- 132-1-C-B-a040886
- Item
- 1962
Parte deMOA General Media collection
Display for the exhibit "Technologies of the North West Coast." Shows a model canoe, mask, fish hook, and other items.
25 resultados con objetos digitales Muestra los resultados con objetos digitales
Parte deMOA General Media collection
Display for the exhibit "Technologies of the North West Coast." Shows a model canoe, mask, fish hook, and other items.
Parte deMOA General Media collection
Display for the exhibit "The Shaman of the Northwest Coast." Several argillite carvings displayed including a shaman figure by Charles Edenshaw.
Parte deMOA General Media collection
Display for an exhibit. Likely for "Tribal Control of the Supernatural." Displays several items including a staff, carved figures, and rattles. A Sxwayxwey mask is visible in the far right corner of the image.
Several dishes on display in Montréal
Parte deMOA General Media collection
Several dishes on display for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Several dishes on display in Montréal
Parte deMOA General Media collection
Several dishes on display for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Parte deMOA General Media collection
Display for the exhibit "the Trader and Tribal Crafts." Shows several figurines and argillite sculptures.
Parte deMOA General Media collection
Image of a bentwood box by Charles Edenshaw. This photograph may be from an exhibit at the old Museum of Anthropology dealing with Northwest coast technology.
Final lecture of Anthropology 301, April 3, 1974, “Resurgence of Indian Culture”
Parte deWilson Duff fonds
Item is an audio recording of a lecture given by Wilson Duff on the “Resurgence of Indian Culture.” On side A, Duff speaks on the failings of colonialist education systems, First Nations traditional knowledge, and his interpretations of Haida art. Works discussed include a Raven rattle and a chest carved by Charles Edenshaw. Side B continues with Duff’s observations on government interest in, and appropriation of, First Nations art and culture as symbols of Canadian identity, and cultural repatriation.
Parte deMOA General Media collection
Dishes on display for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World."
Parte deMOA General Media collection
Dishes on display for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Parte deMOA General Media collection
Dishes on display for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Parte deMOA General Media collection
Dishes on display for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Parte deMOA General Media collection
Dishes on display for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World."
Parte deMOA General Media collection
Dishes on display for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Parte deMOA General Media collection
Dishes on display for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Parte deMOA General Media collection
Dishes on display for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World."
Parte deMOA General Media collection
Dishes on display for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Parte deMOA General Media collection
Dishes on display for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Parte deMOA General Media collection
Dishes on display for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Parte deMOA General Media collection
A bentwood box by Charles Edenshaw. The museum catalogue number on the slide label is incorrect and should read A9416. This photograph may be from an exhibit at the old Museum of Anthropology dealing with Northwest coast technology.