Pongsan dancers address the audience
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Fait partie de Public Programming and Education fonds
Korean Pongsan dancers stand in formation while a different performer appears to address the audience
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Pongsan dancers address the audience
Fait partie de Public Programming and Education fonds
Korean Pongsan dancers stand in formation while a different performer appears to address the audience
Costumed drummers in Pongsan dance
Fait partie de Public Programming and Education fonds
Costumed drummers play their drums as part of a performance of Korean Pongsan dance
Dance of Mabu and Lion Pongsan dance
Fait partie de Public Programming and Education fonds
Dancers perform what appears to be the dance of Mabu and Lion from Pongsan dance
Fait partie de Public Programming and Education fonds
Two performers from the Jin Wah Sing Musical Association perform at a UBC Open House
Jin Wah Sing performance with props
Fait partie de Public Programming and Education fonds
Members of the Jin Wah Sing Musical Association pose with props
Archer Mayling interacts with an audience member in "A Rattling Under Glass"
Fait partie de Public Programming and Education fonds
Archer Mayling interacts with an audience member while playing the part of Itch in "A Rattling Under Glass", an interpretive program for school groups visiting the museum adapted from a potlatch story
A Rattling Under Glass, performance in the Great Hall
Fait partie de Public Programming and Education fonds
Archer Mayling and Monique Mojica perform in "A Rattling Under Glass", an interpretive program for school groups visiting the museum adapted from a potlatch story
Archer Mayling in a glass box in "A Rattling Under Glass"
Fait partie de Public Programming and Education fonds
Archer Mayling stands in a glass box as Itch while Monique Mojica stands outside the box as Coyote during a performance of "A Rattling Under Glass", an interpretive program for school groups visiting the museum adapted from a potlatch story
A costumed performer in the Great Hall
Fait partie de Public Programming and Education fonds
A costumed performer stands in the Great Hall with the audience in the background
Fait partie de Public Programming and Education fonds
Fabric set pieces from an Evelyn Roth performance in the Great Hall
Fait partie de Public Programming and Education fonds
A performer wearing a bird costume in the Great Hall
Fait partie de Public Programming and Education fonds
Garbanzo the clown surrounded by children during a performance
Garbanzo and another performer during a performance
Fait partie de Public Programming and Education fonds
Garbanzo performs with another performer using a TV set piece and playing a drum
A costumed performer at a microphone and audience
Fait partie de Public Programming and Education fonds
A costumed performer stands behind a podium with a microphone with the audience in the background
MOA Partnership of Peoples Renewal Project fonds
MOA’s Partnership for the Peoples Renewal project (MRP) was a multi-year major expansion and renovation project, undertaken to enhance physical, visual and virtual access to MOA collections in order to better facilitate ongoing research. The project lasted from 2004-2010, and cost approximately $55.5 million. It was funded in large part by a Canada Foundation for Innovation (CFI) grant. Additional funds came from provincial (British Columbia) grants, a Museums Assistance Program (MAP), and the University of British Columbia. Prior to the launch of the MRP, MOA’s thirty year old infrastructure was no longer able to successfully serve the increasing demands of its communities and users due to insufficient space to safely store or display material, to acquire new acquisitions, or to conduct research
Renovations included a new research wing, new offices, laboratories, a culturally sensitive research room, recording studio, and a new exhibition hall (The Audain Gallery). Other enhancements included MOA's new Multiversity Galleries, the creation of the Reciprocal Research Network (RRN), expansion of the Museum Shop, a new cafe, and courtyard and outdoor events area.
The work of the MRP was carried out by different streams: Program Wide stream, Building stream, Collections Research and Enhancement Project (CREP), the Reciprocal Research Network (RRN), and the Laboratory of Archaeology stream. Records in the fonds are divided into series based on these streams.
