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Archival description
Anthony Carter fonds Cultural groups
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Ehattesaht Van Isle

Image looking across the Nootka Sound, with small islands and mountains in the background.

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Ehattesaht, Esperanza Inlet, [Nuu-chah-nulth]

Image of a totem pole located at the Ehahsitaht Village site, just beyond the edge of a rocky beach. The pole is surrounded by trees. A man on the beach appears to be taking a picture of the pole.

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Ehattesaht, Esperanza Inlet, [Nuu-chah-nulth]

Image of Able John wearing a mask. An image of John is printed on page 119 of Carter's book "From History's Locker," with the caption: "Able John, born at Ehahsitaht but now living at Gold River. A friendly happy man he carves authentic Nootka masks to supplement his of the earnings."

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Nootka/Currie

File consists of slides depicting First Nations chiefs and elders, Carter's wife Minn Sjolseth with August Jacks, Johnny Seaweed, miscellaneous images from Mount Currie/Lil'wat First Nation, and a photograph labeled "Potlatch Masset 60s".

Eagle sculpture, Kwakwakw’wakw

Image of Kawkwakw'wakw eagle sculpture, when it was located at UBC's Totem Park. The sculpture is now part of MOA's object collection.

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Anthony Carter fonds

  • 25
  • Fundo
  • [194-]-2018, predominant 1966-1979

The fonds consists of photographs, transparencies, negatives, prints, slides, textual records and objects. Contents of the fonds primarily reflect First Nations cultures in British Columbia between 1960 and 1980, including the Haida, Coast Salish (formerly Burrard Reserve), Kwakiutl (Kwakwaka'wakw), Gitsegukla and Ans'pa yaxw (Kispiox) nations. Notable First Nations personalities and artists documented include Chief Dan George, Gerry Marks, Henry Hunt and Norman Tait. Contents also include: B.C. landscapes such as Gwayasdums (Gilford Island), Klemtu, Mamalilikulla and Uchucklesaht; First Nations children; First Nations exhibits, totem poles and installations at the University of British Columbia in Vancouver and for the National Museum of Ethnology in Osaka, Japan. The original accession was arranged in series according to Carter's published works which focus on specific localities, communities, individuals and subject matter, with additional series related to Carter's photojournalistic work and personal recordkeeping added in 2019 when an accrual was made to the fonds.

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