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• August 17, 1990 - June 30, 1991
• This exhibition will consist of some 50 framed prints of David Neel’s portraits of B.C. Native Chiefs and Elders. Included with the portraits are statements made by the sitters and selected by the artist.

• [199-?]

• July 16, 1984 - January 6, 1985 (Theatre Gallery)
• The history of London’s waterfront from the Roman to the Post-Medieval periods depicted by photographs, illustrations and maps.

• February 15 – March 31, 1977
• An exhibition combining artifacts from the Royal Ontario Museum, the Seattle Art Museum, and the Museum of Anthropology.

• October 23, 2002 – March 30, 2003
• La Sierra Nevada de Santa Marta, Colombia
• This is an exhibition by well-known Colombian photographer, naturalist, and educator, Diego Samper. Through a series of twenty-six canvas panels divided into three sections (Natural History, Tayrona Heritage, and Contemporary People), Samper reveals his intimate knowledge of the Sierra Nevada de Santa Marta region on Colombia (ancient site of the Tayrona civilization), and the complex, continuing relationship of the indigenous peoples to the land.

• June 22, 2004 – January 30, 2005 (Gallery 5)
• The Abstract Edge will bring together thirty works by Davidson with five 19th century Northwest Coast artefacts. Many of the contemporary works belong to Davidson and are being created specially for this exhibition; some will be borrowed from public and private collections. The contemporary works will include paintings on a variety of materials, sculptural works and sketchbooks. The historical objects will be drawn from the Museum and other collections.

• April 7 - May 29, 2011 (The Audain Gallery)
• Carl Beam (1943-2005) was born in M’Chigeeng (West Bay) on Manitoulin Island. Of Ojibway heritage, the artist has exerted a strong influence on a whole generation of Aboriginal artists and has been instrumental in the development of the art of Canada’s First Nations. He is renowned for his powerful combinations of highly charged images from his personal Anishinaabe aesthetic, which is more akin to the expressive layering of Rauschenberg than the traditional forms of Anishinabek “Woodland School” painters. The exhibition, curated by Greg Hill, and organized by the National Gallery of Canada, features a selection of 50 of Beam’s most remarkable works spanning his 30-year career, from his monumental-scale paintings and constructions, to his ceramics and video.

Use for: Forest One by annie ross, annie ross: Forest One

• March 20 - May 27, 2012 (The Great Hall)
• The Great Hall: gallery, performance space, parking lot. Yes, parking lot! For about two months this spring, annie ross’ amazing Forest One – a full-size, 1956 Nash Metropolitan automobile that the artist has wrapped, twined, and plaited with cedar-bark and other reclaimed materials –will be displayed here, in all its woven glory. Using bark salvaged from clear-cut urban forests, Ross, a weaver and Assistant Professor in First Nations Studies at Simon Fraser University, completely transformed the car inside and out. Forest One speaks of colonization, urban sprawl, trash, and remediating the urban landscape through acts of salvage.

• April 17 - September 2, 1979

• October 30, 1979 - February 3, 1980 (Gallery 5)

• February - September 30, 1990 (Theatre Gallery)
• This photographic exhibit outlined anthropological field documentation in Zuni, New Mexico, a southwest Indian community. The exhibit offered a backstage perspective on the personal challenges, ethical deliberations, and interaction between cultures experienced by the anthropologist.

• January 20, 1987 – March 8, 1987 (Gallery 9)
• Presenting 40 vases dating from the eighth to the fourth centuries B.C. that illustrate our knowledge of ancient trade routes, daily life, and the dating of archaeological excavations.

• January 20 - March 15, 1981 (Gallery 9)

• October 13, 1987 - January 3, 1988 (Gallery 5)
• An exhibition of photographs entered for the Commonwealth Photography Award. This project was produced with the assistance of the Standard Chartered Bank.

• June 11 – November 14, 1991

• September 19 - October 15, 1978
• The second annual exhibition of silkscreen prints selected and produced by members of the Northwest Coast Indian Artists’ Guild. A collection of 9 graphics representing the works of: Joe David, Robert Davidson, Roy Hanuse, Gerry Marks, Larry Rosso, Norman Tait, Roy Vickers, and Don Yeomans.

• March, 1979 - February, 1980
• Student exhibition

• January 28 - February 9, 1986. A commercial exhibition.

• March 29 - Summer 1994
• An exhibit featuring paintings by 'Namgis artist Doug Cranmer. The works are from a series of experimental paintings Doug Cranmer produced in the mid-1970s.