- 28-02-VV
- Sous-série organique
- 2011 - 2012
Fait partie de David Cunningham fonds
Sans titre
1116 résultats avec objets numériques Afficher les résultats avec des objets numériques
Fait partie de David Cunningham fonds
Sans titre
The Spirit of Islam: Experiencing Islam through Calligraphy
Fait partie de Skooker Broome fonds
Subseries consists of records relating to the “Spirit of Islam: Experiencing Islam through Calligraphy” exhibit installed at the Museum of Anthropology. The exhibit is a collaborative work with local Muslim community members. The intent of the exhibition is to promote cultural diversity and to illustrate Islam as a way of life. The exhibition opened in October 2001, and continued until May 2002. In his capacity as Designer, Skooker Broome worked on the planning, designing, and installation of the exhibit. Not only did he work on the exhibit, he also participated in the launching of the “Spirit of Islam” educational website. Funded by the Department of Canadian Heritage, the website includes images, text, audio, and video from the original exhibition. Records in the subseries include: correspondence, contact lists, exhibition records, draft proposals and proposal, budgets, artifact lists, program planning worksheets, committee reports and drafts, agendas, grant applications, programming planning worksheets, minutes of meetings, loan condition and agreement forms, statements of agreements, exhibition diagrams and plans, exhibition design and art work, exhibit panel information and labeling designs, exhibit flyers and design layouts, photocopies of business cards and business cards, press releases, negatives, drafts of catalogue, notes, policy records, publications, exhibit sketches, letterhead samples, typeface samples, Islamic script samples, exhibition invitation cards, computer renderings of the exhibition layout and design, fundraising records, and product brochures and price lists. Textual records also include annotations on “Post-It Notes.” All records relate to aspects of planning, creating, or installing of the exhibit.
Eulachon: A Fish to Cure Humanity
Fait partie de Skooker Broome fonds
Subseries consists of records relating to the exhibit “Eulachon: A Fish to Cure Humanity.” The exhibit was installed in Gallery 5 at the Museum of Anthropology from February 5 to May 31, 1992, and explored traditions associated with the fishing of eulachon and technology used to render its oil. In his capacity as Designer, Skooker Broome worked on the planning, designing, and installation of the exhibit. Records include: memoranda, correspondence, negatives, color photographs, b&w photographs, thumbnail photographs, transparencies, French and English exhibition captions and didactic panels, travel receipts, pencil and ink drawings, published articles, artifact lists, project summaries, budgets, a fish stamp, conservation records, exhibit catalogue drafts, colored photocopies of photographic images, exhibit diagrams, exhibit instructions, exhibit layouts installations, and designs.
The Marvellous Real: Art from Mexico, 1926 - 2011
Fait partie de Skooker Broome fonds
Subseries consists of records related to the graphic design for the Marvellous Real exhibit, on display at the Museum of Anthropology October 25, 2013 - March 30, 2014. The exhibit was curated by UBC Anthropology professor Nicola Levell.
Without Masks: Contemporary Afro-Cuban Art
Fait partie de Skooker Broome fonds
Subseries consists of records related to the graphic design for the Without Masks exhibit, on display at the Museum of Anthropology May 2 - November 2, 2014. The exhibit was curated by Cuban poet, art critic and curator Orlando Hernández.
c̓ əsnaʔəm: the city before the city
Fait partie de Skooker Broome fonds
Subseries consists of records related to the graphic design for the c̓ əsnaʔəm exhibit, on display at the Museum of Anthropology January 25, 2015 - December 2015. The exhbit was curated by Susan Rowley and Jordan Wilson.
Fonds consists of records generated by Watson while working as an exhibit designer at the Museum of Anthropology. Material includes records gernated during the preparation and documentation of exhibitions at the Museum, as well as records generated for two additional design projects undertaken by Watson during his tenure at MOA: the design of textile storage and display unit, 1980-1984; and the design of an extension to the west wing of MOA, 1988-1990.
Fonds is organized into two series:
1 - Museum design
2 - Exhibition design
See attached pdf document for series descriptions and file list.
Sans titre
Encounter 1778: Drawings Watercolours and Sketches by John Webber at Nootka Sound
Fait partie de Herb Watson fonds
The Four Seasons: Food Getting in B.C.'s Prehistory
Fait partie de Herb Watson fonds
Fait partie de Herb Watson fonds
Calendar Prints: Popular Art of South India
Fait partie de Herb Watson fonds
Hands of Our Ancestors: The Revival of Salish Weaving at Musqueam
Fait partie de Herb Watson fonds
Grecian Urns: Pottery from the Ancient Greek World
Fait partie de Herb Watson fonds
Four Seasons: Food Getting in B.C.’s Prehistory [graphic display]
Fait partie de Herb Watson fonds
Student exhibitions, 1983-1984, Graphic display
Fait partie de Herb Watson fonds
File includes materials related to the following student exhibitions on display at MOA in 1983-84: Krishna Worship at Nathdwara; Kwagiutl Watercolours and Drawings; The Magic of Masks in Sri Lanka; Show and Tell: The Story of a Big Mac Box; When Kings Were Heroes
Changing Tides: The Development of Archaeological Research in B.C.’s Fraser Delta Region
Fait partie de Herb Watson fonds
A Family Affair: Making Cloth in Taquile, Peru
Fait partie de Herb Watson fonds
Fait partie de Herb Watson fonds
I Have Seen the Other Side of the World: Masks of the Northwest Coast
Fait partie de Herb Watson fonds
Fait partie de Herb Watson fonds