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Agnes Cranmer

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Agnes "Big Granny" Cranmer (nee Hunt) of Tsax̱is (Fort Rupert), carried the name Gwanti'lakw, meaning "born to be heavy (referring to wealth)." Agnes married hereditary Chief Dan Cranmer of the 'Namgis band of Alert Bay, and they had several children, including Bill and Doug Cranmer (Kesu'), and Gloria Cranmer. Franz Boas stayed at her house on one of his visits. Later, Agnes Cranmer and her first cousin Nunu (Helen Knox) gave Boas' descendants, Norman and Doris Boas, names at a potlatch. She taught traditional dancing for many years at the 'Namgis Band School and served as a resource consultant for the Learning Kwak'wala series (1980-1981) and for its accompanying teacher training program.

Alex Hanuse

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  • [1913?]-1950

Alex Hanuse was born in 19[13?] in Alert Bay to hereditary Chief Harry Hanuse and Mary Deborah Charlie. His siblings included: Lucy Marion (Adawis) Hanuse, Annie Laura Hanuse, George Harry Hanuse, Alice Ethel Hanuse, Alfred James Hanuse, Daniel Edgar Hanuse, Frederick Clarence Hanuse, Florence Eleanor Hanuse, Wilfred Hanuse, and Stella Mae Hanuse. Alex married Gertrude (Gertie) Hanuse (nee Martin) on January 21, 1935. He was a logger and tragically drowned at the age of 37 in a boating accident on the Nimpkish River with his two brothers, Fred and Wildred Hanuse, on December 5, 1950. From: http://nativevoice.ca/wp-content/uploads/2018/07/nv-1951v01.pdf and https://issuu.com/umista/docs/winter_2012

Alexa Fairchild

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Alexa Fairchild is School Programs Manager at the Brooklyn Museum, where she works with a talented team of educators to host kids and teachers for fun, engaging gallery experiences. Alexa’s professional life includes serving on the Board of Directors for the Museum Education Roundtable and contributing as a peer reviewer to its publication, the Journal of Museum Education. She’s an avid presenter at local and national conferences, and served two years as president of the New York City Museum Educators Roundtable. She’s also on the Advisory Council of the Women’s International Leadership Program at International House. Alexa has worked at the Museum of Anthropology at the University of British Columbia (U.B.C.) in her hometown of Vancouver, Canada; Lower East Side Tenement Museum; and Cathedral Church of Saint John the Divine. Her graduate degrees are from Bank Street College of Education (M.S. in Ed.) and U.B.C. (M.A. in Art History).

Alfred James Hanuse

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  • [?] - 1950

Alfred James Hanuse was born in Alert Bay to hereditary Chief Harry Hanuse and Mary Deborah Charlie. His siblings included: Lucy Marion (Adawis) Hanuse, Annie Laura Hanuse, George Harry Hanuse, Alice Ethel Hanuse, Alexander Hanuse, Daniel Edgar Hanuse, Frederick Clarence Hanuse, Florence Eleanor Hanuse, Wilfred Hanuse, and Stella Mae Hanuse. Alfred married Mary Hanuse (nee Alfred) and Alfred James (Jack) Hanuse on February 22, 1935. From: https://issuu.com/umista/docs/winter_2012

Ann Stevenson

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Ann is a retired, settler information professional who has a Master’s degree from UBC in Anthropology (1985) and an MLIS from the UBC School of Information (2008). From 2010-2018, Ann oversaw the Audrey & Harry Hawthorn Library & Archives (AHHLA) at the Museum of Anthropology (MOA) and managed digital projects and services for MOA. The Oral History & Language Lab is part of AHHLA and has led MOA’s involvement with the Indigitization Program. Being part of the Indigitization Program Steering Committee was a highlight of Ann's career, affording her the opportunity to work with and for Indigenous communities.

April Liu

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April Liu is currently a Mellon Postdoctoral Curatorial Fellow for Asia at the Museum of Anthropology in Vancouver, BC. She completed her PhD in art history at the University of British Columbia in 2012, with a specialization in Chinese art history of the late imperial to contemporary period.

