Image of a pole carved as the frontal pole for the front of the Haida house at UBC, for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. Pole was removed from the Haida House in 2000-09 and placed in a greenhouse tent for conservation treatment and drying. A new pole was raised outside to replace it (see MOA object Nb1.752). Jim Hart, with Reg Davidson, Michael Nicoll and Tyler Crosby, performed a small informal ceremony for the re-raising of the pole on Oct. 30, 2002 (with Martine Reid in attendance). Pole was then re-raised in the Great Hall of the Museum on Oct. 31, 2002.
Four house front totem poles stand in a meridian, likely at the University of British Columbia. These were largely recovered from Ninstints in 1957. The building behind the poles on the viewer's left appears to be the War Memorial Gym, indicating that the photograph was likely taken on University Boulevard west of the intersection with Wesbrook Mall.
Aerial view of Haida House after construction and carvings were complete. The date of the annotation must be incorrect as the double mortuary pole and the house front totem pole were not completed until 1962.
Aerial view of Haida House after construction and carvings were complete. The date of the annotation must be incorrect as the double mortuary pole and the house front totem pole were not completed until 1962.
Three house front totem poles stand in a meridian, likely at the University of British Columbia. These were largely recovered from Ninstints in 1957. A diving board in the background, suggest the photograph was taken on University Boulevard, west of the intersection with Wesbrook Mall.
Photo of artists Doug Cranmer guiding a roof beam into place. This photograph was taken during the original construction of the Haida house in Totem Park.
Four house front totem poles stand in a meridian, likely at the University of British Columbia. These were largely recovered from Ninstints in 1957. The building behind the poles on the viewer's left appears to be the War Memorial Gym, indicating that the photograph was likely taken on University Boulevard west of the intersection with Wesbrook Mall.
Four house front totem poles stand in a meridian, likely at the University of British Columbia. These were largely recovered from Ninstints in 1957. A diving board in the background, as well as the buildings, suggest the photograph was taken on University Boulevard, west of the intersection with Wesbrook Mall.
Workers raising a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters". The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers prepare to raise a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers prepare to raise a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
