Museum grounds facing future site of Haida house
- 132-1-C-A-a040604
- Item
- 1978?
Parte deMOA General Media collection
A photograph of the museum grounds facing the future site of the Haida house and Mortuary house.
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Museum grounds facing future site of Haida house
Parte deMOA General Media collection
A photograph of the museum grounds facing the future site of the Haida house and Mortuary house.
Museum grounds facing future site of Haida house
Parte deMOA General Media collection
A photograph of the museum grounds facing the future site of the Haida house and Mortuary house. An unidentified man stands in the foreground.
Parte deVirginia Kehoe fonds
Image depicts a nearly completed totem pole outside. A can of black paint is visible on the path. This pole may be the St. Catharines Ontario Centennial pole carved in 1967.
Parte deVirginia Kehoe fonds
Image depicts painting a totem pole. A woman paints in the foreground; Doug Cranmer stands at the other end of the pole.
Parte deVirginia Kehoe fonds
Image depicts a carver, possibly Godfrey Hunt, painting a totem pole. 1960s vintage cars are visible in the background.
Parte deVirginia Kehoe fonds
Image depicts Douglas Cranmer painting a totem pole which is outside.
Parte deVirginia Kehoe fonds
Image depicts three carvers working on a totem pole. The centre carver is Doug Cranmer; the man on Cramner's right may be Godfrey Hunt. A woman works, possibly sanding, image right.
Parte deVirginia Kehoe fonds
Image depicts a carver working on a partially carved pole. The pole is lying on the ground outside.
Parte deVirginia Kehoe fonds
Image depicts a partially carved pole.
Parte deVirginia Kehoe fonds
Image depicts a partially carved totem pole resting on the ground. Doug Cranmer is visible in the lower left corner of the image; another carver works on the pole. A can of paint is visible, but not in use.
Parte deVirginia Kehoe fonds
Image depicts Doug Cranmer in the early stages of carving a totem pole. Cranmer squats on one side of the pole while another man stands on the opposite side.
Parte deVirginia Kehoe fonds
Image depicts a partially carved totem pole resting on the ground.
Parte deVirginia Kehoe fonds
Image depicts a partially carved totem pole lying on the ground. One end of the pole has had rough cuts made; the other end still has bark.
Partially carved totem pole draped in tarps
Parte deVirginia Kehoe fonds
Image depicts a partially carved pole draped in tarps. A building is visible behind the pole.
Parte deVirginia Kehoe fonds
Image depicts a carver, possibly Godfrey Hunt, working on a partially carved totem pole. Depicted images include a Thunderbird and a figure holding a copper. This may be the St. Catherines. Ontario Centennial Confederation pole, carved in 1967.
Parte deVirginia Kehoe fonds
Image depicts Doug Cranmer carving a pole using an adze.
Parte deVirginia Kehoe fonds
Image depicts Douglas Cranmer in the process of removing bark from a tree. Vintage cars are visible behind him.
Preparing to make a rubbing of a totem pole carving
Parte deVirginia Kehoe fonds
Image depicts Doug Cranmer preparing to make a rubbing image (using kraft paper and crayon) of the carving on a totem pole. Another person, possibly Godfrey Hunt, assists by holding the paper.
Parte deVirginia Kehoe fonds
Image depicts Doug Cranmer using a jack to raise the end of a large tree trunk.
Parte deVirginia Kehoe fonds
Image depicts Doug Cranmer removing bark from a pole using what seems to be an axe.