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File consists of reports of the museum's activities from 1947 onward. These reports were generally produced at the end of each fiscal year beginning in 1978. Most reports cover a single year, while some span multiple years. In some years, multiple reports were produced. The file does not contain reports for the fiscal years ending in 1992, 1996, 1997, 1998, 2000, 2001, 2002, 2004, 2005, 2006, 2008, 2013, 2014, 2017, or 2018.

The reports in this file give information on the museum's activities, attendance, administration, funding, renovations, security, volunteer associates, curatorial work, exhibitions, acquisitions and donations, interactions with the university, outreach, programs such as the Native Youth Project and the Prison Outreach Program, educational activities, marketing, VIP visitors, and special events, among other topics.

The report lists attendance figures, exhibitions, lectures, educational activities, public programming, research projects, publications, grants received, and staff for the previous fiscal year. It was prepared for the Friends of the Museum of Anthropology.

The report outlines the museum's administrative activities and finances for the previous fiscal year as well as listing staff, attendance figures, acquisitions, exhibitions, educational activities, lectures, events, loans, research projects, publications of the museum and its staff, and media coverage of the museum. It includes a description of the origin of an outreach program to Indigenous prisoners. The report was submitted to the National Museums of Canada, from which the museum received an operating grant.

The report outlines the museum's administrative activities and finances for the previous fiscal year as well as listing staff, acquisitions, exhibitions, educational activities, lectures, events, loans, research projects, publications of the museum and its staff, and media coverage of the museum. The report is based on an Activity Report submitted to the National Museums of Canada, from which the museum received an operating grant.

The report outlines the museum's activities and finances for the previous fiscal year, including listing staff, attendance figures, acquisitions, exhibitions, educational activities, public programming, events, loans, research projects, and publications of the museum and its staff. It includes descriptions of the museum's plans for the renewal project A Partnership of Peoples.

The report outlines the museum's activities and finances for the previous fiscal year, including listing staff, attendance figures, acquisitions, exhibitions, educational activities, public programming, events, loans, research projects, and publications of the museum and its staff. It includes a description of the conclusion of the Partnership of Peoples renewal project and related initiatives such as the Multiversity Galleries, the Reciprocal Research Network, MOACAT, the Audrey & Harry Hawthorn Library & Archives, and the Laboratory of Archaeology.

File consists of brochures that advertise exhibitions and events at the museum, including short blurbs about each. Each calendar covers a four-month period (January-April, May-August, or September-December).

Types of events described include exhibitions, opening receptions, lectures, artist talks, guided gallery walks, behind-the-scenes tours, events for youths and seniors, site visits and other excursions, conferences, workshops, identification clinics, performances, courses, school programs, calls for volunteers, sales at the gift shop, and reports on research and community-based projects. The calendars also contain museum announcements and news as well as general visitor information and lists of donors.

This collects all MOA Museum Notes. Museum Notes are produced by MOA staff and artists to accompany a particular exhibition or installation. Each Museum Note expands on the information provided to visitors in the exhibition, shining a light on individual works, processes, and artists. They provide supplementary content for museum visitors and serve as a documentation of research.

