagement.

This issue contains articles on recent ceramic acquisitions, the Reconciliation Pole, the opening of the Gallery of Northwest Coast Masterworks, threats to Indigenous peoples in the Amazon, the Coastal First Nations Dance Festival, ethical shopping, the conservation and loan of a thunderbird headdress, climate change, Curator-in-Residence Jordan Wilson, and touchable objects at the museum.

This issue contains articles on current and upcoming exhibition and events, the museum's activities with other museums in the province, a recently acquired woven violin case, educational programs for school groups, artists, mining, and logging along the Sepik River, art and photography in relation to the 2011 earthquake in Japan, and the Museum Associates.