- 81-04-a033263
- Item
- [ca. 1960 - 1990]
View of an unnamed totem pole located at the Namgis Burial Grounds. It features an eagle at the top, which is distinguished by having only one arm.
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View of an unnamed totem pole located at the Namgis Burial Grounds. It features an eagle at the top, which is distinguished by having only one arm.
View of several totem poles in Nimpkish Band Cemetery. Totem on the far right of image is a memorial to Billie Moon, carved by Willie Seaweed and Joe Seaweed in 1931. The pole second from the right, carved by Doug Crammer, Richard Hunt, Bruce Alfred, Donna Ambers, Fish Ambers, and Richer Sumner, is a memorial to Dan Crammer.
Image depicts an overturned boat, on land, that has been partially carved. The boat sits in front of a newer wooden structure; another older wooden structure is visible in the top left corner of the image. See also item a033268.
View two of boat under construction
Head-on view of boat under construction. No carvers are present, but some tools and wood debris are visible. Additional wooden structures are visible in the distance. See also item a033267.
Group in ceremonial dress on dock, Alert Bay
Photograph of a group of people in ceremonial dress standing on a dock in Alert Bay, BC. Most are looking away from the camera, toward a boat next to the dock.
Masked dancer and crowd, Alert Bay
Photograph of a dancer at an outdoor event, possibly a potlatch. The dancer is wearing a mask. A crowd is gathered around him.
Mrs. Sewid and daughters in ceremonial dress
Photograph of an older woman and three younger women, all in ceremonial dress, at an outdoor gathering in Alert Bay. These women are identified in a different photograph in this fonds as Mrs. Sewid and her daughters.
Photograph of dancesr at an outdoor event, possibly a potlatch. A crowd is around the dancers, including others in ceremonial dress.
The fonds consists of four photographs taken by Richard Cotton of mortuary poles on an island in the Skeena River near Kitsilas, BC.
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View of Indian professional dancers performing the Swan Dance in their Community Hall. Alert Bay, Cormorant Island, British Columbia. Photo by Eric J. Cooke Photo Productions, Sidney, B. C.
Parte deWilson Duff fonds
File consists of correspondence from 1966 and 1967 between Wilson Duff and K.O.L. Burridge, of the Pitt Rivers Museum, regarding Haida potlatch masks. Included is correspondence from 1902 between Franz Boas and E.B. Tylor, which notes a discussion between Charles Edenshaw and John Swanton. The file also consists of b&w photos of the masks and the article "The Haidas," from Harper's New Monthly Magazine, dated June-November 1882.
Parte deAnthony Carter fonds
Portrait of an older woman wearing traditional dress and headpiece. She is seated in a grassy area.
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From all over the place, village seen from water
Parte deAnthony Carter fonds
Image of a small village on the shore of what appears to be a river. The village is seen from across the water.
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From all over the place, Chiklesaht totem pole
Parte deAnthony Carter fonds
Close-up image of a figure in a totem pole at the village of Chiklesaht, on the northwest coast of Vancouver Island. This pole is featured on pages 126-127 of Carter's book "From History's Locker," with the caption: "The only standing totem left at the village of Chiklesaht. The carvings are Sea Otter, Seal and Bear... Bottom section of the same pole shows clearly the bear mother motif with her paws covering the eyes of a human face."
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From all over the place, Chiklesaht totem pole
Parte deAnthony Carter fonds
Image of the lower portion of a totem pole at the village of Chiklesaht, on the northwest coast of Vancouver Island. This pole is featured on pages 126-127 of Carter's book "From History's Locker," with the caption: "The only standing totem left at the village of Chiklesaht. The carvings are Sea Otter, Seal and Bear... Bottom section of the same pole shows clearly the bear mother motif with her paws covering the eyes of a human face."
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Page 20 From History's Locker, painting by Minn Sjolseth
Parte deAnthony Carter fonds
Image of a painting of an older woman. She is not identified, but might be Mrs. Naknakim, wife of the late Chief Naknakim of Cape Mudge, who is pictured on page 20 of Carter's book "From History's Locker."
The painting is by Minn Sjolseth.
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House in unidentified village, with mountains
Parte deAnthony Carter fonds
Image of two women seated on the porch of house in an unidentified village at the base of a mountain. A gravel road runs in front of the house. Power lines are visible.
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Parte deAnthony Carter fonds
Image of two totem poles with snow.
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Parte deAnthony Carter fonds
Image of three cast iron pots sitting in the grass. This image is printed on page 111 of Carter's book "From History's Locker," in the Nootka section, with the caption: "These old cast-iron pots are an interesting reminder of the transition from the native cooking methods to the direct flame system..."
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Parte deAnthony Carter fonds
Image of an unidentified creek below a steep mountainside. Snow is on the ground.
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