List of Museum Notes by #:
[0] Beginnings: An Exhibition of the silkscreen prints of Roy Henry Vickers
[1] Norman Tait Nishga Carver
[2] Joe David
[3] Totem Poles: An Illustrated Guide
[4] Pursuing the Past: A General Account of British Columbia Archaeology
[5] Image and Life: 50,000 years of Japanese Prehistory
[6] The Raven Rattle
[7] Cycles: The Graphic Art of Robert Davidson, Haida
[8] The Haida Legend of the Raven and the First Humans as retold by Bill Reid
[9] Sculpture and Engraving of the Central Coast Salish Indians
[10] A Guide to Buying Contemporary Northwest Coast Indian Arts
[11] Blood from Stone
[12] Ninstints: Haida World Heritage Site
[13] Changing Tides: the Development of Archaeology in B.C.’s Fraser Delta
[14] Ouroboros: A Major Work by Vancouver Artist Stephen Clark
[15] New Visions: Serigraphs by Susan A. Point, Coast Salish Artist
[16] Hands of Our Ancestors: The Revival of Salish Weaving at Musqueam
[17] Robes of Power: Totem Poles on Cloth
[18] Jack Shadbolt and the Coastal Indian Image
[19] Bill Reid: Beyond the Essential Form
[20] From the collections: UBC Museum of Anthropology cookbook
[21] Cowichan Indian Knitting
[22] The Third Eye: The Scientific Investigation of Museum Objects
[23] Bob Boyer: A Blanket Statement
[24] Translations of Tradition: Joanna Staniszkis’ Recent Work
[25] La Légende Haïda du Grand Corbeau et des Premiers Hommes Racontée par Bill Reid
[26] A Family Affair: Making cloth in Taquile, Peru
[27] The Leary Collection of Cypriot Antiquities
[28] Lyle Wilson: When Worlds Collide
[29] Our Chiefs and Elders: Photographs by David Neel, Kwagiutl
[30] The Koerner Ceramics Gallery
[31] Fragments: Reflections on Collecting
[32] Eulachon: A Fish to Cure Humanity
[33] Labour of Love: The Making of the Museum
[34] Recalling the Past: A Selection of Early Chinese Art from the Victor Shaw Collection
[35] Objects and Expressions: Celebrating the Collections of the Museum of Anthropology at the University of British Columbia
[36a] Nunavutmiutanik Elisasiniq: A Tribute to the Peoples of Nunavut
[36b] Raven’s Reprise: Contemporary Works by First Nations Artists
[37] From the Collections: UBC Museum of Anthropology Cookbook, 50th Anniversary Edition
[38] Robert Davidson: The Abstract Edge
[38F] Robert Davidson: le Bord Abstrait
[39] Peter Morin’s Museum: An Installation with Performances
[40] Hiroshima by Ishiuchi Miyako
[41] Pleased to Meet You: Introductions by Gwyn Hanssen Pigott
[42] Paradise Lost?: Contemporary Works from the Pacific
[43] (In)visible: The Spiritual World of Taiwan Through Contemporary Art
[44] In the Footprint of the Crocodile Man: Memories, Myths and contemporary art of the Sepik River, Papua New Guinea
[n/a] Layers of Influence
[45] In Her Words: Contemporary Women Artists from Aboriginal Australia
[46] Shadows, Strings & Other Things: Puppet Makers & Puppeteers
[47] Playing with Fire: Ceramics of the Extraordinary
[n/a] Kent Monkman: Shame and Prejudice
[48] A Future for Memory: Art and Life After the Great East Japan Earthquake

The newsletter contains 6 articles about the museum as well as photographs, facsimiles of artworks, general visitor information, and a list of donors. Subjects include the exhibition From Under the Delta: Wet-Site Archaeology in the Lower Fraser Region of British Columbia, a course about ceramics taught by Carol Mayer at Emily Carr Institute of Art and Design, funding generated by the Anthropology Shop, repatriation of artifacts to the Jacks family of the Tseycum First Nation, funding for two new new multimedia projects by Dr. Marjorie Halpin, and an oral history workshop. Also included are a Calendar of Events and a memorial to Barbara Bethel, UBC/MOA security officer.

The newsletter contains 7 articles about the museum as well as photographs, facsimiles of artworks, and general visitor information. Subjects include the Hawaiian travelling exhibition Maui: Turning Back the Sky, the Volunteer Associates, the exhibition Vereinigung, a project involving a secondary school art class and ceramics, new Booking Coordinator Anna Nobile, a project to identify the fibres used in ceremonial blankets, and the book An Illustrated Guide to Totem Poles by Dr. Marjorie Halpin. Also included is a Calendar of Events.

File consists of pamphlets that advertise upcoming exhibitions, events, and programs, as well as providing news about the museum and general visitor information. Each pamphlet covers a four-month period (January-April, May-August, or September-December). There are two copies of each edition.

This issue contains articles on current and upcoming exhibitions, an award for Traces of Words: Art and Calligraphy from Asia, renovations, MOA Journeys, donors Elspeth McConnell and Dr. Margaret (Marmie) Perkins Hess, the UBC Indigitization Program, highlights from the Multiversity Galleries, the BC Heritage Response Network for emergency and disaster response, artist-in-residence Debra Sloan, the donation of a South Pacific collection belonging to Reverend George Stallworthy, and an interview with Sharon Haswell, MOA Shop Manager.

This issue contains articles on current and upcoming exhibitions, Great Hall seismic upgrade renovations, Carol E. Mayer's trip to the island of Erub, volunteer Marcie Powell's work on textiles, contemporary art in the Multiversity Galleries, Debra Sparrow's weaving at the museum, the raising of a new Raven Pole at Wuikinuxv Village, the Volunteer Associates enrichment trip, the Native Youth Program, and an interview with Ann Stevenson, retiring Information Manager.

This issue contains articles on current and upcoming exhibitions, the Great Hall seismic upgrades, the UBC President's Staff Award for Community Engagement recipient Salma Mawani, the beginning of a project to decolonize MOA's Africa collections, funding from Canadian Heritage's Museum Assistance Program, Playing with Fire: Ceramics of the Extraordinary, the history of the museum and the Hawthorns, fast fashion and sustainable textiles, highlights from the Multiversity Galleries, the return of a Haida mortuary pole, the Native Youth Program, the MOA shop, artist-in-residence Sharon Reay, and the MOA Director's Advisory Council.