Spirit of Islam Web development
- 110-3-C-7
- Dossiê
- 2001-2004
Museum exhibitions
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Museum exhibitions
Museum exhibitions
- TE 'Mn̩úkvs w̓u̓w̓a̓x̌di - One Mind, One Heart
- TE (In)visible: The Spiritual World of Taiwan Through Contemporary Art
- TE A Break in the Ice: Inuit Prints and Drawings from the Linda J. Lemmens Collection
- TE A Coat of Many Colours: Two Centuries of Jewish Life in Canada
- TE A Connoisseur’s Collection: Chinese Ceramics from the Victor Shaw Donation
- TE A Family Affair: Making Cloth in Taquile, Peru
- TE A Green Dress: Objects, Memory, and the Museum
- TE A Partnership of Peoples Exhibit
- TE A Rare Flower: A Century of Cantonese Opera in Canada
- TE Acts of Transformation: From War Toys to Peace Art
- TE African Indigo
- TE Ahneesheenahpay Still Life
- TE Alice, Donna, Helen, John and Adam by Sally Michener
- TE Amazonia: The Rights of Nature
- TE An Exhibition of the collected works of Joe David and Ron Hamilton, contemporary West Coast artists
- TE An Exhibition of the works of Norman Tait
- TE Ancient Cloth...Ancient Code?
- TE Ancient Crossroads: The Rural Population of Classical Italy
- TE Ancient Lives: The Maya of Guatemala
- TE Animals in Indian Bronze Sculpture
- TE Anonymous Beauty
- TE Another America: An Exhibition of Native American Maps
- TE Arts of Resistance: Politics and the Past in Latin America
- TE At the heart
- TE Attributed to Edenshaw: Identifying the Hand of the Artist
- TE Beads: Selections from the Textile Collection of the Museum of Anthropology
- TE Beginnings: Roy Vickers' Works
- TE Benetton
- TE Bent Boxes: Making a Bent Box; Image and Meaning; and Inside the Bent Box
- TE Between Voices: Anspayaxw, A Sound Installation by John Wynne
- TE Beyond Fluttering Sleeves: An Exhibit of Japanese Kimono
- TE Beyond Revival
- TE Bill Reid: Beyond the Essential Form
- TE Blood from Stone: Making and Using Stone Tools in Prehistoric British Columbia
- TE Blue Jeans: Symbols in North American Culture
- TE Bo'jou Neejee: Profiles of Canadian Indian Art
- TE Bob Boyer: A Blanket Statement
- TE Border Zones: New Art Across Cultures
- TE British Columbia Contemporary Ceramics
- TE Buried History of London
- TE Calendar Prints: Popular Art of South India
- TE Cannery Days: A Chapter in the Lives of the Heiltsuk
- TE Carl Beam
- TE Cedar! The Great Provider
- TE Celadon: Beyond the Glaze
- TE Ceramics: Eye of the Beholder
- TE Ceramics: Faces on Ceramic Vessels
- TE c̓əsnaʔəm: the city before the city
- TE Changing Tides: The Development of Archaeological Research in British Columbia’s Fraser Delta Region
- TE Children and Their World: Toys from Many Countries
- TE Chilean Arpilleras
- TE Chinese Ceramic Figurines
- TE Chinese Children's Art: Selections from Luda Municipality, Liaoning Province, People's Republic of China
- TE Chinese Jade and Ivory
- TE Chinese Peasant Textile Arts: Kwantung and Szechuan Provinces
- TE Chinese Snuff Bottles
- TE Chronicles of Pride
- TE Cindy Sherman meets Dzunuk'wa: From the Michael O'Brian Collection
- TE Claiming Space: Voices of Urban Aboriginal Youth
- TE Clothing and Identity : Selections from MOA's fine Costume Collection
- TE Conservation Exhibit
- TE Contemporary Salish Weaving: Continuity and Change
- TE Continuing Traditions
- TE Conversations: The Dr. Miguel and Julia Tecson Philippine Collection
- TE Cowichan Indian Knitting
- TE Crafted Elegance: The Northwest Coast Canoe
- TE Creating Context
- TE Culture at the Centre: Honouring Indigenous Culture, History and Language
- TE Cycles: The Graphic Art of Robert Davidson, Haida
