Image of hoodoos, with a few small evergreen trees growing on them, likely located in southern British Columbia. This image was double exposed, and what appears to be a frame is visible on top of the hoodoo image.
Image of three cast iron pots sitting in the grass. This image is printed on page 111 of Carter's book "From History's Locker," in the Nootka section, with the caption: "These old cast-iron pots are an interesting reminder of the transition from the native cooking methods to the direct flame system..."
Image of a woman weaving a basket. Different images of the same woman and scene are printed on page 112 of Carter's book "From History's Locker," with the caption: "Basket weaving, and art that reaches its highest form among the Nootka tribe, is still very much in vogue today. Here Mrs. Wilson works with local grasses to create a beautiful little trinket basket."
Image of two women seated on the porch of house in an unidentified village at the base of a mountain. A gravel road runs in front of the house. Power lines are visible.
Image of a painting of an older woman. She is not identified, but might be Mrs. Naknakim, wife of the late Chief Naknakim of Cape Mudge, who is pictured on page 20 of Carter's book "From History's Locker."
Image of the lower portion of a totem pole at the village of Chiklesaht, on the northwest coast of Vancouver Island. This pole is featured on pages 126-127 of Carter's book "From History's Locker," with the caption: "The only standing totem left at the village of Chiklesaht. The carvings are Sea Otter, Seal and Bear... Bottom section of the same pole shows clearly the bear mother motif with her paws covering the eyes of a human face."
Close-up image of a figure in a totem pole at the village of Chiklesaht, on the northwest coast of Vancouver Island. This pole is featured on pages 126-127 of Carter's book "From History's Locker," with the caption: "The only standing totem left at the village of Chiklesaht. The carvings are Sea Otter, Seal and Bear... Bottom section of the same pole shows clearly the bear mother motif with her paws covering the eyes of a human face."
