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Item is a b&w negative of a photograph of the log on a flatbed truck newly-arrived at the old UBC carving shed. Norman remarked that “they” had to pay for moving it to UBC’s carving shed (i.e. it came out of his contract monies). After the log was moved into the shed, they asked for donations to help with these expenses. Info in text from WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING pp. 38-41.

Geographic Location: old UBC Carving Shed

Item is a b&w negative of a photograph of the log on a flatbed truck newly-arrived at the old UBC carving shed. Workers are beginning to unload it. Norman remarked that “they” had to pay for moving it to UBC’s carving shed (i.e. it came out of his contract monies). After the log was moved into the shed, they asked for donations to help with these expenses. Info in text from WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING pp. 38-41.

Geographic Location: old UBC Carving Shed

Item is a b&w negative of a photograph of the crew loading log onto flatbed truck to move it from the Turnbull & Gail construction yard in Richmond (contractors for the Native Ed. Centre) to old UBC carving shed. Info corresponds to text from WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING pp. 38-41.

Notes:
Robert Tait (Chip) had told all the guys to ask as many people as possible to come move the log off the truck and into the carving shed. They didn’t have a forklift to do this but Norman also said he wanted as many people as possible to “touch the log”, that he wanted things done as traditionally as possible. All lifts and moves were done to the beat of the drum. The log was heavy and it was also difficult getting it between the small saplings.

Geographic Location: The old UBC Carving Shed

Item is a b&w negative of a photograph of the crew loading log onto flatbed truck to move it from the Turnbull & Gail construction yard in Richmond (contractors for the Native Ed. Centre) to old UBC carving shed. Info corresponds to text from WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING pp. 38-41.

Notes:
Robert Tait (Chip) had told all the guys to ask as many people as possible to come move the log off the truck and into the carving shed. They didn’t have a forklift to do this but Norman also said he wanted as many people as possible to “touch the log”, that he wanted things done as traditionally as possible. All lifts and moves were done to the beat of the drum. The log was heavy and it was also difficult getting it between the small saplings.

Geographic Location: The old UBC Carving Shed

Item is a b&w negative of a photograph of the crew loading log onto flatbed truck to move it from the Turnbull & Gail construction yard in Richmond (contractors for the Native Ed. Centre) to old UBC carving shed. Info corresponds to text from WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING pp. 38-41.

Notes:
Robert Tait (Chip) had told all the guys to ask as many people as possible to come move the log off the truck and into the carving shed. They didn’t have a forklift to do this but Norman also said he wanted as many people as possible to “touch the log”, that he wanted things done as traditionally as possible. All lifts and moves were done to the beat of the drum. The log was heavy and it was also difficult getting it between the small saplings.

Geographic Location: The old UBC Carving Shed

Item is a b&w negative of a photograph of the crew loading log onto flatbed truck to move it from the Turnbull & Gail construction yard in Richmond (contractors for the Native Ed. Centre) to old UBC carving shed. Info corresponds to text from WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING pp. 38-41.

Notes:
Robert Tait (Chip) had told all the guys to ask as many people as possible to come move the log off the truck and into the carving shed. They didn’t have a forklift to do this but Norman also said he wanted as many people as possible to “touch the log”, that he wanted things done as traditionally as possible. All lifts and moves were done to the beat of the drum. The log was heavy and it was also difficult getting it between the small saplings.

Geographic Location: The old UBC Carving Shed

Item is a b&w negative of a photograph of the crew loading log onto flatbed truck to move it from the Turnbull & Gail construction yard in Richmond (contractors for the Native Ed. Centre) to old UBC carving shed. Info corresponds to text from WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING pp. 38-41.

Notes:
Robert Tait (Chip) had told all the guys to ask as many people as possible to come move the log off the truck and into the carving shed. They didn’t have a forklift to do this but Norman also said he wanted as many people as possible to “touch the log”, that he wanted things done as traditionally as possible. All lifts and moves were done to the beat of the drum. The log was heavy and it was also difficult getting it between the small saplings.

Geographic Location: The old UBC Carving Shed

Item is a b&w negative of a photograph of the crew loading log onto flatbed truck to move it from the Turnbull & Gail construction yard in Richmond (contractors for the Native Ed. Centre) to old UBC carving shed. Info corresponds to text from WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING pp. 38-41.

Notes:
Robert Tait (Chip) had told all the guys to ask as many people as possible to come move the log off the truck and into the carving shed. They didn’t have a forklift to do this but Norman also said he wanted as many people as possible to “touch the log”, that he wanted things done as traditionally as possible. All lifts and moves were done to the beat of the drum. The log was heavy and it was also difficult getting it between the small saplings.

Geographic Location: The old UBC Carving Shed

Item is a b&w negative of a photograph of the crew loading log onto flatbed truck to move it from the Turnbull & Gail construction yard in Richmond (contractors for the Native Ed. Centre) to old UBC carving shed. Info corresponds to text from WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING pp. 38-41.