- TE Dempsey Bob: The Art Goes Back to the Stories
- TE Design Elements in Northwest Coast Indian Art
- TE Design Variations in Guatemalan Textiles: Weaving a Jaspe Yarn
- TE Discovering MOA
- TE Don’t Give it Up! The Lives and Stories of the Mabel Stanley Collection
- TE Doug Cranmer's Paintings
- TE Dress and Identity: Selections from MOA's Fine Costume Collection
- TE Echoes '93
- TE Echoes '96
- TE Echoes ‘95
- TE Echoes 2000
- TE Echoes 2001
- TE El Corazon Del Mundo: At the Heart of the World
- TE Encounter 1778: Drawings, watercolours, and sketches by John Webber at Nootka Sound
- TE Eulachon: A Fish to Cure Humanity
- TE Exhibit A: Objects of Intrigue
- TE Exhibit Project - Lab #1
- TE Faces and Voices of the Inuit Art Market
- TE Festival of Hong Kong '92 at MOA
- TE Field Notes
- TE For Our Daughters
- TE Forest One
- TE Four Seasons: Seasonal Activities of Prehistoric Indian Peoples in B.C.
- TE Fragments: The E. Sonner Donation of African Sculpture
- TE Frog Constellation by Haida Artist Jim Hart
- TE From Backroom to Classroom: Interpreting Visible Storage
- TE From Classical to Modern: Javanese Shadow Play Figures
- TE From the Inside Out: Cultural Healing in Prisons
- TE From Under the Delta: Wet-Site Archaeology in British Columbia’s Lower Mainland.
- TE Gathering Strength: New Generations in Northwest Coast Art
- TE Ghosts in the Machine
- TE Gifts and Giving
- TE Grass Basket, Glass Case: Life histories of MOA’s Nuu-chah-nulth baskets
- TE Grecian Urns: Pottery from the Ancient Greek World
- TE Greek and Roman Life in Miniature
- TE Guatemalan Highland Textiles
- TE Hands of our Ancestors: The Revival of Salish Weaving at Musqueam
- TE Heaven, Hell, and Somewhere In Between: Portuguese Popular Art
- TE Heredity: Hereditary Chiefs of the Haida
- TE Hidden Dimensions: Face Masking in East Asia
- TE High Slack: An Installation by Judith Williams
- TE Homo Ekta Chromo
- TE How Was Your Trip? What Did You Buy?
- TE Huacos and Huacas: Objects from Sacred Places of Ancient Peru
- TE Hunt Family Heritage: Contemporary Kwakiutl Art
- TE I Have Seen the Other Side of the World
- TE Image and Life: 50,000 Years of Japanese Prehistory
- TE Images of Imperial Power: Coins, keys, seals, weights, and sculptures from the Roman and Byzantine Courts
- TE Images: Photographic Expressions of the Commonwealth
- TE In a Different Light: Reflecting on Northwest Coast Art
- TE In the Footprint of the Crocodile Man: Contemporary Art of the Sepik River, Papua New Guinea
- TE Indian Modern
- TE Inside Passage: 1792
- TE Inuit Life Then and Now
- TE Inuit Prints and Drawings: Baker Lake and Cape Dorset
- TE Inuit Prints: Japanese Inspiration
- TE Jack Shadbolt and the Coastal Indian Image
- TE Jamelie Hassan, Vitrine 448
- TE Jane Ash Poitras: Sweatlodge Etchings
- TE Joe David: West Coast Artist
- TE Kaxlaya Gvilas, "the ones who uphold the laws of our ancestors"
- TE Kesú: The Art and Life of Doug Cranmer
- TE Krishna Worship at Nathdwara
- TE Kwagiutl Graphics: Tradition in a New Medium
- TE Kwagiutl Masks: An Expression of Transformation
- TE Kwagiutl Watercolours and Drawings
- TE Lamps from the Greek and Roman World
- TE Lawrence Paul Yuxweluptun: Unceded Territories
- TE Layers of Influence: Unfolding Cloth Across Cultures
- TE Legacy Exhibit of Contemporary Northwest Coast Art
- TE Looking at Labels
- TE Luminescence: the Silver of Peru
- TE Lyle Wilson: When Worlds Collide
- TE Lyle Wilson’s Transforming Grizzly Bear Human
- TE Mabel Stanley: Contributions to the Community
- TE Maiolica Majolica: Historic and Contemporary Decorated Earthenware
- TE Man and His World