Since 2011, Liu has worked as an instructor in the Critical and Cultural Studies Department at the Emily Carr University of Art + Design, teaching courses on Asian art, visual culture, and global modernities. Her current research interests include Chinese print culture, contemporary Asian art, and the visualization of heritage and memory amongst Asian diasporas.

Ben Houstie

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  • 1960-

Ben Houstie is a Heiltsuk artist born in Bella Bella, BC (Waglisla) in 1960. Ben’s works include: original paintings, limited edition prints, carved cedar rattles, and paddles. He has worked with Cheryl Hall, Robert Hall, David Gladstone, and Beau Dick. In 1988, Ben worked under Bill Reid painting several drums of Bill’s designs and 20 paddles for the Canadian Museum of Civilization in Ottawa. Ben also painted several reconstructed artworks in 2000 for the Museum of Anthropology’s "The Transforming Image" exhibition. He is known for producing small original paintings and miniature wood masks. As a child, Ben watched master carver, Mungo Martin, working on the world’s largest totem pole, in Alert Bay, B.C. He is a survivor of the St Michael’s residential school in Alert Bay and his art serves as a form of healing and cultural connection. His great grandfather is Daniel Houstie and his son is Christopher Houstie. From: https://sa-cinn.com/ben-houstie-artcards-prints/

Bill MacKay

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Bill Mackay is the Skipper of the Naiad Explorer. As of 2022, he is affiliated with Mackay Whale Watching, a family owned and operated whale watching business located on the coast of Northern Vancouver Island in Port McNeill. The

Bill Reid

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  • 1920 - 1998

William Ronald Reid (Q'adasru qiirawaay, Raven Clan of T'anuu) was born in 1920 in Victoria, B.C. His mother, Sophie Gladstone, was from the Kaadaas gaah Kiiguwaay, Raven-Wolf Clan of T'anuu (Haida), but she was educated at the Coqualeetza Residential School. His father was an American of Scottish-German descent. At twenty Reid began his career in broadcasting, as a radio announcer. From 1948 to 1958 he worked for the CBC in Toronto and Vancouver. Also, while in his twenties, he decided to emulate his maternal grandfather, Charles Gladstone and become a silver and goldsmith. Gladstone was trained by Charles Edenshaw, a master Haida artist. In conjunction with his grandfather's training, Reid analyzed many pieces held in museum collections. He also trained in traditional European jewellery techniques in Toronto, Ontario and London, England and applied those techniques (eg. repousse) to Northwest Coast metal work. When Reid returned to the West Coast he began seriously to pursue Haida imagery in both jewelry and sculpture. His works, known for their superb craftsmanship, range from exquisite carvings in precious metals and argillite to monumental sculptures in bronze and cedar. They have been collected and exhibited all over the world. Some of his most acclaimed sculptures include The Raven and the First Men at the Museum of Anthropology, and The Spirit of Haida Gwaii (1991), castings of which are located at the Canadian Embassy in Washington, D.C., and the Vancouver Airport. Other celebrated pieces include Chief of the Undersea World at the Vancouver Aquarium, and Lootaas (Wave Eater), a cedar canoe that has been shown in Paris, and is now at home in Haida Gwaii. Bill Reid was the first living artist to have his work displayed in the Musée de l'Homme in Paris, in an exhibition celebrating the works of ethnologist Claude Lévi-Strauss. It can be said that Bill Reid's work forms a link between ancient and contemporary artistic styles, and was instrumental in the revitalization of the northern Northwest Coast artistic tradition. Reid received many awards in his lifetime, including the Canada Council Molson Award, the Bronfman Award for Excellence in Crafts, the Vancouver Lifetime Achievement Award, the Royal Bank Award for Outstanding Canadian Achievement, and the National Aboriginal Achievement Award for Lifetime Achievement. UBC awarded Bill Reid an Honorary degree in 1976 for his contribution to the cultural life of Canada. He died on March 13, 1998 after a 30-year battle with Parkinson's disease.

