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correspondence

correspondence, notes

printed slides

correspondence, notes, draft agreement, invoices

correspondence, memos, article

transcript

Copy A interview with Zoila [Ramirez]
Copy B interview with Zoila [Ramirez]
Alejandro [Ruiz] + Juana [Ruiz] [interview] #1; Tape 1 A. J. + B
[Alejandro Ruiz and Juana Ruiz interview #2]
A + J [Alejandro Ruiz and Juana Ruiz interview #3]
Tape 4 [Alejandro Ruiz and Juana Ruiz interview #4]
Tape 5 [Alejandro Ruiz and Juana Ruiz interview #5]
Tape 6 [Alejandro Ruiz and Juana Ruiz interview #6]
July 26/02 [Alejandro Ruiz, Zoila Ramirez, and Juana Ruiz interview #7]
Tape 1 of 2 Side ‘A’ + ‘B’ [Alejandro Ruiz interview #8]
Tape 2 of 2 Side ‘A’ [Alejandro Ruiz interview #9]
August 22/02 [Alejandro Ruiz, Zoila Ramirez interview with Ericka Chemko]
[10/18/02 Betzy talk [Alejandro Ruiz interview]
March 18/2003 [Alejandro Ruiz and Juana Ruiz interview]

Subseries consists of one file relating to an exhibition, proposed by Grace Young to Elizabeth Johnson, on the subject of the wok. The subseries includes a drafted exhibition proposal, correspondence, printed images, magazine and newspaper clippings, notes and extracts from Young’s book The Breath of the Wok.

correspondence, conference paper

Subseries consists of one file relating to an exhibition, proposed by Ulli Steltzer to Elizabeth Johnson, on the subject of a photograph exhibit representing indigenous and ethnic minorities in China. The subseries includes a project proposal: stage 1, correspondence, and memoranda.

MOA accession records

Subseries relates to a proposed exhibition or portion of an exhibition which was to be called ‘Blue Thread an Installation by Gu Xiong’. The subseries includes correspondence, an exhibition catalogue of Gu Xiong’s work, a consent form, and newspaper photocopies.

Series consists of records relating to Elizabeth Johnson's curatorial activities regarding curation (intellectual creation) and coordination (administrative project management) of exhibits hosted by and produced in whole or in part by the Museum of Anthropology, including writing exhibit catalogues. The series consists of agendas, agreements, articles, artifact and acquisition lists, artist biography, attendance figures, books, brochure, business cards, budgets, catalogue drafts, comment book, contract lists, correspondence, curators statement, diagrams, drawings, evaluations, exhibit labels, exhibit proposals, exhibit panel layouts, exhibit resource binders, expenses, installation diagrams, internal forms (consent forms and exhibit proposal forms), financial records, flyer final report, guidelines, grant applications, invitations, map, memoranda, minutes of meetings, museum exhibit diagrams, notes, object records, permission forms, photographs, photograph labels, photocopies of photographs, plans, policies, press releases, professional guidelines, proposals, publications (books), publicity records, published articles, receipts, reports, reproductions of newspaper ads and articles, research notes, research papers, revisions, schedules, slide list, slides, speaking notes, student papers, surveys, transcripts of research interviews, translations, travelling exhibit, visitor comments, visitor surveys, and videos.

The series is arranged into the following sub-series, based on specific exhibitions:
Subseries A: The Spirit of Tibet
Subseries B: Festival Hong Kong Exhibits: Contrasts and Possessions
Subseries C: Translations of Traditions
Subseries D: Repair, Re-use and Recycle
Subseries E: Open House, 1987
Subseries F: Quilting in East Asia
Subseries G: Records of the Krista Point Exhibit in the Great Hall
Subseries H: A Family Affair
Subseries I: Ancient Cloth … Ancient Code?
Subseries J: Proud to be Musqueam
Subseries K: Hands of Our Ancestors
Subseries L: A Rare Flower
Subseries M: Unity Quilt
Subseries N: Chinese Peasant Textiles Art: Kwantung and Szechuan Provinces
Subseries O: Gallery 3
Subseries P: Nunavutmiutanik Elisasiniq
Subseries Q: Repatriation Panels
Subseries R: Wearing Politics
Subseries S: What is Canadian cultural property?
Subseries T: My Ancestors are still Dancing
Subseries U: Gathering Strength exhibit: Musqueam Weavers

The records in this subseries relate to an exhibit that was developed by MOA in conjunction with the Tibetan Cultural Society, the Canada Tibet Committee, and Women Working for a Free Tibet. Subseries consists of 1 file of correspondence, memos and exhibit labels.

Subseries consists of records relating to two exhibits installed at MOA, in partnership with the Chinese Cultural Centre (CCC) and supported by a grant from the Festival Hong Kong 1992 Committee. "Contrasts: Hong Kong's New Territories in the Twentieth Century" is a photographic exhibit. It opened in Nov 1992, and continued in the lobby at MOA until May 23 1993. "Possessions from the Past" is an exhibit of Hakka artifacts. It opened in Nov 1992, and continued in the lobby at MOA until Mar 14 1993. Elizabeth Johnson was both curator and coordinator for these exhibits. They were also installed at the Chinese Cultural Centre. Subseries includes budgets, completed application form, CHIN printouts, contact lists, correspondence, draft exhibit proposal, final report, invitations, memos, name lists, notes, photographic negatives, receipts, and speaking notes.