Fragments of Halibut pole and others, U.B.C.
- 25-05-11-a038875
- Pièce
- 1976
Fait partie de Anthony Carter fonds
Image of totem poles in storage at the Museum of Anthropology at UBC
Sans titre
1218 résultats avec objets numériques Afficher les résultats avec des objets numériques
Fragments of Halibut pole and others, U.B.C.
Fait partie de Anthony Carter fonds
Image of totem poles in storage at the Museum of Anthropology at UBC
Sans titre
Fragments of Halibut pole and others, U.B.C.
Fait partie de Anthony Carter fonds
Image of totem poles in storage at the Museum of Anthropology at UBC
Sans titre
Fait partie de Anthony Carter fonds
Image of totem poles at the Museum of Anthropology at UBC
Sans titre
Fin of shark pole fragments, beginning of restoration by Anthony Carter and Carol Mclaren, U.B.C.
Fait partie de Anthony Carter fonds
Image of the early stages of restoration of totem pole fragments by Anthony Carter and Carol Mclaren, U.B.C.
Fin of shark pole fragments, beginning of restoration by Anthony Carter and Carol Mclaren, U.B.C.
Fait partie de Anthony Carter fonds
Image of the early stages of restoration of totem pole fragments by Anthony Carter and Carol Mclaren, U.B.C.
Totem pole installation, Museum of Anthropology
Fait partie de Anthony Carter fonds
Image of workers installing totem poles at the Museum of Anthropology at the University of British Columbia. MOA Director Michael Ames is on the left.
Totem pole installation, Museum of Anthropology
Fait partie de Anthony Carter fonds
Image of MOA Director Michael Ames with pole A50020 as it was being installed in MOA's Great Hall.
Fait partie de Anthony Carter fonds
Image of totem poles on display at the Museum of Anthropology at UBC.
Fait partie de Anthony Carter fonds
Image of totem poles on display at the Museum of Anthropology at UBC.
Fait partie de Anthony Carter fonds
Image of restoration work on a totem pole at the Museum of Anthropology at UBC.
Fait partie de Anthony Carter fonds
Image of totem poles at the Museum of Anthropology at UBC
Fait partie de Anthony Carter fonds
File consists of images of the Ninstins (or Ninstints) village site on Anthony Island, Haida Gwaii.
Sans titre
Kwakiutl potlatch for Tony Hunt
Fait partie de Anthony Carter fonds
File consists of images from a Kwakiutl potlatch for artists Tony Hunt, in Alert Bay, BC.
Sans titre
Fait partie de Anthony Carter fonds
This historic image appears to be show a box front in Ottawa that is felt to be the same box front as the original one on MOA pole A50020.
Mission Church at North Vancouver Reserve
Fait partie de Anthony Carter fonds
File consists of images of the exterior of St. Paul's Catholic church in North Vancouver, BC.
Sans titre
Nass River (Nisga'a nation), 1970
Fait partie de Anthony Carter fonds
File consists of images from the Nass River valley in British Columbia. Subjects include scenery, people, and village scenes.
Sans titre
First Nations community members
Fait partie de Anthony Carter fonds
File consists of images of First Nations adults and children in Bella Coola, Klemtu, Bella Bella, Haida Gwaii, and Hartley Bay, BC.
Sans titre
Fait partie de Anthony Carter fonds
File consists of images taken at or near Slatechuck Mountain on Haida Gwaii (called Kaagan in the Haida language). This mountain, located near Queen Charlotte City, is best known as a source of argillite, a rare form of slate used in Haida art. Images in this file show individuals harvesting argillite, in addition to images of women harvesting and preparing spruce roots to weave baskets, and images of the Golden Spruce tree that formerly stood in the area.
Sans titre
Treaty 7 Centennial/Prince of Wales Visit Media Correspondent Materials
Fait partie de Anthony Carter fonds
File consists of Carter's press pass and a media itinerary and information booklet from Prince Charles' visit to Alberta in 1977.
Fait partie de Anthony Carter fonds
File consists of slides depicting First Nations chiefs and elders, Carter's wife Minn Sjolseth with August Jacks, Johnny Seaweed, miscellaneous images from Mount Currie/Lil'wat First Nation, and a photograph labeled "Potlatch Masset 60s".