Showing 70 results

Subseries consists of a photograph of Elizabeth Johnson with a group of individuals standing in front of the exhibit What is Canadian cultural property?

Subseries consists of correspondence and transcription records relating to an interview with Musqueam weavers, Debra Sparrow and Robyn Sparrow.

Subseries consist of records relating to work done by Volunteer Associates primarily dealing with aspects of collections management. Areas of focus include records associated with collections management. Records include correspondence, instruction sheets, photographs, and reports.

Series consists of draft pages created for a costume source book.

Series consists of records relating to Elizabeth Johnson’s attendance at the British Columbia Museums Association (B.C.M.A.) Seminar and her inquiries to receive on loan the Shuswap travelling exhibit. Records contain phone messages, memoranda, Shuswap Declaration copy, Shuswap travelling display materials list, correspondence, B.C.M.A. Cultural Centres contact lists, and B.C.M.A. Seminar on Cultural Centres.

Series consists of records relating to Elizabeth Johnson’s activities with the Classification Subgroup of CFI, Collections Access Group. Records include correspondence, memoranda, meeting minutes, preliminary decisions, reports, work summaries, Aboriginal Research Ethics Workshop: Research, Respect, Reciprocity, community consultation, principles to establish partnerships between First Peoples and Canadian Museums, principles of collection access, visible storage, exhibit ideas, terms of reference, Clothing and Textile Collection reports, and culturally sensitive objects identification list.

Subseries consists of records relating the course Anthropology 431 Museum Principals and Methods which Elizabeth Johnson taught regularly between 1993 and 2002. Records in the series include notes and lecture notes, correspondence, syllabi, contracts bibliographies, course description grading schemes, history of the University of British Columbia and the Museum of Anthropology’s massive carvings, artifact list, acquisition background information form, and Elizabeth Johnson’s short biography.

Subseries consists of records relating to a work shop for curators of Korean art. This work shop was held in Seoul, Korea and the consequently elements of this file relate to travel arrangements. Records in this series are comprised of correspondence and notes.

Subseries consists of records relating to a lecture on the Cantonese opera given by Elizabeth Johnson. Records in this series are comprised of ephemera, correspondence, notes, syllabi, memoranda, course list, course transaction report, and photocopied book chapters.

Subseries consists of records relating to the course on Chinese Painting taught by Elizabeth Johnson for the department of Art History at the University of British Columbia. The records in this subseries include notes, memoranda, exhibit proposals, correspondence, and annotated essays.

Subseries consists of records relating to Elizabeth Johnson’s research, writing, and publication activities including: The Clothing and Textile Collection at the University of British Columbia Museum of Anthropology; Experimentation in University Museums; Exorcizing the Ghosts of History: Canadian Museums, First Nations and the Negotiation of Repatriation; Bridging the Gaps: A Museum-based Heritage Awareness Programme; Welcome to the Museum of Anthropology!; Material History Review; Clothes that Are Not Worn (except…): The Politics of the Clothing Collection at the Museum of Anthropology. Records include papers, articles, publications, correspondence, calendar of events, abstracts, notes, and Elizabeth Johnson’s short biography.

The records in this subseries relate to an exhibit that was developed by MOA in conjunction with the Tibetan Cultural Society, the Canada Tibet Committee, and Women Working for a Free Tibet. Subseries consists of 1 file of correspondence, memos and exhibit labels.

Subseries consists of records relating to two exhibits installed at MOA, in partnership with the Chinese Cultural Centre (CCC) and supported by a grant from the Festival Hong Kong 1992 Committee. "Contrasts: Hong Kong's New Territories in the Twentieth Century" is a photographic exhibit. It opened in Nov 1992, and continued in the lobby at MOA until May 23 1993. "Possessions from the Past" is an exhibit of Hakka artifacts. It opened in Nov 1992, and continued in the lobby at MOA until Mar 14 1993. Elizabeth Johnson was both curator and coordinator for these exhibits. They were also installed at the Chinese Cultural Centre. Subseries includes budgets, completed application form, CHIN printouts, contact lists, correspondence, draft exhibit proposal, final report, invitations, memos, name lists, notes, photographic negatives, receipts, and speaking notes.

The exhibit was co-curated by Louise Jackson and Elizabeth Johnson. It was installed at MOA from Feb 18 to May 24, 1992. Subseries consists of records relating to the exhibit "Repair, Re-use and Recycle" installed at MOA in 1992. This exhibit focused on Japanese, Indian, Chinese, Philippine, Dutch and Salish textiles. The intent of the exhibit was to highlight the various techniques used by different cultures to prolong the life of household goods. Subseries includes an artifact list, a diagram, a drawing, exhibit labels and notes.

In 1995, a large Musqueam weaving by Krista Point was hung in the Great Hall. Subseries consists of a book, photos, memos and drafts of the Artist's Statement.

Subseries consists of records relating to the exhibit, "Hands of Our Ancestors: The Revival of Salish Weaving at Musqueam," which was installed at MOA from January 28 to July 20, 1986. The exhibit was co-curated by Wendy Grant and Debra Sparrow of the Musqueam Weavers, and Elizabeth Johnson of MOA. Subseries contains agreements, attendance figures, budgets, brochure, comment book (copy), contact lists, correspondence, curators’ statement, draft text for catalogue, ethical review application, exhibit layout diagrams, grant applications, memos, newspaper articles, notes, photographs, slides, published articles, receipts, research paper, speaking notes, transcripts of research interviews, schedules, and audio-taped interviews.

Subseries consists of records relating to the exhibit, “Chinese Peasant Textiles Art.” This exhibit was proposed by Elizabeth Johnson and carried out by students. Records include notes, excerpts from articles, visitor survey forms, handwritten notations, hand-drawn diagrams of display cases, proposals and budgets.

Subseries consists of records relating to a joint project of the Vancouver Art Gallery and the Museum of Anthropology to send a travelling exhibition of Emily Carr’s work and related material on a tour of Asia. The records consist of correspondence, financial records, invitations, 2 maps, business cards, reports, newspaper photocopies, itineraries and memoranda.

Subseries consists of records relating to the Wong Toa Anniversary exhibit hosted by the Jin Wah Sing Musical Association. The records in this file consist of two photographs, and notes.

Subseries consists of records relating to various aspects of the Cantonese opera in Vancouver including, photo permissions, questions surrounding documentation, and seminars. Records relate to the Hong Kong Cantonese Opera Troupe performance hosted by the Museum of Anthropology. The records in this file consist of photographs, correspondence, notes, agreements, business card, programmes, signage, object list, work plan, presentation, contact list, notebooks, oversized posters, and ephemera.