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Collection consists of 48 glass lantern slides (29 of them tinted) and 2 negatives. The lantern slides include images related to four Residential Schools: Elkhorn (Manitoba), St. Michael’s (British Columbia), Shingwauk (Ontario), and Choutla (Yukon).

Collection includes images of the schools, classrooms, and different areas of the buildings (dining room, kitchen, etc.); the staff, students, and families engaged in different activities; and surroundings of the schools (cemeteries, churches, villages, etc.). Collection also includes images of landscapes and two images unidentified villages.

Collection might be similar to the Missionary Society of the Church of England in Canada fonds, at the Anglican Church of Canada Diocese of Rupert's Land, Manitoba.

Lantern slides shows were used during the 1920s and 1930s by the Church of England in Canada to promote the work of their missionaries and to raise funds. The slide shows took place during missionaries’ services, church services, Sunday school groups, and special church programs. Usually, the slide shows were complemented with a text with basic commentary on the mission and content of the slides.

Item is a hand-tinted glass lantern slide of an Indigenous burial site. Based on the original order of the collection, photograph might have been taken in Alert Bay.

Item is a hand-tinted glass lantern slide of an house and Indigenous burial site. Based on the original order of the collection, photograph might have been taken near Alert Bay.

Photographed at Bella Coola, BC. Charilier is Carrier, Mrs. West is Chilcotin

Series consists of records (primarily photographic slides) documenting Minn Sjolseth's travels with her husband Anthony Carter to visit events and communities at locations including Haida Gwaii, Ketchikan, Kitwancool, Kingcome Inlet, Kispiox, Gitsegukla, Kitwanga and Skidegate among others. The contents of the series reflect First Nations cultures in British Columbia throughout the 1960s and 1970s, including Haida, Nuu-Chah-Nulth, Skwxwú7mesh, Nisga'a, Kwakwaka'wakw. The photographs document potlatches, totem poles, villages, landscapes, as well as portraits of individuals. The series also contains files with a small number of photographs documenting Sjolseth's paintings on these subjects, as well as Sjolseth at work on her art on location in these communities and locations.

File consists of slides labeled "Ketchikan," "Miss Guinanook," "Mt Currie res," and "LRH Charles."

Fonds consists of negative images of petroglyphs largely from the Pacific west coast of North America. Most of the images are from sites located in British Columbia, but there are also images from sites in Washington State, New Mexico, and other areas of the United States and Mexico. There are also images of artifacts, masks, totem poles, wood carvings, and graveyards. Images of family travels, landscapes, wild animals, and house cats are interspersed within the collection.

Includes images of petroglyphs from the Monsell Site, on the west bank of the Nanaimo River, near Cedar BC; as well as petroglyphs from Hornby Island and Parksville.

Images of petroglyphs, marmots and artifacts that appear to be Aztec or Mayan.

Images of petroglyphs and totem poles, as well as nature scenes from these areas.

Petroglyphs, totem poles, and an image of a Kwakiutl "fool's mask" from Cape Mudge.