- TE Man Ray, African Art and the Modernist Lens
- TE Marking the Infinite: Contemporary Women Artists from Aboriginal Australia
- TE Mary Anne Barkhouse: Selected Works
- TE Masterworks of Haida Artist Bill Reid
- TE Maui: Turning Back the Sky
- TE Mehodihi: Well-Known Traditions of Tahltan People "Our Great Ancestors Lived That Way"
- TE Memory, Place, & Displacement: A Journey by Jesús Abad Colorado
- TE Metal Works
- TE Michael Nicoll Yahgulanaas: Meddling in the Museum
- TE Multiplicity: A New Cultural Strategy
- TE Mungo Martin: A Slender Thread
- TE Museum Quality: Significant Acquisitions Purchased for the Museum's Permanent Collection by the Anthropology Shop Volunteers
- TE Museums Are Good Places to Work
- TE Musqueam Weavers
- TE My Ancestors are Still Dancing
- TE National Museum of Man: Children of the Raven
- TE Native Youth Project
- TE New Visions: Serigraphs by Susan A. Point, Coast Salish Artist
- TE No Windows
- TE Norman Tait: Nishga Carver
- TE Northwest Coast Indian Artists' Guild - 1978 Graphics Collection
- TE Northwest Coast Jewellery in Masterpiece Gallery
- TE Nunavutmiutanik Elisasiniq: A Tribute to the Peoples of Nunavut
- TE Nuxalk Radio: One Nation, Many Voices
- TE O Canada! An Experimental Exhibition in Six Parts
- TE Of Other Spaces...
- TE On Stoney Ground
- TE Our Chiefs and Elders: Photographs by David Neel, Kwagiutl
- TE Our Eldest Elders: A Photographic Tribute
- TE Ouroboros: A Major Work by Stephen C. Clark
- TE Panel Installation: 'ehhwe'p syuth (To Share History)
- TE Paradise Lost? Contemporary Works from the Pacific
- TE Pasifika: Island Journeys - The Frank Burnett Collection of Pacific Arts
- TE Paul Gibbons Mask Display
- TE Peter Morin's Museum
- TE Photographs in Denendeh
- TE Pigapicha! 100 Years of Studio Photography in Nairobi
- TE Plantae Occidentalis: 200 Years of Botanical Art in British Columbia
- TE Plantae Occidentalis: 200 Years of Botanical Art in British Columbia
- TE Playing With Fire: Ceramics of the Extraordinary
- TE Pleased to Meet You: Introductions by Gwyn Hanssen Pigott
- TE Popology
- TE Potlatch Platform
- TE Precisions of Line Perfections of Form
- TE Preservation of Ainu Culture: Gifts from the Sapporo Aniu Cultural Society
- TE Prints Exhibition: Roy Hanuse, Joe David, and Art Thompson
- TE PROJECTIONS: The Paintings of Henry Speck, Udzi'stalis
- TE Proud to be Musqueam: Dedicated to Our Children
- TE Questions Asked
- TE Rajasthan Artifacts Collected on a Field Trip to Northwest India During the Summer of 1979
- TE Raven and the First Immigrant
- TE Raven Bringing Light to the World
- TE Raven's Reprise: Contemporary Works by First Nations Artists
- TE Recalling the Past: A Selection of Early Chinese Art from the Victor Shaw Collection
- TE Reclaiming History: Ledger Drawings by Assiniboine Artist Hongeeyesa
- TE Reflecting Northwest Coast Artistry
- TE Reflections of India: Paintings from the 16th to the 19th Century
- TE Remembering Luboml: Images of a Jewish Community
- TE Repair, Reuse, and Recycle
- TE Ritual Ecologies (New Form Festival '05 Exhibition)
- TE Robert Davidson: Raven
- TE Robert Davidson: The Abstract Edge
- TE Robes of Power: Totem Poles on Cloth
- TE Safar/Voyage: Contemporary Works by Arab, Iranian, and Turkish Artists
- TE Salish Art: Visions of Power, Symbols of Wealth
- TE Salish Exhibit: Spindle Whorls
- TE Salish Images: Northwest Coast Artists Tribute to Salish Art
- TE Sankofa: African Routes, Canadian Roots
- TE Savage Graces: After Images by Gerald McMaster
- TE Sculptures by Dominic Benhura
- TE Seeing is Believing: Photographs from the Archives
- TE Selected Garments from Asia, North and South America and Europe
