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Image depicts a portion of a wood relief carving.

Image depicts a portion of a wood relief carving, focusing on what may be an eye. The carving appears to be unfinished as rough edges and some markings can be seen.

Image depicts a small carving that may represent an eagle.

Image depicts a small carving that may represent an eagle. The carving is held up by hand and posed against a red building in the background.

Image depicts a small carving of a halibut that rests on a ledge. Additional information indicates that this photo was taken at a shutter speed of 50 with an aperture of 2.8 - 4.

Image depicts a sea gull mask, painted in brown, tan, white and gray. The mask is photographed outdoors on top of a mat.

Image depicts a cedar carving that may be an eagle. The carving has been photographed outside on a mat.

Image depicts two carvings entitled Slave Killers. The photograph was taken outside and the two figures appear to be getting ready to throw a black object.

Image depicts a side view of Ya-q-wees, a sea monster carving.

Image depicts a side view of a mask identified as the Arts of Ronen mask.

Image depicts a frontal view of a killer whale mask. A distinguishing feature is the long fin that rises from the top of the mask.

Image depicts a print entitled Red Border Eye Design. Other notes say, "sh 50 Ap 2.8__4"

Image depicts a painting that features images of two creatures, one of which might be a killer whale.

Image depicts a painting done on wood, depicting an eagle. The painting is flanked by two small carvings that face the painting, depicting a bear and an eagle.

Image depicts a painting of a sea creature, possibly a whale. The painting is done in black, red and blue on white paper.

Image depicts the mythical serpent Sisiul, painted in black on white paper. Additional notes say, "Shutter 50 Ap. 2.8__4"

Image of a pole carved as the frontal pole for the front of the Haida house, at UBC, for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. Pole was removed from the Haida House in 2000-09 and placed in a greenhouse tent for conservation treatment and drying. A new pole was raised outside to replace it (see MOA object Nb1.752). Jim Hart, with Reg Davidson, Michael Nicoll and Tyler Crosby, performed a small informal ceremony for the re-raising of the pole on Oct. 30, 2002 (with Martine Reid in attendance). Pole was then re-raised in the Great Hall of the Museum on Oct. 31, 2002

Image of a pole carved as the frontal pole for the front of the Haida house, at UBC, for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. Pole was removed from the Haida House in 2000-09 and placed in a greenhouse tent for conservation treatment and drying. A new pole was raised outside to replace it (see MOA object Nb1.752). Jim Hart, with Reg Davidson, Michael Nicoll and Tyler Crosby, performed a small informal ceremony for the re-raising of the pole on Oct. 30, 2002 (with Martine Reid in attendance). Pole was then re-raised in the Great Hall of the Museum on Oct. 31, 2002.

Image of a house frontal pole. The pole was carved at the University of British Columbia for display in Totem Park, where it is located in this image. It was moved to the new Museum of Anthropology grounds in 1978. Bill Reid based the design of the pole on older poles from Ninstints.

Image of mortuary pole carved by Bill Reid and Doug Cranmer. The pole is part of MOA's collection.