Museum catalogue with display of Northwest Coast masks in visible storage at the Museum of Anthropology. This photograph illustrates how the catalogues available to museum visitors could be used to learn about the items on display.
A display in the visible storage area of the Museum of Anthropology. The display is on the southerwestern United States and features Pueblo and Hopi pottery and Kachina figures.
A display in the visible storage area of the Museum of Anthropology. The display is on the southerwestern United States and features Pueblo and Hopi pottery and Kachina figures.
A display in the visible storage area of the Museum of Anthropology. The display is on the southerwestern United States and features Pueblo and Hopi pottery and Kachina figures.
A display in the visible storage area of the Museum of Anthropology with a catalogue open on a table in front of it. This photograph was likely taken to demonstrate the new system where museum catalogues would be available to visitors in order to get information on the items on display. The display is on the southerwestern United States and features Pueblo and Hopi pottery and Kachina figures.
A display in the visible storage area of the Museum of Anthropology with a catalogue open on a table in front of it. This photograph was likely taken to demonstrate the new system where museum catalogues would be available to visitors in order to get information on the items on display. The display is on the southerwestern United States and features Pueblo and Hopi pottery and Kachina figures.
A display in the visible storage area of the Museum of Anthropology with a catalogue open on a table in front of it. This photograph was likely taken to demonstrate the new system where museum catalogues would be available to visitors in order to get information on the items on display. The display is on the southerwestern United States and features Pueblo and Hopi pottery and Kachina figures.
A display in the visible storage area of the Museum of Anthropology with a catalogue open on a table in front of it. This photograph was likely taken to demonstrate the new system where museum catalogues would be available to visitors in order to get information on the items on display. The display is on the southerwestern United States and features Pueblo and Hopi pottery and Kachina figures.
A display in the visible storage area of the Museum of Anthropology with a catalogue open on a table in front of it. This photograph was likely taken to demonstrate the new system where museum catalogues would be available to visitors in order to get information on the items on display. The display is on the southerwestern United States and features Pueblo and Hopi pottery and Kachina figures.
Workers raising a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters". The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers prepare to raise a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers prepare to raise a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Bear house posts at the entrance to the ramp in the Museum of Anthropology. These figures were transferred from Gilford Island to the Museum of Anthropology in 1956.