Bruce White

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C. MacKay

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Captain Cook

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  • 1728-1779

James Cook was a British naval captain, navigator, and explorer who sailed the seaways and coasts of Canada (1759 and 1763–67), and conducted three expeditions to the Pacific Ocean (1768–71, 1772–75, and 1776–79), ranging from the Antarctic ice fields to the Bering Strait, and from the coasts of North America, to Australia and New Zealand. It was during his third voyage that Captain Cook sailed into the waters of what is now known as British Columbia. He spent a short period in the Pacific Northwest along what is now Vancouver Island during an expedition to find the fabled Northwest Passage. He never located the Passage, but paved the way for others to make a tremendous impact by establishing a British presence in the Pacific Northwest - he particularly influenced George Vancouver, who would sail as a midshipman with Captain Cook during his Pacific voyages.

When mapping the west coast of Vancouver Island, Cook gathered and recorded a vast amount of information about the Indigenous peoples of the area and their cultures. Cook also established a trading relationship with the Mowachaht Nation and their Chief Maquinna. The knowledge gathered by Cook contributed significantly to future expeditions, which eventually led to the European settlement and colonization of British Columbia. Cook died on February 14, 1779, on the Island of Hawaii.

Charles Edenshaw

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  • 1839-1920

Charles Edenshaw (Da.a xiigang), was a Haida carver who was born in Skidegate (Saangga.ahl Sdast'aas Eagle Clan). It is recorded that he was sickly when young, and at this time began carving argillite. His father, a noted canoe carver, died a few years later, so at eighteen he went to live with his uncle, Albert Edenshaw, in qang (Kung) village. When Albert moved to Masset in the 1870s, Charles would have accompanied him. He married Isabella in a Haida ceremony around 1873. After choosing his english name, Charles, and surname, Edenshaw (based on the Haidi name Edinso), he was baptized and remarried in an Anglican church. He worked as a full-time artist for most of his life, producing painted bentwood boxes, miniature and large totem poles, masks, chiefs' staffs, argillite totem poles, and gold and silver jewelry. The objects were created for First Nations' use, as well as for commissions by collectors for major museums. Like other Haida artists of his time, Edenshaw did not sign his work. The works are usually attributed to his hand through a combination of stylistic analysis and provenance. Edenshaw was able to speak Haida, Tlingit, Tsimshian, Chinook jargon, and some English and lived and worked in numerous communities, including Sitka, Ketchikan, Port Simpson, Port Essington, and Victoria. He died at the age of 86 and is buried in Massett on Haida Gwaii.

Charles F. Newcombe

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  • 1851-1924

Charles F. Newcombe was a British physician, botanist, and ethnographic researchers and collector. Born in Newcastle upon Tyne, U.K., he studied medicine in Aberdeen, Scotland. He immigrated to the United States with his wife and three children, moving to Oregon, before moving to Victoria, B.C., in 1889.

