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Usado por: Respect to Bill Reid Pole

• On June 21, 2002, National Aboriginal Day, the Museum launched a virtual exhibition developed to document the carving and raising of “The Tribute to Bill Reid Pole” by Jim Hart, which took place at MOA on October 1, 2000. In July 2002, the Respect to Bill Reid Pole virtual exhibit was nominated by the Virtual Museum of Canada for an award of excellence. http://www.virtualmuseum.ca/sgc-cms/expositions-exhibitions/bill_reid/english/index.html
• Ongoing, www.moa.ubc.ca

• March 2003
• Student exhibition: Based on a memorial for Maggie Pointe of the Musqueam Nation, the exhibit includes a contemporary 14-foot West Coast style canoe and its contents donated by Shane Pointe and Gina Grant. This is the first exhibition curated at MOA by UBC’s Critical Curatorial Studies graduate students.

• June 20, 1989 - September 1989 (Theatre Gallery)
• Lyle Wilson, a Haisla artist, uses the traditional symbols of northern Kwagiutl art, shifting and fragmenting them into personal statements on art, culture, and power. A selection of his drawings, etchings, and silkscreen prints is accompanied by his works in wood and other media.

• 1976

Usado por: Chinese Opera Costumes

• October - November 7, 1976
• Student exhibition: An exhibit of the 19th century Chinese theatre costumes, used by the Jin Wah Sing Musical Association of Vancouver, who will present a demonstration and Chinese opera music on October 10 at 3:00 p.m.

• 1978
• Student exhibition

• November 1979

• 1979

• March 28, 1980 - January 3, 1981 (Gallery 9)
• Student exhibition

• April 2 - December 31, 1987 (Theatre Gallery)
• Student exhibition: exhibition of sacred Hindu texts discussing the significance of Spiritual Knowledge.

• December 1, 1990
• On Saturday, December 1, 1990, the Museum of Anthropology will be joining with other museums and galleries around the world to pay tribute to those who are affected by and those who have lost their lives to AIDS. Special attention will be paid to Women and AIDS.

• December 1991 – April 19, 1992
• Martaban Jars, so named because they were shipped out of the Burmese port of Martaban, were an important trade item in Southeast Asia and the Philippines during the Song and Ming dynasties. Sometimes also known as talking or dragon jars, these huge, hand-built jars functioned as utilitarian and sacred containers, and today provides insights into the considerable skill of early potters.

• March 19 - September, 1992 (Research Collections)
• Student exhibition: MOA’s unique visible storage, which brings objects normally held in museum “basements” into public view, was created for independent study. This year students of Anthropology 431, Museum Principles and Methods, have produced eight experimental displays to explore a variety of questions with which museums such as MOA grapple - what to label the unknown, how to simplify the complex, and whether to exhibit the sacred.

• 1996

• [Fall, 1996] - January 31, 1997
• Student exhibition: What do hockey, Vancouver’s Chinatown and the Canadian Pacific Railway have in common? They were among the many answers students in Anthropology 431 proposed to the question: “What is Canadian Cultural Property?” As their term project, they created a series of posters presenting their ideas. They invite you to come and give your own thoughts about Canadian cultural property in the comment books provided in the gallery.

• April 28 – December 1998

• April 1 - June 30, 1999
• A one-case exhibit of metalworks by Kwakiutl artist Mary Anne Barkhouse, whose original pieces of jewelry may be found in the Museum’s permanent collections, as well as for sale in the Museum Shop.

• April 14 to mid May, 2000
• This is a special exhibit of works by students attending Emily Carr Institute of Art and Design. Each student was challenged to create a piece of work that is uniquely theirs, and yet consciously informed by echoes of historical techniques and ideas. The exhibit is jointly organized by MOA and Emily Carr Institute.

• April 10, 2001 - May 13, 2001 (Lobby)
• As part of their coursework at the Emily Carr Institute of Art and Design, students in MOA Curator Dr. Carol Mayer’s ceramics class are creating and installing original works inspired by the Museum’s collections.

• September 16 - October 16, 2005 (Gallery 10)
• As part of New Forms Festival 2005: Ecologies, MOA is hosting the RITUAL ECOLOGY exhibit, consisting of three multimedia installations. The first, Nabii, by Montreal artist Emilie Monnet, consists of four simultaneous DVD projections configured in the shape of a medicine wheel. The second, Lucinations, by Yukon artist Doug Smarch, uses the magic of Maya animation projected against a massive screen to interpret a Tlingit legend from the 1800s. The third, Greetings to the Technological World, is a video presentation by two artists from Montreal, Skawennati Tricia Fragnito, (Mohawk), and Jason E. Lewis (Cree). The exhibition is curated by Daina Warren.