- TE Selected Works from MOA’s First Nations Print Collection
- TE Sensibilities: Unsuspected Harmonies in Multicultural Aesthetics
- TE Sewing Dissent: Patterns of Resistance in Chile
- TE Shadows, Strings and Other Things: The Enchanting Theatre of Puppets
- TE Shake Up: Preserving What We Value
- TE Show and Tell: The Story of the Big Mac Box
- TE Signed Without Signature: Works by Charles & Isabella Edenshaw
- TE Site to Sight: Imaging the Sacred
- TE Speaking to Memory: Images and Voices from St. Michael's Indian Residential School
- TE Spirits in the Rock: An Exhibition of Paintings by Ojibwa artist John Laford
- TE Spotlight On India
- TE Symbol of New Hope: The Ukrainian Easter Egg
- TE T'xwelatse Visits MOA
- TE Tatau: Samoan Tattooing and Global Culture
- TE The Art of Norval Morrisseau
- TE The Boom Years: A Portrait of North Vancouver by G.G. Nye 1905-1910
- TE The Copper that Came from Heaven: The Dance Dramas of the Kwakwaka'wakw
- TE The Copper that Came from Heaven: The Dance Dramas of the Kwakwaka’wakw
- TE The Dragon Jars of Southeast Asia: The Julia and Miguel Tecson Collection
- TE The Evolution of Bill Reid's Beaver Print
- TE The Fabric of Our Land: Salish Weaving
- TE The Flute and the Sword
- TE The Four Seasons: Food Getting in British Columbia Prehistory
- TE The Gallery Collection: Ten Northwest Coast Indian Silkscreen Prints
- TE The Guild Show
- TE The Hindu Divine: Gods and Goddesses in Indian Art
- TE The Honour of One is the Honour of All
- TE The Legacy: Contemporary British Columbia Indian Art
- TE The Legacy: Continuing Traditions of Canadian Northwest Coast Indian Art
- TE The Literacy Heritage of Hinduism
- TE The Mabel Stanley Regalia Collection
- TE The Magic of Masks in Sri Lanka
- TE The Marvellous Real: Art from Mexico, 1926 - 2011
- TE The Raven and the First Men
- TE The Spirit of Islam: Experiencing Islam Through Calligraphy
- TE The Spirit of Tibet
- TE The Strangled Man: Haida Argillite Carving in Retrospect
- TE The Third Eye
- TE The Transforming Image
- TE The Tribal Societies and Control of the Supernatural
- TE The Village is Tilting: Dancing AIDS in Malawi
- TE The Whiteman in North America c. 1970 - 1980
- TE The World of Spirits: An Exhibition of Igbo Masks from South East Nigeria
- TE Three Case Studies
- TE Through My Eyes
- TE Tibetan Robes
- TE Tibetan Thangka Paintings by Kalsang Dawa
- TE To Market, to Market . . . The Culture Exchange
- TE To Wash Away the Tears
- TE Together Again: Nuxalk Faces of the Sky
- TE Traces of Words: Art and Calligraphy from Asia
- TE Traditional Arts of Korea: Adornment, Costumes, and Ceramics
- TE Traditional East African Medical Beliefs and Practices
- TE Transitions: Contemporary Canadian Indian and Inuit Art
- TE Translations of Tradition: Joanna Staniszkis' Recent Work
- TE Trapline Lifeline
- TE Treasures of the Tsimshian from the Dundas Collection
- TE Tupilaq: Greenland Spirit Carvings
- TE Two Case Studies
- TE TwoRow II by Alan Michelson
- TE Unity Quilt
- TE Vereinigung (Unification)
- TE Viewpoints
- TE Virtual Museum of Canada “Respect to Bill Reid Pole” Online Exhibit
- TE Visible Storage
- TE Visions of Enlightenment: Buddhist Art at MOA
- TE Voices of the Canoe
- TE Wall of Ravens: The Raven Portrayed in NWC Indian Silkscreen Prints
- TE Wayang: From Gods to Bart Simpson
- TE We Sing to the Universe: Poems and Drawings by Ron Hamilton
- TE Wearing Politics, Fashioning Commemoration: Factory-Printed Cloths in Ghana
- TE Weavers at Musqueam
- TE West Coast Exhibit
- TE West Coast Graphics: Images of Change
- TE What Constitutes a Complete Collection?
