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Fallen totem pole

Image depicts a totem pole lying on the ground. Figures are difficult to identify, but the most prominent one is probably human. Read`s diary indicates that this photo was probably taken at either the Kitwanga or Kispiox village site in Gitxsan territory of the Skeena Valley..

Totem pole detail

Image depicts a close up showing the details of the lower figures on a totem pole, probably the Snag-of-the-Sand-Bar pole from the House of Chief Skogum Laxhe. The bottom figure is is the monster Hagwelawrh, who lives under the water and causes the Sand-Bar to raise with his back. See also image a034836 for another view of this pole.

Totem poles along a road

Image depicts a row of totem poles standing along the side of a dirt road. Based on Read`s diary and the figures on these poles, this photo may have been taken in Kitwanga, and the pole on the far left may be the Dog Salmon Pole.

Skeena Crossing totem pole

Image depicts a totem pole from Gitsegyukla (Skeena Crossing). Read`s notes call this the Pole of Mawlarhen. Depictions of frogs and an owl are visible. See also item a03426 for another view of this pole.

Memorial pole

Image depicts a totem pole with an inscription indicating that it is in memorial to a Chief who died. The pole depicts two similarly carved creatures that may be owls. Several buildings are visible behind the pole and mountains can be seen in the distance.

Totem pole close up

Image depicts a totem pole that features a human figure at the base and three other human figures, aligned horizontally across the pole. Other wooden structures can be seen in the background. Read's note indicates that a possible explanation for this pole can be found in Barbeau, p. 149, which suggests that the three humans carved in this pole may be Hrpugweelan, a crest of Ksemgitgeegyaenih, a Larhsail chief.

Carving of Grizzly Bear of the Water

Image depicts a carving of a creature that resembles a bear--with fins. The carving sits on a wooden structure, possibly a carver's bench. Several buildings can be seen behind the carving platform.

Kitwanga totem poles

Image depicts several totem poles standing in a row. Read's pencil notes suggest that these are the Poles of Arteeh at Kitwanga .The pole second to the right is called the Pole of the Mountain Lion. See also items a034845 and a034846.

Totem poles along a road

Image depicts a dirt road with several totem poles situated along the roadside. The poles are viewed from a distance, making it hard to identify any crests on the poles. Several wooden structures can be seen near the poles and mountains are visible in the distance.

Carving of Hawaao

Image depicts a carving of an animal that resembles a mountain lion. This carving is a part of the Poles of Arhteeh in Kitwanga.

Mountains and river valley

Image depicts a range of mountains with a valley and river running through it. Based on Read's itinerary for this trip, this may be the Skeena River and valley.

Memorial carving for a chief

Image depicts a carving (possibly concrete) of a fish-like creature with a dorsal fin, mounted on stone. The inscription reads CHIEF WIEAHAKYSOU (?) Died Mar 1912 Aged 70 years.

Totem with bear

Image depicts a short totem with a bear at the base, an uncarved portion, and a smaller animal at the top. The bear is noteworthy because of its realistic style.

Read Notes

Read's note cards detail information about three groups of totem poles and contain text and page references to Marius Barbeau's book, Totem Poles of the Gitksan, Upper Skeena River, British Columbia (published by the Canada Department of Mines and the National Museum of Canada, 1929).

Read Journal

Read's handwritten journal (July 8 - August 5, 1948) of his trip from Vancouver to the Skeena River Valley and back, details the weather, road conditions, people he met, and fish caught along the way.

Minn Sjolseth fonds

  • 144
  • Archief
  • 1966-1999

The fonds reflects Minn Sjolseth's artistic career and travels to First Nations communities throughout British Columbia and Alaska with her husband Anthony Carter. Contents of the fonds depict First Nations cultures in British Columbia between 1960 and 1980, including Haida, Coast Salish, Kwakwaka'wakw, Gitsegukla, Kispiox, and Nisga'a. Several of the contents depict notable figures, including Chief Dan George and August Jacks.

The fonds includes textual records including correspondence, ephemera, newspaper clippings; graphic materials such as photographs, slides, negatives, and transparencies that depict Sjolseth’s travels and artworks; and artworks produced by Sjolseth including paintings, drawings, and prints.

The fonds is organized into the following series:

  1. Personal records
  2. Artwork an Exhibition records
  3. Artworks

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