Showing 595 results

Subjects
Subjects term Scope note Archival description count authority records count
I Have Seen the Other Side of the World
  • June 28 - September 4, 1988 (Gallery 5)
  • Using Pacific Northwest Coast Indian masks from MOA’s collection, this exhibition illustrates the tradition of making masks that extends along the entire Northwest culture area from northern Washington State through British Columbia to the Alaskan panhandle. The range of mask types and their use is considerable. They may represent chiefs and ancestors of high rank, or more commonly, serve as a means of making the supernatural world visible. Masks vary in size, shape, complexity and purpose from one tribal group to another. This exhibit combines both historical and contemporary examples of this dramatic art form.
  • Canada House, London, England Travelling Through March 4, 1988
4 0
Hunt Family Heritage: Contemporary Kwakiutl Art
  • May 26 – August 30, 1981 (Gallery 5)
4 0
Hudson's Bay Company 44 0
Huacos and Huacas: Objects from Sacred Places of Ancient Peru
  • April 5 - June 15, 1977
  • Student exhibition: An exhibition by the students of Fine Arts 461 and 561.
2 0
How Was Your Trip? What Did You Buy?
  • [Spring 1996]
  • Student exhibition: A look at souvenirs and other Northwest Coast artistry for sale in Vancouver by students in Anthropology 432, “The Anthropology of Public Representation.”
1 0
Houses 68 0
House posts 170 0
House fronts

Use for: House boards

35 0
Hotels 0 0
Horses 42 0
Hopi 33 0
Hoodoos (Geomorphology) 2 0
Homo Ekta Chromo
  • April 11 - September 1979
  • Student exhibition: A Fine Arts student colour slide presentation. Six hundred slides are collaged on the theatre’s six screens in a creative view of contemporary media and advertising.
3 0
High Slack: An Installation by Judith Williams
  • June 21 - December, 1994
  • ‘High Slack’ is the moment when the tide has risen to its highest point before the ebb. Vancouver artist and UBC Fine Arts Professor Judith Williams sees this pause in the tides as a metaphor for a moment of calm in the social current. The installation of paintings, sculptures, photographs and bookworks at MOA is a series of proposals for future directions in our relations to the “other,” whoever, and whatever that might be. This exhibition is not a statement; rather, it provides an atmosphere for contemplation and change.
5 0
Hidden Dimensions: Face Masking in East Asia
  • May 24, 1984 - October 31, 1985 (Gallery 5)
  • Exhibit features masks of Japan, Korea and China and was held in conjunction with the Nitobe-Ohira Memorial Conference.
11 0
Heredity: Hereditary Chiefs of the Haida
  • April 28, 1998 - February 21, 1999
  • This exhibit comprises eleven photo-based artworks depicting contemporary Haida hereditary chiefs. Accompanied by voice and text layering, this series by artist Todd Tyarm explores the idea of heredity as a virtual link between present and past, as well as to the future. The chiefs depicted in this exhibit are individuals who represent a crucial conduit for their communities to regain the traditional values, practices, languages, and ways of thinking that have shaped their cultural identities from the beginning. The “Heredity” exhibit offers insight into both the heritage of the Haida, and the thoughts, names, and stories of the people who represent its living legacy.
4 0
Heiltsuk 30 0
Heaven, Hell, and Somewhere In Between: Portuguese Popular Art
  • May 12 - October 12, 2015
  • CURATOR: Dr. Anthony Shelton, MOA Director
  • MOA delves deep into popular art of Portugal in the upcoming exhibition entitled Heaven, Hell and Somewhere In Between: Portuguese Popular Art, on view May 12 through October 12, 2015. The North American premiere of this extraordinary exhibition will include 300 Portuguese folk artworks – a distinct and eclectic mix of digital graffiti projections with popular rural creations: puppets, figurines, carnival masks, ceramics, and more. The exhibit will showcase the work of a passing generation of great artists—craftspeople, illustrators, and painters. The exhibition presents Portuguese popular art as multi-leveled, theatrical, politically astute, and individualistic. These creations provide a theatre of the nation, where art and culture are mediated through the eruption of personal, profound, and deeply felt sentiments. In fall 2015, Shelton will lead a group of enthusiastic participants on a 13-day trip to Portugal as part of MOA Journeys, an initiative launched in November 2014 with an inaugural voyage to Cuba. A unique cultural encounter, those partaking in the expedition will deepen their understanding of Portuguese society through encounters with select artists represented in the exhibition, excursions to artist studios, and cultural workshops.
17 0
Headdresses (1)

Use for: Headgear, Hat

89 0
Hangings 2 0
Results 361 to 380 of 595