- TE What is A Masterpiece?
- TE What is Canadian Cultural Property?
- TE Wheel: Overlays - An Installation by Edgar Heap of Birds
- TE When Kings Were Heroes
- TE Where are the Children? Healing the Legacy of the Residential Schools
- TE Who Shall Remain Nameless? Makers and Collectors in MOA’s Nuu-chah-nulth Basketry Collection
- TE Within the Pear Garder: Chinese Opera Costumes
- TE Without Masks: Contemporary Afro-Cuban Art
- TE Woman’s Work by Sally Michener
- TE World AIDS Day
- TE Written in the Earth: Coast Salish Art
- TE YuQuot ... 4000 Years: Continuity and Change in a West Coast Village
- TE ひろしま hiroshima by Ishiuchi Miyako
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Museum exhibitions
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Spirit of Islam exhibit development materials
- 110-3-C-10
- Dossiê
- 2001
- 110-3-C-13
- Dossiê
- 20-Oct-01
- 110-3-C-17
- Dossiê
- 2001
- 110-3-C-Video 232
- Dossiê
- 199-?
Carving of the "Raven and the First Man," Bill Reid
- 110-5-1-27
- Dossiê
- 1980
- 110-5-2-6
- Dossiê
- June 1982
"The Copper that came from Heaven"
- 110-5-2-16
- Dossiê
- July 1983
- 110-5-3-19
- Dossiê
- 1985
- 110-5-3-21
- Dossiê
- 1985
- 110-5-4-8
- Dossiê
- June 17, 1986
A performer at the opening of A Rare Flower: A Century of Cantonese Opera in Canada
- 110-5-5-11-a035607
- Item
A member of the Jin Wah Sing Musical Association performs at the opening of the exhibit A Rare Flower: A Century of Cantonese Opera in Canada
- 110-5-5-11-a035608
- Item
Members of the Jin Wah Sing Musical Association Lisa Wan and Elizabeth Cheung perform at the opening of the exhibit A Rare Flower: A Century of Cantonese Opera in Canada
- 110-5-5-11-a035886
- Item
Member of the Jin Wah Sing Musical Association Lisa Wan applies her makeup before their performance at the opening of the exhibit A Rare Flower: A Century of Cantonese Opera in Canada
"A Rattling Under Glass" and The Raven and the First Men
- 110-5-5-15-a035619
- Item
Archer Mayling and Monique Mojica act in front of The Raven and the First Men during a performance of "A Rattling Under Glass"
Monique Mojica with The Raven and the First Men
- 110-5-5-15-a035622
- Item
Moique Mojica performs in "A Rattling Under Glass", an interpretive program for school groups visiting the museum adapted from a potlatch story in front of the carving The Raven and the First Men
- 110-1-B-66
- Dossiê
- 2001-2002
Spirit of Islam program development
- 110-1-B-77
- Dossiê
- 2001-2002
Spirit of Islam Speaker Series/Workshops
- 110-2-96
- Dossiê
- 2002-2003
- 110-2-100
- Dossiê
- 2003
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