Notes:
Robert Tait (Chip) had told all the guys to ask as many people as possible to come move the log off the truck and into the carving shed. They didn’t have a forklift to do this but Norman also said he wanted as many people as possible to “touch the log”, that he wanted things done as traditionally as possible. All lifts and moves were done to the beat of the drum. The log was heavy and it was also difficult getting it between the small saplings.

Geographic Location: The old UBC Carving Shed

Item is a b&w negative of a photograph of the crew loading log onto flatbed truck to move it from the Turnbull & Gail construction yard in Richmond (contractors for the Native Ed. Centre) to old UBC carving shed. Info corresponds to text from WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING pp. 38-41.

Notes:
Robert Tait (Chip) had told all the guys to ask as many people as possible to come move the log off the truck and into the carving shed. They didn’t have a forklift to do this but Norman also said he wanted as many people as possible to “touch the log”, that he wanted things done as traditionally as possible. All lifts and moves were done to the beat of the drum. The log was heavy and it was also difficult getting it between the small saplings.

Geographic Location: The old UBC Carving Shed

Item is a b&w negative of a photograph of people after log has been moved into the old UBC carving shed. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING p. 40-41.)
Notes:
• Norman told me that “they” had to pay for moving the log to UBC’s carving shed (i.e. it came out of his contract monies). After the log was moved into the shed, the wolf clan chieftainess Mercy Robinson Thomas makes a public call for donations. As people come up and put money into a cedarbark hat, she calls out their name and amount. Andy Morrison (in army beret) helps collect and count the money. A total of $126.05 is collected. Then Chip jumps on the log and thanks everybody for their help.

Geographic Location: all photos at area around the old UBC Carving Shed

Item is a b&w negative of a photograph of people after log has been moved into the old UBC carving shed. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING p. 40-41.)
Notes:
• Norman told me that “they” had to pay for moving the log to UBC’s carving shed (i.e. it came out of his contract monies). After the log was moved into the shed, the wolf clan chieftainess Mercy Robinson Thomas makes a public call for donations. As people come up and put money into a cedarbark hat, she calls out their name and amount. Andy Morrison (in army beret) helps collect and count the money. A total of $126.05 is collected. Then Chip jumps on the log and thanks everybody for their help.

Geographic Location: all photos at area around the old UBC Carving Shed

Item is a b&w negative of a photograph of people after log has been moved into the old UBC carving shed. 1st 3 rows of photos shows people after log has been moved into the old UBC carving shed. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING p. 40-41.) Text info for last 9 images is from pp. 42-45.

Notes:
• Norman told me that “they” had to pay for moving the log to UBC’s carving shed (i.e. it came out of his contract monies). After the log was moved into the shed, the wolf clan chieftainess Mercy Robinson Thomas makes a public call for donations. As people come up and put money into a cedarbark hat, she calls out their name and amount. Andy Morrison (in army beret) helps collect and count the money. A total of $126.05 is collected. Then Chip jumps on the log and thanks everybody for their help.
• Three photos of button blanket are possibly one that Dorothy Grant was making—three images that follow may be her and Doreen Jensen (Gitxsan carver) on the right. I don’t remember who they are talking to.
• Last 9 images are the next day. The first 4 show Harry Martin cleaning out a damaged section at the top of the pole that will have to be plugged. Last strip shows Wayne and Isaac working to finish up rounding the log so Norman can begin drawing. Small child watching is my son Luke Powell. Last two images are the guys inserting the plug.

Geographic Location: all photos at area around the old UBC Carving Shed

Item is a b&w negative of a photograph of people after log has been moved into the old UBC carving shed. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING p. 40-41.)
Notes:
• Norman told me that “they” had to pay for moving the log to UBC’s carving shed (i.e. it came out of his contract monies). After the log was moved into the shed, the wolf clan chieftainess Mercy Robinson Thomas makes a public call for donations. As people come up and put money into a cedarbark hat, she calls out their name and amount. Andy Morrison (in army beret) helps collect and count the money. A total of $126.05 is collected. Then Chip jumps on the log and thanks everybody for their help.

Geographic Location: all photos at area around the old UBC Carving Shed

Item is a b&w negative of a photograph of people after log has been moved into the old UBC carving shed. Item shows a female toddler standing next to a man holding a drum. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING p. 40-41.)

Geographic Location: all photos at area around the old UBC Carving Shed

Item is a b&w negative of a photograph of people after log has been moved into the old UBC carving shed.
Three photos of button blanket are possibly one that Dorothy Grant was making—three images that follow may be her and Doreen Jensen (Gitxsan carver) on the right. I don’t remember who they are talking to.

Geographic Location: all photos at area around the old UBC Carving Shed

Item is a b&w negative of Harry Martin cleaning out a damaged section at the top of the pole that will have to be plugged. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING pp. 42-45.)

Geographic Location: all photos at area around the old UBC Carving Shed

Item is a b&w negative of a photograph Norman’s Mischievous Man blanket.