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Parte deVirginia Kehoe fonds
Image depicts Doug Cranmer carving a nearly completed pole. Visible figures include Thunderbird and Bear; this may be the St. Catherines, Ontario Centennial Confederation pole, carved in 1967.
Making a rubbing of a totem pole carving, view two
Parte deVirginia Kehoe fonds
Image depicts a person, possibly Godfrey Hunt, making a rubbing image (using kraft paper and crayon) of the carving on a totem pole.
Making a rubbing of a totem pole carving, view one
Parte deVirginia Kehoe fonds
Image depicts Doug Cranmer making a rubbing image (using kraft paper and crayon) of the carving on a totem pole. Another person, possibly Godfrey Hunt, assists by holding the paper.
Preparing to make a rubbing of a totem pole carving
Parte deVirginia Kehoe fonds
Image depicts Doug Cranmer preparing to make a rubbing image (using kraft paper and crayon) of the carving on a totem pole. Another person, possibly Godfrey Hunt, assists by holding the paper.
Parte deVirginia Kehoe fonds
Image depicts a partially carved totem pole resting on the ground.
Parte deVirginia Kehoe fonds
Image depicts a carver, possibly Godfrey Hunt, painting a totem pole. 1960s vintage cars are visible in the background.
Parte deVirginia Kehoe fonds
Image depicts an unidentified carver working on a totem pole.
Facial closeup of freestanding carving
Parte deVirginia Kehoe fonds
Image depicts a closeup of the head of a freestanding carving. Painted in black, white, and red, it depicts a face with prominent ears, eyes, and mouth. An unpainted section can be seen on the top of the head. See also items a34570 and a34572 for other views of this carving.
Freestanding carving, side view
Parte deVirginia Kehoe fonds
Image depicts a side view of a freestanding carving. Painted in black, white, and red, it depicts a face with prominent ears, eyes, and mouth. In this view the white vest and hands are also visible. An unpainted section can be seen on the top of the head. See also items a34570 and a34571 for other views of this carving.
Plans and drawings for Nootka canoe
Parte deVirginia Kehoe fonds
Image depicts Cranmer with drawings made for his Nootka canoe project for the Royal Museum of British Columbia in Victoria, B.C.
Parte deVirginia Kehoe fonds
Image depicts an interior room used for carving. A canoe is visible in this image.
Parte deVirginia Kehoe fonds
Image depicts a print entitled Red Border Eye Design. Other notes say, "sh 50 Ap 2.8__4"
Painting in black, white, red and green
Parte deVirginia Kehoe fonds
Image depicts a painting that features images of two creatures, one of which might be a killer whale.
Parte deVirginia Kehoe fonds
Image depicts a painting done on wood, depicting an eagle. The painting is flanked by two small carvings that face the painting, depicting a bear and an eagle.
Parte deVirginia Kehoe fonds
Image depicts a painting of a sea creature, possibly a whale. The painting is done in black, red and blue on white paper.
Parte deVirginia Kehoe fonds
Image depicts the mythical serpent Sisiul, painted in black on white paper. Additional notes say, "Shutter 50 Ap. 2.8__4"
Parte deVirginia Kehoe fonds
Image depicts two adult males and several children who seem to be involved in cooking salmon outdoors.
Parte deVirginia Kehoe fonds
Image depicts several adults and children standing outside. Some people wear regalia; others wear western clothing. A sign appears in the background identifying the Cormorant Athletic Club.
Inside the big house, view three
Parte deVirginia Kehoe fonds
Image depicts the interior of a big house, possibly at Alert Bay, BC. People are dressed in regalia and some kind of event is in progress.
Parte deVirginia Kehoe fonds
Image depicts a woman wearing regalia carrying a drum and mallet. The drum is painted with an image that may be an eagle.