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Anthony Carter fonds British Columbia
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Interior of [Ksan] village long house, Hazelton, BC

Image of the interior of the new Ksan Village longhouse at Hazelton, B.C. Carter describes it as "an outstanding example of the old culture of the west coast Indian people" on page 110 of his book Abundant Rivers.

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Able Derek, Old Aiyansh, Nass River, Nisga'a

Portrait of Able Derek, Nisga'a. A similar portrait of him is printed on page 136 of Carter's book Abundant Rivers, with the caption: Abel Derek at Gitlakdamix, now called Old Aiyanch 'I am just a common man.'"

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Bessie Haizinqua, Nisga'a

Image of Bessie Haizinqua in the old village of Aiyanch. A colour version of this image is printed on page 138 of Carter's book Abundant Rivers, with the caption: "Bessie Haizinqua - a proud young Nishga woman. Walking along the pathway through the old village of Aiyanch. She carried a bowl of bear meat; the scene was primitive and beautiful."

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Theresa Gabriel, Lillooet, Mount Currie Reserve

Portrait of Theresa Gabriel, Stl'al'lmx of Pemberton Valley. A similar image is printed on page 39 of Carter's book Abundant Rivers, with the caption: "Theresa Gabriel 86 years old. An old timer in the valley, she has watched history unfold around her."

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Mt. Currie [reserve], Matilda Jim

Portrait of Matilda Jim, resident of the Stl'al'lmx Mount Currie Reserve. She is seen here weaving a basket. A portrait of her is printed on page 43 of Carter's book Abundant Rivers, with the caption: Matilda Jim, 106 years old. One of the village's most active basket makers. She spends her days weaving to meet a constant demand for her wares."

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Unidentified man, pole raising, Haida Gwaii

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. Image shows a man speaking at the pole raising. He is not identified, but it is likely Chief Weah (Willie Matthews).

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Museum pix, Haida

Image of Haida carvings on display at the Museum of Anthropology at the University of British Columbia.

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Museum pix, Haida

Image of Haida carvings on display at the Museum of Anthropology at the University of British Columbia.

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