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archivistische beschrijving
Material Culture Engels
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California

Display from the exhibit "North American Indian Basketry and Technology." Shows several examples of baskets. One of the information placards is readable. Many items for this exhibit were borrowed from the University of Washington to supplement the museum's collection.

Puget Sound raffia

Display from the exhibit "North American Indian Basketry and Technology." Shows several examples of baskets. Many items for this exhibit were borrowed from the University of Washington to supplement the museum's collection.

Eskimo

Display from the exhibit "North American Indian Basketry and Technology." Shows several examples of baskets. Many items for this exhibit were borrowed from the University of Washington to supplement the museum's collection.

In North America Basketry is Woman's Work

Panel from the exhibit "North American Indian Basketry and Technology." Map of North American with highlighted regions of basket production. Many items for this exhibit were borrowed from the University of Washington to supplement the museum's collection.

The Technologies of Basketry Manufacture

Panel from the exhibit "North American Indian Basketry and Technology." Shows diagrams of methods of basket manufacture. Many items for this exhibit were borrowed from the University of Washington to supplement the museum's collection.

American Southwest

Display from the exhibit "North American Indian Basketry and Technology." Shows several examples of baskets. Many items for this exhibit were borrowed from the University of Washington to supplement the museum's collection.

Hopi baskets

Display from the exhibit "North American Indian Basketry and Technology." Shows several examples of baskets. The information placard is clearly readable. Many items for this exhibit were borrowed from the University of Washington to supplement the museum's collection.

Plains

Display from the exhibit "North American Indian Basketry and Technology." Shows several examples of baskets. Many items for this exhibit were borrowed from the University of Washington to supplement the museum's collection.

Killer Whale Arch

View of the Killer Whale Arch located at the entrance to the Nimpkish Band Indian Cemetery. This arch is a memorial to a boy lost at sea. Located at Alert Bay, British Columbia, See also item a033244 of this same carved arch.

Woodworking

Display for the Museum of Anthropology. Uncertain relation to exhibits. Shows carvings such as figures and bentwood boxes.

Technology and Exchange, Kula Trade Ring

Display for the Museum of Anthropology. Uncertain relation to exhibits. Possibly for an Oceania exhibit that may have been in place in 1969. Shows a net, necklaces, bracelets, a diagram of the Kula trade ring, and other items.

Domestic Life

Display for the Museum of Anthropology. Uncertain relation to exhibits. Possibly for an Oceania exhibit that may have been in place in 1969. Detail from a display on domestic life in Polynesia. Shows several items of clothing and jewelry.

Painted mask

Image of what appears to be a mask, featured painted, carved wood, feathers, shells, and fur.

Killer Whale Arch at the entrance to Kwatiutl Indian Cemetery

View of the Killer Whale Arch located at the entrance to the Kwatiul Indian Cemetery. This arch is a memorial to a boy lost at sea. Located at Alert Bay, British Columbia, this photo is attributed to Eric J. Cooke, Camp "N," Beaver Cove, B. C. Several crosses and memorial totem poles are visible behind this archway. See also item a033261 which includes this same carving.

Page 20 From History's Locker, painting by Minn Sjolseth

Image of a painting of an older woman. She is not identified, but might be Mrs. Naknakim, wife of the late Chief Naknakim of Cape Mudge, who is pictured on page 20 of Carter's book "From History's Locker."

The painting is by Minn Sjolseth.

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Woman weaving basket

Image of a woman weaving a basket. Different images of the same woman and scene are printed on page 112 of Carter's book "From History's Locker," with the caption: "Basket weaving, and art that reaches its highest form among the Nootka tribe, is still very much in vogue today. Here Mrs. Wilson works with local grasses to create a beautiful little trinket basket."

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