Shortly after his arrival in Victoria he became an unpaid researcher at the provincial museum in Victoria, where he met people with whom he shared interests in botany, geology, marine biology, geography, palaeontology, and anthropology. [...] In 1895, with Francis Kermode of the provincial museum, Newcombe had travelled by steamer on an expedition to the Kwakiutl community at Alert Bay and to Haida Gwaii. On this trip, he began acquiring anthropological artefacts for his personal collection and he also established a practice of recording detailed field notes. In 1896, he became a founding member of the Victoria Natural History Society. By 1897, Newcombe had had a boat specially made for his fieldwork. The Pelican, a 24-foot double-ended Columbia River boat, was easy to row and to sail, could be transported by steamer, and permitted independent expeditions to the remotest areas of the coast. That year he returned to the same regions on his first major independent collecting trip. At the request of the provincial government he purchased a Haida totem pole for the Royal Botanic Gardens at Kew (London) and he acquired artefacts for George Mercer Dawson of the Geological Survey of Canada. [...] By 1900, he had received commissions from major American museums. American anthropologist Franz Boas hired him to conduct research on the Haida history of the southern portion of Haida Gwaii. Newcombe was accompanied on this expedition by assistant, Douglas Scholefield, and Haida Chief, Elijah Ninstints. As they rowed and sailed together, Ninstints described the geography and history of his homeland, while Newcombe took notes and photographs, made sketches, and collected specimens. In late 1901, he agreed to work on a full-time basis for the Columbian Museum of Chicago, an arrangement that would last until late 1905. He acquired comprehensive ethnographic collections for displays on the Haida, Kwakiutl, Nootka, and Salish peoples. In 1904, he was commissioned to assemble ethnographic exhibits for the Louisiana Purchase exposition in St Louis that would include a group of Nootka and Kwakiutl cultural performers and artists, as well as a traditional Native house, a canoe, and other artefacts purchased and shipped for the event. He eventually developed a web of patrons, clients, and colleagues that extended throughout British Columbia and around the world.

For decades most ethnological artefacts from the northwest coast of Canada were purchased by foreign interests. Newcombe was dismayed that he could not interest provincial and federal governments in the collection and preservation of native artefacts and specimens of natural history. Since his overriding concern was to preserve these items for posterity, he was obliged to deal with American and other foreign institutions. In response to this situation, in 1911 the provincial museum at Victoria hired him as its agent. For four years he travelled throughout the province, compiling a major collection of artefacts. After 1914 his pace began to abate and he turned to researching and writing about the exploration history of the British Columbia coast. After a collecting trip to Alert Bay, he contracted pneumonia and died in 1924. From: http://www.biographi.ca/en/bio/newcombe_charles_frederic_15E.html

Charles Sidney Leary

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  • March 4, 1883 - 1950

Charles Sidney Leary (often referred to as Sid Leary) was born in England and moved overseas in 1907, eventually settling in Nakusp, British Columbia. He began working in the lumber industry and eventually came to own a mill. He served as an officer in the first World War, eventually rising to the rank of Captain. He was posted to Cyprus for timber operations in 1917 and it was there that he began to collect ancient artifacts. On returning to Canada, Leary continued to work in the timber industry. He later served as an MLA in the British Columbia Legislature, including two years as the Minister of Public Works. His collection of antiquities acquired in Cyprus was eventually shipped to Canada. After his death in 1950, his family donated his collection to the Museum of Anthropology at the University of British Columbia.

Charlotte Townsend-Gault

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Charlotte Townsend-Gault is an art historian, author, curator, and Professor Emeritus of UBC's Department of Art History, Visual Art & Theory. Her research, teaching, and scholarship concerns contemporary visual and material Native American and First Nations cultures, particularly those of the Pacific Northwest. She is the co-editor of "Native Art of the Northwest Coast: A History of Changing Ideas" (2019, UBC Press) with Jennifer Kramer and Ḳi-Ke-In, a canonical text and historical survey of Northwest Coast First Nations' art.

Chief Albert Edward Edenshaw

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  • 1822-1894

Chief Albert Edward Edenshaw was born near Cape Ball on the east coast of Haida Gwaii. The uncle of Charles Edenshaw, Albert was the head chief of the Stastas, one of the Eagle divisions. In the 1840s, he piloted New England trading vessels and Royal Navy ships visiting Queen Charlotte waters. On Sept. 26, 1852, Edenshaw became a central figure in a historic event. Hired as pilot of the American schooner, Susan Sturgis, they encountered, head-on, canoe-loads of Masset Haida. Edenshaw was able to hold off the attack for seven hours, and was commended by Captain Matthew Rooney. He was known as an ironworker, coppersmith, jewelry-maker, and carver of large wooden poles. It has also been stated that he was very likely a carver of argillite, however, no pieces have been definitively assigned to him.

Chief Bill Glendale

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Hereditary Chief of the Da'naxda'xw / Awaetlala Nation of the Kwakwak'awakw people.

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