The MRP had physical and virtual components. The physical components included:
• Expanding the building (from approx.. 50,000 square feet to 120,000 square feet)
• Creation of spaces suitable for interdisciplinary and collaborative community-based research
• New 5,600 square foot exhibition space
• A redesign and expansion of visible storage into the “Multiversity Galleries”
• Expanded capacity for direct object study through the creation of research suites
• New large object storage rooms for textiles, works on paper, and three dimensional works
• New offices for staff
• New chemistry lab
• New library and archives space
• Installation of a Museum cafe
• Expansion and relocation of the Museum Shop
Virtual components included:
• Development of the Reciprocal Research Network (RRN)
• The digitization of MOA’s object collection, and development of an online catalogue to make these images and object information accessible.
• Consultations with originating communities regarding the handling and description of MOA’s object collection
Major roles in the MRP included:
• Jill Baird (MOA staff) – Project Lead,
• UBC Properties Trust (especially Joe Redmond and Rob Brown) – The University’s development arm given responsibility to build all UBC buildings. Involved in review and approval of design and budget, including UBC Board approvals
• Lundholm Associate Architects (Michael Lundholm, Lead) – Museum architect and planning specialist. Worked on initial plans with MOA in early phase, and did the feasibility study.
• Stantec Architecture Limited (Noel Best, lead) – The architectural firm that designed the building and interior spaces renovations and additions, in consultation with Arthur Erickson (architect of the original building)
• David Cunningham – Lead project designer
• Ambit Consulting (Dan Zollmann) – Provided program management consultation for non-building components of MRP
• Goppion - Italian company that made the new cases that went in the Multiversity Galleries
Fait partie de MOA Publications and Ephemera collection
File consists of reports of the museum's activities from 1947 onward. These reports were generally produced at the end of each fiscal year beginning in 1978. Most reports cover a single year, while some span multiple years. In some years, multiple reports were produced. The file does not contain reports for the fiscal years ending in 1992, 1996, 1997, 1998, 2000, 2001, 2002, 2004, 2005, 2006, 2008, 2013, 2014, 2017, or 2018.
The reports in this file give information on the museum's activities, attendance, administration, funding, renovations, security, volunteer associates, curatorial work, exhibitions, acquisitions and donations, interactions with the university, outreach, programs such as the Native Youth Project and the Prison Outreach Program, educational activities, marketing, VIP visitors, and special events, among other topics.
Museum of Anthropology Annual Report 2009-2010
Fait partie de MOA Publications and Ephemera collection
The report outlines the museum's activities and finances for the previous fiscal year, including listing staff, attendance figures, acquisitions, exhibitions, educational activities, public programming, events, loans, research projects, and publications of the museum and its staff. It includes a description of the conclusion of the Partnership of Peoples renewal project and related initiatives such as the Multiversity Galleries, the Reciprocal Research Network, MOACAT, the Audrey & Harry Hawthorn Library & Archives, and the Laboratory of Archaeology.
MOA Magazine, Issue 05, Summer 2018
Fait partie de MOA Publications and Ephemera collection
This issue contains articles on current and upcoming exhibitions, an award for Traces of Words: Art and Calligraphy from Asia, renovations, MOA Journeys, donors Elspeth McConnell and Dr. Margaret (Marmie) Perkins Hess, the UBC Indigitization Program, highlights from the Multiversity Galleries, the BC Heritage Response Network for emergency and disaster response, artist-in-residence Debra Sloan, the donation of a South Pacific collection belonging to Reverend George Stallworthy, and an interview with Sharon Haswell, MOA Shop Manager.
MOA Magazine, Issue 06, Fall 2018
Fait partie de MOA Publications and Ephemera collection
This issue contains articles on current and upcoming exhibitions, Great Hall seismic upgrade renovations, Carol E. Mayer's trip to the island of Erub, volunteer Marcie Powell's work on textiles, contemporary art in the Multiversity Galleries, Debra Sparrow's weaving at the museum, the raising of a new Raven Pole at Wuikinuxv Village, the Volunteer Associates enrichment trip, the Native Youth Program, and an interview with Ann Stevenson, retiring Information Manager.
Fait partie de MOA Publications and Ephemera collection
File consists of bulletins from Jennifer Webb to Museum Assistants and Volunteer Associates. Bulletins were released weekly. They were intended to provide information about interruptions, installations, and other events that would affect tours and instructions given to visitors. Bulletin are arranged (with some variation) into sections on people, exhibitions, galleries, publications, residencies, and "other."