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Norman Tait Con objetos digitales
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Squirrel Dance and Paddles

Norman as he performs his squirrel dance on top of the canoe log. A set of paddles can be seen set against the canoe log. At the right of the image, a Tait family member is holding a skin drum with his back to the camera.

Squirrel Dance

Image is of Tait family members, Mercy and Josiah wearing button blankets and watching Norman as he performs his squirrel dance on top of the canoe log.

Joe David and daughter

Joe David and his daughter are in front of the canoe log. The little girl appears tucked under her father's button blanket.
Norman Tait stands at the left of image holding one of the canoe paddles.

Joe David and daughter

At the center of image, Joe David's daughter can be seen tucked under her father's button blanket in such a way that her eyes are entirely covered by the cloak. Norman Tait stands on the left side of image.

Spectators

Image is of welcome ceremony crowd including children and spectators holding umbrellas. Norman and Sadie Tait stand at right side of image while part of museum exterior can be seen in the background on the left side of image.

Norman and Mercy

Image features Norman and Mercy speaking to one another in front of the canoe log.

Squirrel dance and drums

Image is of two Tait family members holding drums as they chant with their backs to the camera. Further away Norman appears blurred as he performs his squirrel dance on top of the canoe log.

Squirrel Dance

Image is of Norman performing his squirrel dance on top of the canoe log while two family members hold and beat skin drums. All three have their back to the camera.

Squirrel Dance

Image is of Norman performing his squirrel dance on top of the canoe log while Mercy stands watching him with her back to the camera on the left side of image. Another Tait member appears on the right side of image holding a drum.

Bill Reid at the welcome ceremony

Image is of Rob't, Mercy, Norman, and Bill Reid during welcome ceremony. Bill Reid is speaking with folded notes in his hands. Mercy holds an umbrella while Norman holds a paddle.

Vickie Jensen and Jay Powell fonds

  • 3
  • Fundo
  • 1969-2008

Fonds consists of records relating to the numerous culture and language projects that Powell and Jensen worked on since 1976. The communities with which they worked include:
• The Quileute of La Push
• The Kwakwaka’wakw of Alert Bay
• The Gitxsan of Kispiox, Gitanyow, and surrounding villages
• The Nuu-chah-nulth of Vancouver Island
• The Musqueam of Vancouver
• The Seton Lake St'at'imc (Lillooet) of Shalalth
• The Shuswap of Alkali Lake, Soda Creek, Dog Creek, Canim Lake, and Sugar Cane
• The Haisla of Kitamaat
• The Nisga’a of Gingolx (Kincolith) and New Aiyansh

Most of the projects had an end goal to produce a book, language education materials, or teacher training materials. Often the education materials incorporated cultural lessons throughout. The records created in the production of the books are varied and reflect the intrinsic connection between language, culture, and daily activities in the communities. Powell and Jensen were co-editors for nearly all of the language books and materials produced. Although some of the projects reflected in the records were done primarily by Powell or primarily by Jensen, the vast majority of the work involves collaboration between the two in some aspect. As Jensen and Powell immersed themselves in the communities they worked for, often their personal photographs and records are interspersed with those relating to their work. This community involvement enhanced their relationships with the people with whom they were working and allowed them to experience and participate in cultural activities as part of those communities. This close relationship is reflected in and is integral to their work. Jensen and Powell have two sons: Nels, born in 1978, and Luke, born in 1981. Their sons travelled with them to the communities in which they worked and lived, and on their work trips and sabbaticals. Nels and Luke are also present in many of the photographic records.

The records contain a mixture of research, field notes, administrative records, and publications at various stages, in addition to audio and visual records. Field notes, for the most part handwritten, and archival research into language and culture groups was undertaken by Powell, whilst the majority of the photography, found in a variety of formats, was done by Jensen. Manuscripts and final publications were a combined effort and are included at various stages. Administrative records, including grant proposals, are found throughout.

Fonds consists of 13 series of records. Series are arranged according to community and/or project, and include:

  1. Quileute
  2. Chinook Jargon
  3. Kwak’wala (U’Mista)
  4. Gitxsan
  5. Nuu-chah-nulth
  6. Salishan
  7. Shuswap
  8. Haisla
  9. Tait
  10. Northwest Coast artists
  11. Northwest Coast groups
  12. UBC totems/events
  13. Publications

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Mercy making her first cut

Image features Mercy making her first cut at the canoe log with Norman standing by her side. Both have their backs to the photographer.

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