"Sociology 220 Meets the Museum of Anthropology", Part II, observations
- 64-11-B-3
- Dossier
- 1976
Fait partie de Madeline Bronsdon Rowan fonds
13365 résultats avec objets numériques Afficher les résultats avec des objets numériques
"Sociology 220 Meets the Museum of Anthropology", Part II, observations
Fait partie de Madeline Bronsdon Rowan fonds
Fait partie de Madeline Bronsdon Rowan fonds
"Subsistence Herding in Uganda", Dyson-Hudson
Fait partie de Madeline Bronsdon Rowan fonds
"Marriage Economy: The Karamojong", Dyson-Hudson
Fait partie de Madeline Bronsdon Rowan fonds
Fine Arts Museums of San Francisco Exhibitions: African Art
Fait partie de Madeline Bronsdon Rowan fonds
Museums & Art Galleries in British Columbia
Fait partie de Madeline Bronsdon Rowan fonds
British Museum Publications: The Raffles Gamelan, Fragg, W.
Fait partie de Madeline Bronsdon Rowan fonds
Place Royale, Its Houses and Their Occupants (Montreal)
Fait partie de Madeline Bronsdon Rowan fonds
Place Royale and its surroundings (2 copies)
Fait partie de Madeline Bronsdon Rowan fonds
Fait partie de Madeline Bronsdon Rowan fonds
Series consists of slides and a video for the film production UBC MOA An Introduction to its History with Madeline Bronsdon Rowan.
Binder of slides concerning MOA’s history
Fait partie de Madeline Bronsdon Rowan fonds
Barge of mulena mokawai in Zambia – of second importance to the king.
Fait partie de Marie-Claire Delahaye fonds
King’s barge: King was returning from Lusaka.
Fait partie de Marie-Claire Delahaye fonds
Women making a basket in Zambia.
Fait partie de Marie-Claire Delahaye fonds
Fait partie de Marie-Claire Delahaye fonds
Fait partie de Marie-Claire Delahaye fonds
Fait partie de Marie-Claire Delahaye fonds
The fonds consists of an album, embossed with the title "A Souvenir, Mr. and Mrs. Lipsett", housing 24 photographs depicting people, imperial and Shinto temples, shrines, monasteries and other sites and scenes taken in various cities in Japan.
Sans titre
Fonds consists of an album given to Mary Tucker by her grandfather who had received it in the early 1900s as a gift from the Japanese Diet. The album consists of a series of hand-tinted silk screen reproductions depicting a variety of Japanese scenes and landmarks. Each individual silk screen is labeled with the subject of the image. The covers of the album are black lacquer with a floral image in gold on the back cover and a scene in relief of a woman and a boy sweeping on the front cover.
Sans titre