Affichage de 869 résultats

Series consists of records relating to Elizabeth Johnson’s attendance at the British Columbia Museums Association (B.C.M.A.) Seminar and her inquiries to receive on loan the Shuswap travelling exhibit. Records contain phone messages, memoranda, Shuswap Declaration copy, Shuswap travelling display materials list, correspondence, B.C.M.A. Cultural Centres contact lists, and B.C.M.A. Seminar on Cultural Centres.

Subseries consists of records pertaining to the “Repatriation Panels” exhibit installed at the MOA. The text panels present issues concerning repatriation and First Nations history under colonialism. Subseries contains handwritten notes, memoranda, exhibit panel drafts, reports, exhibit proposal, a brochure, a recommended readings list, drafts, photocopies of newspaper articles, correspondence, exhibit statement drafts, minutes, photocopied images, and an annotated bibliography.

Series consists of records relating to Elizabeth Johnson’s activities to obtain grant funding for a book on Salish weaving, research for monograph of preservation on Cantonese opera in Canada, Hakka urban village research, and collections documentation and research. Records include research and publication grant applications and reports, grant budgets, Salish weaving book, Cantonese Opera research, correspondence, and memoranda.

Subseries consists of notes pertaining to the exhibit “Wearing Politics, Fashioning Commemoration: Factory Printed Cloths of Ghana”. This was a student exhibit by Michelle Willard. The exhibit was coordinated by Elizabeth Johnson. This exhibit was installed at MOA in February 2004.

Series consists of records relating to Elizabeth Johnson’s activities with the Classification Subgroup of CFI, Collections Access Group. Records include correspondence, memoranda, meeting minutes, preliminary decisions, reports, work summaries, Aboriginal Research Ethics Workshop: Research, Respect, Reciprocity, community consultation, principles to establish partnerships between First Peoples and Canadian Museums, principles of collection access, visible storage, exhibit ideas, terms of reference, Clothing and Textile Collection reports, and culturally sensitive objects identification list.

Subseries consists of a photograph of Elizabeth Johnson with a group of individuals standing in front of the exhibit What is Canadian cultural property?

Series consists of records relating to Elizabeth Johnson’s activities in coordinating the Musqueam Heritage Awareness Program. Records include participant’s contact information, progress, and resumes, training program, feedback, training plan, correspondence, memoranda, phone messages, diary, and a card.

Subseries consists of records relating to the exhibit “My Ancestors are Still Dancing” at MOA. As part of a “living” exhibition, Tsimshian weaver William White from Lax Kw’alaams was commissioned to publicly weave a child-size robe in Gallery 8. The exhibit displayed William White’s weavings, historical weavings from MOA’s collection, and historical and contemporary photographs of people wearing Chilkat regalia. The exhibit was installed in 2001 and ran through until September 28, 2002. Records include acquisition/artifact lists, artist biography, budget, correspondence, exhibit labels, exhibit proposals, exhibit panel layouts, exhibit resource binders, grant applications, internal forms (consent forms), installation diagrams, map, meeting agendas memoranda, notes, object records, photographs and slides, photocopies of photographs, professional guidelines, reports, schedules, recorded audio research interviews, transcripts of research interviews, travelling exhibit, and visitor comments.

Subseries consists of correspondence and transcription records relating to an interview with Musqueam weavers, Debra Sparrow and Robyn Sparrow.