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Circle pecked on granite

Item is a close-up image of a petroglyph pecked on a rock. According to annotation, petroglyph is a circle pecked on granite, but not the same circle as the one in black and white, image was taken by E. F. Meade. Original slide included the numbers 3545 and other handwritten annotations reading "circle with [??????]?."

Petroglyph

Item is a close-up image of a petroglyph pecked on a rock. According to annotations, image was taken by E. F. Meade. Original slide included number 3545.

Petroglyph

Item is a close-up image of a petroglyph pecked on a rock with smaller rocks on the side, probably on a beach. According to annotations, image was taken by Dick Pattinson from Alert Bay. Original slide included number 3546

Pecked on sandstone petroglyph

Item is a close-up image of a petroglyph pecked on a sandstone rock with smaller rocks on the side, probably in a beach area. According to annotations, image was taken by E. F. Meade. Original slide included number 29.

Pecked bedrock sandstone petroglyph

Item is a close-up image of a petroglyph pecked on a sandstone rock with smaller rocks on the side, probably in a beach area. According to annotations, image was taken by E. F. Meade. Original slide included numbers 93 and 17.

Aerial photograph of peninsula

Item is an aerial view image of a peninsula. According to annotations, image was taken by Dick Pattinson. Original slide included number LC3001.

Petroglyph

Item is a close-up image of a petroglyph pecked on a rock . According to annotations, image was taken by Dick Pattinson. Original slide included numbers 10 and LC3001.

Petroglyph

Item is an image of a beach boulder with petroglyphs and surrounded by smaller stones, probably in a beach.

Edward Sheriff Curtis collection

  • 45
  • Collectie
  • Copied [ca. 197-?] (originally created 1897 - 1930)

The collection consists of slides, photographs and negatives, all copies of Curtis’ most extensive work, “The North American Indian.” The collection is divided into two series: slides and photographs.

Moencofore

Photograph of two Hopi women (whom Maude identifies using the outdated term Moki) weaving a manta.

Hopi

Photograph of a group of Hopi women (whom Maude identifies using the outdated term Moki) baking pottery at Orau (?).

Remains of Ancient Pueblo at Top of El Morro

Photograph depicts a stone wall that Maude has identified as the remains of ancient pueblo on top of El Morro, New Mexico. He is likely referring to the El Morro National Monument, a great standstone promontory. The site is also known as A'ts'ina ("place of writing on the rock" in Zuni) or Inscription Rock because of inscriptions that travellers have left on the rocks for several centuries.

A Zuni Man, N.M.

Photograph of a Zuni (A:shiwi) man wearing a blanket in front of a wall, likely taken in Zuni Pueblo, New Mexico

Upright Stones

Photograph of what Maude has identified as upright stones used in certain A:shiwi (Zuni) ceremonies. In the same inscription, Maude writes that the photograph also shows an man throwing sacred corn meal to the north.

Gillian Darling Kovanic fonds

  • 49
  • Archief
  • 1973 - 2010

This fonds consists of textual records, photographs, negatives, slides, audio recordings, compact discs and video on DVD that relate to Kovanic’s academic and film career. The fonds relates especially to her work in Pakistan, India and Afghanistan, but also captures her work with First Nations on the Northwest coast of British Columbia.

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