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Anthony Carter First Nations
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300 resultados con objetos digitales Muestra los resultados con objetos digitales

Paul Hopkins, Kynoc [Nuxalk]

Portrait of Paul Hopkins, seen from neck up. He is standing outside. A different portrait of Paul Hopkins is printed on page 22 of the book Somewhere Between. The caption for this image describes Hopkins as "last of the proud Kynoc race. His face mirrors the strength of a great people."

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First Nations community members

File consists of images of First Nations adults and children in Bella Coola, Klemtu, Bella Bella, Haida Gwaii, and Hartley Bay, BC.

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Miscellaneous North Coast images

File consists of images form the north coast and fjords of British Columbia, as well as the North Vancouver area. Subjects include fishing boats, canoe carving, canoe paddlers and races, and rock paintings.

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Taha, Pat, Jack & George

File consists of images of Chief George Slahholt of the Burrard Reserve and his wife Taha, mother of Chief Dan George. Images also include a few other individuals identified as Jack, Herbert, and Paddy.

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Anthony Carter fonds

  • 25
  • Fundo
  • [194-]-2018, predominant 1966-1979

The fonds consists of photographs, transparencies, negatives, prints, slides, textual records and objects. Contents of the fonds primarily reflect First Nations cultures in British Columbia between 1960 and 1980, including the Haida, Coast Salish (formerly Burrard Reserve), Kwakiutl (Kwakwaka'wakw), Gitsegukla and Ans'pa yaxw (Kispiox) nations. Notable First Nations personalities and artists documented include Chief Dan George, Gerry Marks, Henry Hunt and Norman Tait. Contents also include: B.C. landscapes such as Gwayasdums (Gilford Island), Klemtu, Mamalilikulla and Uchucklesaht; First Nations children; First Nations exhibits, totem poles and installations at the University of British Columbia in Vancouver and for the National Museum of Ethnology in Osaka, Japan. The original accession was arranged in series according to Carter's published works which focus on specific localities, communities, individuals and subject matter, with additional series related to Carter's photojournalistic work and personal recordkeeping added in 2019 when an accrual was made to the fonds.

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