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Cultural groups
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Queens Cove

Item is a photograph of the mid-section of a Nuu-chah-nulth totem pole at Queens Cove on Esperanza Inlet (Vancouver Island)

Queens Cove

Item is a photograph of the bottom section of a Nuu-chah-nulth totem pole at Queens Cove on Esperanza Inlet (Vancouver Island)

Ehattesaht

Item is a photograph of a section of a Nuu-chah-nulth totem pole and canoe remnants from the Ehattesaht nation on Esperanza Inlet (Vancouver Island)

Ehattesaht

Item is a photograph of a section of a Nuu-chah-nulth totem pole from the Ehattesaht nation on Esperanza Inlet (Vancouver Island)

Helen Frances Codere fonds

  • 52
  • Fonds
  • 1955

The fonds consists of 28 black and white photographs taken by Codere in 1955 during her second field work expedition to B.C. 19 of the photos were taken in and around Alert Bay, while the remaining 9 were taken on Hope Island.

Helen Frances Codere

Henry Delmonese collection

  • 54
  • Collection
  • ca. 1920

Collection consists of textual records that tell of a Kispiox legend and its manifestation on a traditional pole; an accompanying photograph of the pole complements the narrative.

Ken Kuramoto fonds

  • 61
  • Fonds
  • 1980 - 1981

This fonds consists of 39 16mm film reels of Celebration of the Raven. There are also five audio reels which are soundtracks for the film. Film reels include stills and test stills and camera originals. Most reels are labeled according to the scene.

Ken Kuramoto

A.A. Kingscote Collection

  • 37
  • Collection
  • [ca. 1921]

The collection consists of postcards depicting First Nations from Western Canada.

Anthony A. Kingscote

Douglas & McIntyre fonds

  • 42
  • Fonds
  • 1954 - 1985

The fonds consists of 83 images associated with two books published by Douglas & McIntyre: Bill Reid by Doris Shadbolt and The Raven Steals the Light by Bill Reid. The photographers responsible for these images are R. Dereth, R. Keziere, R. Lum and B. McLemore.

Douglas & McIntyre

Textual Materials

Series contains textual records contextualizing the petroglyphs and pictograms found in the graphic materials. Narrations include descriptions of the sites and their geologic evolution over the years that is leading to the loss of rock surface and petroglyphs and pictograms. Text also documents E. F. Meade’s hypothesis on how some of the petroglyphs and pictographs may have been carved and painted and his interpretations on the reasons behind the locations and purpose of some of them. The author also mentions conversations with local Indigenous peoples inquiring about the petroglyphs and pictographs and areas where he could not get documented due to issues with his equipment. Lastly, narrations include quotations and references to accounts by Capt. Vancouver, Archibald Menzies, and Alexander McKenzie describing the shore and locating some of Vancouver’s descriptions based on Meade’s knowledge of the coast and archaeology.

Slide group 1

File contains graphic materials depicting petroglyphs and pictographs in the coast of British Columbia.

Pictograph

Item is an image of pictographs and petroglyphs. According to annotations, image was taken by E. F. Meade.

Pictograph

Item is an image of pictographs and petroglyphs on a vertical surface. According to annotations, image was taken by E. F. Meade. Original slide includes number 14.

Pictographs very faint

Item is an image of pictographs and petroglyphs on a vertical surface. According to annotations, image was taken by E. F. Meade.

Petroglyph

Item is an image of rock with petroglyphs. According to annotations, image was taken by E. F. Meade. Original slide includes number 5 and 4.

Petroglyph

Item is an image of petroglyphs. According to annotations, image was taken by E. F. Meade. Original slide includes number 24.

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