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Carving Inglês
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Using a chain saw

Image depicts carver Doug Cranmer using a chain saw to make early cuts on a pole.

Partially carved totem pole

Image depicts a partially carved totem pole resting on the ground. Doug Cranmer is visible in the lower left corner of the image; another carver works on the pole. A can of paint is visible, but not in use.

Inspecting a partially carved pole

Image depicts Doug Cranmer and another carver, possibly Godfrey Hunt, with a partially carved pole. A man and a woman observe the work.

Finished pole ready for transport

Image depicts a completed pole, wrapped and enclosed in a wooden frame, ready for transport. Image appears to have been taken at a loading dock.

Partially carved pole

Image depicts three carvers working on a totem pole. The centre carver is Doug Cranmer; the man on Cramner's right may be Godfrey Hunt. A woman works, possibly sanding, image right.

Canoe Carving break

Image depicts a partially carved canoe outdoors with Godfrey Hunt and Douglas Cranmer sitting as the canoe is filled with water from a hose.

Constructing a canoe

Image depicts Douglas Cranmer with a partially finish canoe filled with water. He seems to be measuring, and possibly preparing to stretch the canoe's interior to make it wider.

Carving details

Image depicts a a closeup view of a carving. It is unfinished, and marks on the wood are visible.

Taping paper to a totem pole

Image depicts Doug Cranmer preparing to make a rubbing image (using kraft paper and crayon) of the carving on a totem pole. Another person, possibly Godfrey Hunt, assists by holding the paper.

Totem pole lying on the ground

Totem pole lying on the ground. This photograph was likely taken by a member of the B.C. Totem Pole Preservation Committee on an expedition to Anthony Island or Hope Island.

Bill Reid and Doug Cranmer

Bill Reid and Doug Cranmer carving the frontal plaque of double mortuary pole to be displayed near the Haida house at totem park. The pole (A50032) is now at MOA, on the grounds behind the museum.

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