Claiming Space: Voices of Urban Aboriginal Youth
- 124-01-121
- Bestanddeel
- 2014
Claiming Space: Voices of Urban Aboriginal Youth
c̓əsnaʔəm: the city before the city
Heaven, Hell, and Somewhere in Between: Portuguese Popular Art
(In)visible: The Spiritual World of Taiwan Through Contemporary Art
Layers of Influence: Unfolding Cloth Across Cultures
In the Footprints of the Crocodile Man: Contemporary Art of the Sepik River, Papua New Guinea
Lawrence Paul Yuxweluptun: Unceded Territories
In a Different Light: Reflecting on Northwest Coast Art
Amazonia: The Rights of Nature
The Respect to Bill Reid Pole Virtual Exhibit
Chinese Peasant Textile Arts: Kwangtung and Szechuan Provinces
Blood from Stone: Making and Using Stone Tools in Prehistoric British Columbia
Border Zones: New Art Across Cultures
Marking the Infinite: Contemporary Women Artists from Aboriginal Australia
Culture at the Centre: Honouring Indigenous culture, history and language
Shadows, strings, & other things
Playing With Fire: Ceramics of the Extraordinary
File consists of reports of the museum's activities from 1947 onward. These reports were generally produced at the end of each fiscal year beginning in 1978. Most reports cover a single year, while some span multiple years. In some years, multiple reports were produced. The file does not contain reports for the fiscal years ending in 1992, 1996, 1997, 1998, 2000, 2001, 2002, 2004, 2005, 2006, 2008, 2013, 2014, 2017, or 2018.
The reports in this file give information on the museum's activities, attendance, administration, funding, renovations, security, volunteer associates, curatorial work, exhibitions, acquisitions and donations, interactions with the university, outreach, programs such as the Native Youth Project and the Prison Outreach Program, educational activities, marketing, VIP visitors, and special events, among other topics.
The report outlines the museum's administrative activities and finances for the previous fiscal year as well as listing staff, temporary exhibitions, educational activities, artifacts loaned to other institutions, publications of the museum, media coverage of the museum, and acquisitions. The report was submitted to the National Museums of Canada, from which the museum received an operating grant.